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Rokinon 24mm T1.5 ED AS IF UMC Cine Lens

The Rokinon 24mm T1.5 ED AS IF UMC is a 24mm f/1.5 cinema lens designed for Canon EF, Sony E, Nikon F, Micro Four Thirds, PL Mount mount cameras. Used copies start from $193.8 on GearFocus, with buyer protection on every purchase.

Rokinon 24mm T1.5 ED AS IF UMC Cine Lens

Rokinon 24mm T1.5 ED AS IF UMC Cine Lens

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Rokinon 24mm T1.5 Cine ED AS IF UMC Lens Canon EF mount

Condition: Good

Product Highlights

  • Wide-angle cine lens
  • Fast T1.5 aperture
  • Geared focus and aperture rings
  • ED glass for reduced aberrations

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Rokinon 24mm T1.5 Cine ED AS IF UMC Lens Canon EF mount
Rokinon 24mm T1.5 Cine ED AS IF UMC Lens Canon EF mount

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$193.80

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Lens Overview — Rokinon 24mm T1.5 ED AS IF UMC

The Rokinon 24mm T1.5 Cine Lens is a wide-angle prime designed specifically for cinema and video production. Built around a full-frame image circle, it covers a broad range of camera systems thanks to its availability in Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount configurations — making it a genuinely versatile option for cinematographers working across different bodies and rigs. The fast T1.5 maximum aperture is a standout characteristic for a wide-angle prime at this price point, enabling shooting in challenging low-light environments and giving filmmakers the ability to achieve a shallower depth of field even at 24mm.

Being a manual focus design, this lens is built with cinema workflow in mind from the ground up — follow focus systems and focus pullers will feel at home with the dedicated, geared focus ring typical of cine-oriented glass. With a 77mm filter thread, it accepts a wide range of industry-standard filters, including matte boxes and screw-on NDs. At 680g, it strikes a reasonable balance between build substance and portability on a cinema rig.

The prime design at 24mm suits wide establishing shots, environmental coverage, and immersive handheld work.

Key Features — Rokinon 24mm T1.5 ED AS IF UMC

24mm Full-Frame Prime: Covers a full-frame image circle, making it usable on both full-frame and smaller sensor cameras without vignetting concerns.

T1.5 Maximum Aperture: A fast T1.5 transmission rating enables shooting in low-light environments and allows for a shallower depth of field at a wide focal length.

Geared Manual Focus Ring: Dedicated cine-style focus ring is designed for use with follow focus systems and focus pullers in professional video workflows.

Multiple Mount Options: Available in Canon EF, Nikon F, Sony E, Micro Four Thirds, and PL Mount, allowing the lens to be used across a wide range of camera systems.

ED and AS Optics: Extra-low dispersion and aspherical elements work together to reduce chromatic aberration and optical distortion across the frame.

UMC Lens Coating: Ultra Multi-Coating minimizes flare and ghosting, helping maintain contrast and color fidelity in high-contrast or backlit scenes.

Lens Specifications — Rokinon 24mm T1.5 ED AS IF UMC

Rokinon 24mm T1.5 ED AS IF UMC full specifications
SpecDetail
Use CasesVideo / Cinematography, Portrait, Landscape, Creative Effects
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length24mm
Maximum Aperturef/1.5
Camera SystemCinema / Video
Lens MountCanon EF, Sony E, Nikon F, Micro Four Thirds, PL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

Description — Rokinon 24mm T1.5 ED AS IF UMC

The Rokinon 24mm T1.5 Cine Lens is a prime, manual focus wide-angle lens built for cinema and video production. It covers a full-frame image circle and is offered in Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount variants, giving it exceptional versatility across professional cinema and mirrorless ecosystems. The T1.5 maximum aperture is well-suited for productions that demand low-light capability or creative depth-of-field control at wide angles.

As a manual focus design, it integrates naturally into cinema rigs and follow focus setups. The 77mm filter thread ensures compatibility with standard screw-on filters and many matte box systems. At 680g, the lens is substantial enough to feel robust on a rig without becoming unwieldy.

There is no image stabilization, so shooters working handheld may want to account for that in their rigging choices. The 24mm focal length in a prime configuration makes it a strong candidate for wide coverage, environmental storytelling, and cinematic establishing shots.

Pros — Rokinon 24mm T1.5 ED AS IF UMC

  • ✓Fast T1.5 maximum aperture supports low-light cinema shooting
  • ✓Full-frame format coverage suits a wide range of sensor sizes
  • ✓Available in five mounts: Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL — broad system compatibility

Cons — Rokinon 24mm T1.5 ED AS IF UMC

  • ✗No autofocus — not suitable for run-and-gun or stills applications requiring AF
  • ✗No image stabilization, which may require additional rig support for handheld use
  • ✗Single focal length (24mm) means no flexibility without swapping lenses

Videos — Rokinon 24mm T1.5 ED AS IF UMC

Samyang 24mm T1.5 Lens Review! — Sam Beckman

Resources & Downloads — Rokinon 24mm T1.5 ED AS IF UMC

Manuals & Guides

Frequently Asked Questions — Rokinon 24mm T1.5 ED AS IF UMC

What camera mounts is the Rokinon 24mm T1.5 Cine Lens available in?+
The lens is available in Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount. This makes it compatible with a wide variety of cinema and mirrorless camera bodies across different systems.
Does this lens work on full-frame cameras?+
Yes, the lens is specified as a full-frame format lens, meaning it is designed to cover full-frame sensors without vignetting. It will also cover smaller sensor formats such as Micro Four Thirds.
Is this lens suitable for autofocus use?+
No — the Rokinon 24mm T1.5 Cine Lens is a manual focus-only lens. It is designed for cinema workflows where focus is controlled manually, including via follow focus systems compatible with its geared focus ring.
What filter size does this lens use?+
The lens has a 77mm filter thread, which is a common size that accommodates a broad selection of screw-on filters and is compatible with many matte box setups.
How heavy is this lens?+
The lens weighs 680g. This is a moderate weight that should balance reasonably well on most cinema rigs and shoulder-mount configurations.
What is the difference between a T-stop and an f-stop, and why does this lens use T1.5?+
T-stops measure actual light transmission through the lens, accounting for light lost to glass elements, while f-stops are a purely mathematical aperture ratio. Cinema lenses use T-stops because they allow for more accurate exposure matching across different lenses on a production. This lens has a maximum aperture of T1.5.

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