Rokinon 35mm T1.5 AS UMC II CINE Lens
The Rokinon 35mm T1.5 AS UMC II is a 35mm f/1.5 cinema lens designed for Canon EF, Sony E, Nikon F, Micro Four Thirds, PL Mount mount cameras. Used copies start from $139.06 on GearFocus, with buyer protection on every purchase.
Rokinon 35mm T1.5 AS UMC II CINE Lens
Used Rokinon 35mm T1.5 AS UMC II Listings on GearFocus
Lens Overview — Rokinon 35mm T1.5 AS UMC II
Key Features — Rokinon 35mm T1.5 AS UMC II
T1.5 Maximum Aperture: Gathers substantial light for shooting in low-light conditions and allows for shallow depth-of-field with smooth background separation.
Full-Frame Coverage: Image circle covers full-frame sensors, making it compatible with full-frame cinema and DSLR bodies without vignetting.
35mm Focal Length: Standard focal length that works across a wide range of cinematic applications, from intimate dialogue scenes to environmental documentary shots.
Manual Focus Design: Dedicated cinema-style manual focus ring is built for smooth, repeatable focus pulls and integrates with follow focus systems.
De-Clicked Aperture Ring: Smooth, stepless aperture control allows for seamless exposure transitions during a shot without audible clicks.
Five Mount Options: Available in Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount, making it compatible with a broad range of cinema and mirrorless camera systems.
Lens Specifications — Rokinon 35mm T1.5 AS UMC II
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Portrait, Creative Effects |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/1.5 |
| Camera System | Cinema / Video |
| Lens Mount | Canon EF, Sony E, Nikon F, Micro Four Thirds, PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 77mm |
Description — Rokinon 35mm T1.5 AS UMC II
The Rokinon 35mm T1.5 AS UMC II CINE Lens is a dedicated prime lens built for cinema and video production, covering a full-frame image circle at a 35mm focal length. The T1.5 maximum aperture makes it a capable tool for controlled, cinematic shooting across a range of lighting conditions. As a manual focus only lens, it is engineered to integrate naturally into professional cinema workflows, including follow focus and remote lens control systems.
The 77mm filter thread provides straightforward compatibility with a wide variety of on-set filtration tools and matte box adapters. Weighing 720g, the lens has a substantive, professional feel without being excessively heavy for rigged camera use. One of its standout practical attributes is its availability across five distinct mounts — Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount — allowing productions working with different camera systems to maintain consistent glass across their kit.
No image stabilization is included, consistent with its cinema-focused design intent.
Pros — Rokinon 35mm T1.5 AS UMC II
- ✓Fast T1.5 maximum aperture supports work in low-light shooting environments
- ✓Full-frame coverage provides a wide image circle suitable for full-frame cinema and DSLR camera bodies
- ✓Available in five mount options — Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount — for broad camera compatibility
Cons — Rokinon 35mm T1.5 AS UMC II
- ✗No autofocus — requires dedicated focus puller or manual operation, which may not suit all production styles
- ✗No image stabilization, so handheld or run-and-gun shooting will require external stabilization solutions
- ✗At 720g, it may add noticeable weight when building out a fully rigged camera package
Reviews — Rokinon 35mm T1.5 AS UMC II
Videos — Rokinon 35mm T1.5 AS UMC II
Rokinon 35mm T1.5 Cine Lens | Review — All Around Filmmaker