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Rokinon 16mm T2.2 DS Cine Lens

The Rokinon 16mm T2.2 is a 16mm f/2.2 lens designed for Canon EF, Nikon F, Sony E, Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Rokinon 16mm T2.2 DS Cine Lens

Rokinon 16mm T2.2 DS Cine Lens

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Lens OverviewRokinon 16mm T2.2

The Rokinon 16mm T2.2 DS Cine Lens is a wide-angle prime built for APS-C and Super35-format mirrorless camera systems. With a maximum aperture of T2.2, it delivers solid light-gathering performance in a dedicated cine-oriented package. The lens is available in multiple mounts — Canon EF, Nikon F, Sony E, and Micro Four Thirds — making it a flexible choice for shooters working across different camera platforms without needing to invest in separate glass for each body.

Focus is entirely manual, which is standard practice on set where precise, repeatable focus pulls are essential. At 589.7g, the lens strikes a reasonable balance between build substance and portability, particularly for handheld or gimbal-mounted rigs where weight distribution matters. The 77mm filter thread accommodates a wide range of commonly available filters, keeping accessory costs manageable.

As a prime lens locked at 16mm in the wide-angle range, it suits applications like environmental storytelling, architecture, interior work, and any scenario where a broad field of view is the priority. The DS (Declicked/Standard) Cine designation signals this lens is purpose-built for video production workflows rather than adapted from a photo counterpart.

Key FeaturesRokinon 16mm T2.2

16mm Wide-Angle Prime: Fixed 16mm focal length delivers a broad field of view on APS-C and Super35 sensors, well-suited for interiors, architecture, and environmental storytelling.

T2.2 Maximum Aperture: T-stop rating reflects actual light transmission, giving cinematographers a reliable exposure reference for consistent results across different lenses.

DS Cine Design: Purpose-built for video production with declicked aperture and dedicated focus and iris rings positioned for smooth on-set operation.

Manual Focus Only: Smooth manual focus ring allows precise, repeatable focus pulls — standard practice in professional video and cinema workflows.

Four Mount Options: Available in Canon EF, Nikon F, Sony E, and Micro Four Thirds mounts, making it a practical choice for shooters working across multiple camera platforms.

77mm Filter Thread: Standard 77mm front thread is compatible with a wide range of readily available ND, polarizing, and other filters.

Lens SpecificationsRokinon 16mm T2.2

Rokinon 16mm T2.2 full specifications
SpecDetail
Use CasesStudio, Documentary, Video / Cinematography
Lens TypeCine
FormatAPS-C / DX
Zoom/PrimePrime
Focal Length16mm
Maximum Aperturef/2.2
Camera SystemMirrorless
Lens MountCanon EF, Nikon F, Sony E, Micro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

DescriptionRokinon 16mm T2.2

The Rokinon 16mm T2.2 DS Cine Lens is a dedicated wide-angle prime designed for APS-C format mirrorless camera systems. Its T2.2 maximum aperture provides reliable light transmission for cinematic shooting in a variety of lighting conditions. The lens is offered in Canon EF, Nikon F, Sony E, and Micro Four Thirds mounts, giving productions the flexibility to use the same focal length across different camera bodies.

At a fixed 16mm focal length, it covers wide-angle perspectives ideal for environmental, architectural, and narrative filmmaking. Focus is fully manual, consistent with professional cine lens standards where precise, repeatable focus control is essential. The 77mm filter thread makes it straightforward to attach industry-standard filtration.

Weighing in at 589.7g, it is practical for use on gimbals, shoulder rigs, and other common cinema support systems. Image stabilization is not present, so stable rigging is recommended for smooth footage. The APS-C lens format ensures proper coverage across Super35 and APS-C sensor cameras.

ProsRokinon 16mm T2.2

  • T2.2 maximum aperture provides strong light transmission for a wide-angle cine prime
  • Available in four mounts — Canon EF, Nikon F, Sony E, and Micro Four Thirds — offering broad camera compatibility
  • 16mm focal length covers wide-angle framing on APS-C and Super35 sensors

ConsRokinon 16mm T2.2

  • Manual focus only — no autofocus, which limits usability for run-and-gun or solo photo shooting
  • No image stabilization, requiring stable rigging or steady hands for sharp results
  • APS-C/Super35 format coverage means it cannot be used at full coverage on full-frame sensor bodies

ReviewsRokinon 16mm T2.2

VideosRokinon 16mm T2.2

Rokinon 16mm T/2.2 CINE Lens on Micro Four Thirds ReviewNate's Film Tutorials

Frequently Asked QuestionsRokinon 16mm T2.2

Which camera mounts is the Rokinon 16mm T2.2 DS Cine Lens available in?+

This lens is available in Canon EF, Nikon F, Sony E, and Micro Four Thirds mounts. That covers a wide range of popular mirrorless and DSLR camera systems, making it a versatile choice for multi-camera productions.

Does this lens have autofocus?+

No — the Rokinon 16mm T2.2 DS is a manual focus-only lens. This is intentional for cine use, where controlled, repeatable focus pulls are preferred over automatic focus systems.

What sensor size does this lens cover?+

The lens is designed for APS-C format sensors, which aligns with the Super35 format commonly used in cinema production. It is not designed to cover full-frame sensors at full image circle.

What filter size does the Rokinon 16mm T2.2 DS accept?+

The lens accepts 77mm threaded filters. This is a widely used filter diameter, so it is easy to find compatible ND, polarizing, and other filters from most filter manufacturers.

How heavy is this lens?+

The Rokinon 16mm T2.2 DS weighs 589.7g. This is a moderate weight for a cine prime lens and is generally compatible with lighter gimbal and shoulder-rig setups.

Is this lens suitable for photography as well as video?+

The lens can be used for photography, but its T2.2 aperture designation and manual-only focus make it primarily optimized for video and cinema work. Photographers who prefer autofocus or image stabilization would find it limiting compared to photo-oriented alternatives.

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