Rokinon 16mm T2.2 DS Cine Lens
The Rokinon 16mm T2.2 is a 16mm f/2.2 lens designed for Canon EF, Nikon F, Sony E, Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Rokinon 16mm T2.2 DS Cine Lens
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Lens Overview — Rokinon 16mm T2.2
Key Features — Rokinon 16mm T2.2
16mm Wide-Angle Prime: Fixed 16mm focal length delivers a broad field of view on APS-C and Super35 sensors, well-suited for interiors, architecture, and environmental storytelling.
T2.2 Maximum Aperture: T-stop rating reflects actual light transmission, giving cinematographers a reliable exposure reference for consistent results across different lenses.
DS Cine Design: Purpose-built for video production with declicked aperture and dedicated focus and iris rings positioned for smooth on-set operation.
Manual Focus Only: Smooth manual focus ring allows precise, repeatable focus pulls — standard practice in professional video and cinema workflows.
Four Mount Options: Available in Canon EF, Nikon F, Sony E, and Micro Four Thirds mounts, making it a practical choice for shooters working across multiple camera platforms.
77mm Filter Thread: Standard 77mm front thread is compatible with a wide range of readily available ND, polarizing, and other filters.
Lens Specifications — Rokinon 16mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Studio, Documentary, Video / Cinematography |
| Lens Type | Cine |
| Format | APS-C / DX |
| Zoom/Prime | Prime |
| Focal Length | 16mm |
| Maximum Aperture | f/2.2 |
| Camera System | Mirrorless |
| Lens Mount | Canon EF, Nikon F, Sony E, Micro Four Thirds |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 77mm |
Description — Rokinon 16mm T2.2
The Rokinon 16mm T2.2 DS Cine Lens is a dedicated wide-angle prime designed for APS-C format mirrorless camera systems. Its T2.2 maximum aperture provides reliable light transmission for cinematic shooting in a variety of lighting conditions. The lens is offered in Canon EF, Nikon F, Sony E, and Micro Four Thirds mounts, giving productions the flexibility to use the same focal length across different camera bodies.
At a fixed 16mm focal length, it covers wide-angle perspectives ideal for environmental, architectural, and narrative filmmaking. Focus is fully manual, consistent with professional cine lens standards where precise, repeatable focus control is essential. The 77mm filter thread makes it straightforward to attach industry-standard filtration.
Weighing in at 589.7g, it is practical for use on gimbals, shoulder rigs, and other common cinema support systems. Image stabilization is not present, so stable rigging is recommended for smooth footage. The APS-C lens format ensures proper coverage across Super35 and APS-C sensor cameras.
Pros — Rokinon 16mm T2.2
- ✓T2.2 maximum aperture provides strong light transmission for a wide-angle cine prime
- ✓Available in four mounts — Canon EF, Nikon F, Sony E, and Micro Four Thirds — offering broad camera compatibility
- ✓16mm focal length covers wide-angle framing on APS-C and Super35 sensors
Cons — Rokinon 16mm T2.2
- ✗Manual focus only — no autofocus, which limits usability for run-and-gun or solo photo shooting
- ✗No image stabilization, requiring stable rigging or steady hands for sharp results
- ✗APS-C/Super35 format coverage means it cannot be used at full coverage on full-frame sensor bodies
Videos — Rokinon 16mm T2.2
Rokinon 16mm T/2.2 CINE Lens on Micro Four Thirds Review — Nate's Film Tutorials









