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Rokinon 35mm T1.5 AS UMC II CINE Lens

The Rokinon 35mm T1.5 AS UMC II is a 35mm f/1.5 cinema lens designed for Canon EF, Sony E, Nikon F, Micro Four Thirds, PL Mount mount cameras. Used copies start from $204.68 on GearFocus, with buyer protection on every purchase.

Rokinon 35mm T1.5 AS UMC II CINE Lens

Rokinon 35mm T1.5 AS UMC II CINE Lens

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Rokinon 35mm T1.5 AS UMC II CINE Lens Micro 4/3 MFT
Rokinon 35mm T1.5 AS UMC II CINE Lens Micro 4/3 MFT

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Lens OverviewRokinon 35mm T1.5 AS UMC II

The Rokinon 35mm T1.5 AS UMC II CINE Lens is a manual-focus prime lens built specifically for cinema and video production. Covering a full-frame image circle, it offers a 35mm focal length that sits comfortably in the standard range, making it a versatile choice for narrative filmmaking, documentary work, and commercial production. The T1.5 maximum aperture gives cinematographers meaningful light-gathering capability, allowing for work in challenging lighting situations while also enabling selective focus creative techniques.

Being a fully manual lens, it is designed from the ground up for the deliberate, controlled focus pulls that cinema workflows demand. The 77mm filter thread accommodates a wide range of industry-standard filters and matte box adapters, adding further flexibility on set. At 720g, the lens strikes a balance between solid build presence and practical rigged-camera usability.

Notably, the lens is available across a broad range of mounts — Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount — making it genuinely cross-platform and suitable for a wide variety of cinema and mirrorless camera bodies. There is no image stabilization, which is expected and appropriate for a dedicated cinema prime intended for use on stabilized rigs.

Key FeaturesRokinon 35mm T1.5 AS UMC II

T1.5 Maximum Aperture: Gathers substantial light for shooting in low-light conditions and allows for shallow depth-of-field with smooth background separation.

Full-Frame Coverage: Image circle covers full-frame sensors, making it compatible with full-frame cinema and DSLR bodies without vignetting.

35mm Focal Length: Standard focal length that works across a wide range of cinematic applications, from intimate dialogue scenes to environmental documentary shots.

Manual Focus Design: Dedicated cinema-style manual focus ring is built for smooth, repeatable focus pulls and integrates with follow focus systems.

De-Clicked Aperture Ring: Smooth, stepless aperture control allows for seamless exposure transitions during a shot without audible clicks.

Five Mount Options: Available in Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount, making it compatible with a broad range of cinema and mirrorless camera systems.

Lens SpecificationsRokinon 35mm T1.5 AS UMC II

Rokinon 35mm T1.5 AS UMC II full specifications
SpecDetail
Use CasesVideo / Cinematography, Portrait, Creative Effects
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length35mm
Maximum Aperturef/1.5
Camera SystemCinema / Video
Lens MountCanon EF, Sony E, Nikon F, Micro Four Thirds, PL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

DescriptionRokinon 35mm T1.5 AS UMC II

The Rokinon 35mm T1.5 AS UMC II CINE Lens is a dedicated prime lens built for cinema and video production, covering a full-frame image circle at a 35mm focal length. The T1.5 maximum aperture makes it a capable tool for controlled, cinematic shooting across a range of lighting conditions. As a manual focus only lens, it is engineered to integrate naturally into professional cinema workflows, including follow focus and remote lens control systems.

The 77mm filter thread provides straightforward compatibility with a wide variety of on-set filtration tools and matte box adapters. Weighing 720g, the lens has a substantive, professional feel without being excessively heavy for rigged camera use. One of its standout practical attributes is its availability across five distinct mountsCanon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount — allowing productions working with different camera systems to maintain consistent glass across their kit.

No image stabilization is included, consistent with its cinema-focused design intent.

ProsRokinon 35mm T1.5 AS UMC II

  • Fast T1.5 maximum aperture supports work in low-light shooting environments
  • Full-frame coverage provides a wide image circle suitable for full-frame cinema and DSLR camera bodies
  • Available in five mount options — Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount — for broad camera compatibility

ConsRokinon 35mm T1.5 AS UMC II

  • No autofocus — requires dedicated focus puller or manual operation, which may not suit all production styles
  • No image stabilization, so handheld or run-and-gun shooting will require external stabilization solutions
  • At 720g, it may add noticeable weight when building out a fully rigged camera package

Frequently Asked QuestionsRokinon 35mm T1.5 AS UMC II

What camera mounts is this lens available in?+

The Rokinon 35mm T1.5 CINE II is available in Canon EF, Sony E, Nikon F, Micro Four Thirds, and PL Mount. This makes it compatible with a wide range of cinema, DSLR, and mirrorless camera systems.

Does this lens work on full-frame cameras?+

Yes. The lens has a full-frame image circle, so it is designed to cover full-frame sensors without vignetting. It will also work on smaller sensor formats available across its supported mounts.

Does the lens support autofocus?+

No. This is a fully manual focus lens with no autofocus capability. It is designed for cinema use where manual focus control and compatibility with follow focus systems is the standard workflow.

What filter size does this lens use?+

The lens has a 77mm filter thread, which is a widely used size in both cinema and photography, making it easy to source compatible filters, polarizers, and matte box step rings.

How heavy is this lens?+

The lens weighs 720g. This is worth factoring in when planning a rigged cinema build, particularly if the lens will be paired with a gimbal or lightweight handheld setup.

Does this lens have image stabilization?+

No, this lens does not include image stabilization. For stable footage, it should be paired with a gimbal, shoulder rig, or other external stabilization solution.

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