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Rokinon Xeen 24mm T1.5 Cine Lens

The Rokinon 24mm T1.5 Cine Lens is a 24mm f/1.5 cinema lens designed for PL Mount mount cameras. Used copies start from $625.26 on GearFocus, with buyer protection on every purchase.

Rokinon Xeen 24mm T1.5 Cine Lens

Rokinon Xeen 24mm T1.5 Cine Lens

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Rokinon XEEN CF 24mm T1.5 Pro Cine Lens Sony E
Rokinon XEEN CF 24mm T1.5 Pro Cine Lens Sony E

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Lens OverviewRokinon 24mm T1.5 Cine Lens

The Rokinon Xeen 24mm T1.5 is a wide-angle prime cinema lens built for professional filmmakers working with full-frame cinema camera systems. Mounted in PL, this lens is squarely aimed at the dedicated cinema and video market, offering a fast maximum aperture of T1.5 — a true T-stop measurement that reflects actual light transmission rather than a theoretical f-stop value, making it highly reliable for exposure consistency across a matched lens set. At 24mm on a full-frame format, this is a classic wide-angle focal length well-suited to establishing shots, environmental storytelling, and dynamic handheld or gimbal work.

The lens is manual focus only, which is standard practice in cinema production where precise, repeatable focus pulls are handled by a dedicated focus puller. With a 105mm front filter thread, there's plenty of real estate for large-format matte boxes and filter systems commonly used on professional sets. Weighing in at 1.2kg, the Xeen 24mm has a substantial, cinema-grade build.

Image stabilization is not present, consistent with the expectation that stabilization in cinema contexts is typically handled at the camera or rig level.

Key FeaturesRokinon 24mm T1.5 Cine Lens

T1.5 Maximum Aperture: A true T-stop rating reflects actual light transmission, ensuring consistent exposure when matched with other Xeen lenses in a set.

24mm Wide-Angle Focal Length: Classic wide-angle perspective well-suited to establishing shots, environmental storytelling, and dynamic handheld or gimbal work.

Full-Frame Coverage: Image circle covers full-frame sensors, making this lens compatible with large-format cinema cameras without vignetting.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other major cinema manufacturers.

Manual Focus Design: Smooth, precise manual focus ring with calibrated markings built for repeatable focus pulls in professional cinema workflows.

105mm Front Filter Thread: Large-diameter thread accommodates professional matte boxes and filter systems commonly used on set.

Lens SpecificationsRokinon 24mm T1.5 Cine Lens

Rokinon 24mm T1.5 Cine Lens full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length24mm
Maximum Aperturef/1.5
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread105mm

DescriptionRokinon 24mm T1.5 Cine Lens

The Rokinon Xeen 24mm T1.5 Cine Lens is a dedicated wide-angle prime built for professional cinema production. Featuring a T1.5 maximum aperture, this lens offers strong light-gathering capability with a true T-stop rating that ensures predictable, consistent exposure — a critical requirement when working across a matched set of cinema lenses. The PL mount configuration integrates with professional cinema camera platforms, and the full-frame lens format ensures complete sensor coverage on large-format bodies.

At 24mm, this is a versatile wide-angle focal length suited to a wide range of cinematic applications. The lens is manual focus only, which is the standard in professional cinema workflows where focus pulls are executed with precision by a dedicated focus puller. A 105mm filter thread provides compatibility with large matte boxes and professional filter systems.

Weighing 1.2kg, the Xeen 24mm has a solid, cinema-oriented build designed to hold up on demanding productions.

ProsRokinon 24mm T1.5 Cine Lens

  • Fast T1.5 maximum aperture delivers strong light transmission, ideal for low-light cinematography
  • Full-frame lens format provides coverage for large-sensor cinema cameras
  • PL mount offers broad compatibility with professional cinema camera systems

ConsRokinon 24mm T1.5 Cine Lens

  • No autofocus — fully manual operation only, which may not suit all hybrid shooting scenarios
  • At 1.2kg, the lens adds meaningful weight to a camera rig and may not suit lightweight setups
  • No image stabilization, requiring external stabilization solutions

VideosRokinon 24mm T1.5 Cine Lens

Samyang/Rokinon 24mm T1.5 Cine lens reviewforthewhin film & photo

Resources & DownloadsRokinon 24mm T1.5 Cine Lens

Manuals & Guides

Frequently Asked QuestionsRokinon 24mm T1.5 Cine Lens

What camera mount does the Rokinon Xeen 24mm T1.5 use?+
This lens is available in PL Mount, making it compatible with professional cinema cameras that accept the PL mount standard. It is designed specifically for the cinema and video camera system ecosystem.
Does this lens cover full-frame sensors?+
Yes, the Rokinon Xeen 24mm T1.5 has a full-frame lens format, meaning it is designed to provide coverage for full-frame cinema cameras without vignetting.
Is the T1.5 aperture rating the same as f/1.5?+
No — T-stops measure actual light transmission through the lens, while f-stops are a purely geometric calculation. A T1.5 rating means the lens delivers the light equivalent of a T1.5 exposure, which is especially valuable for matching exposure consistency across a set of cinema lenses.
What filter size does the Rokinon Xeen 24mm T1.5 accept?+
The lens features a 105mm front filter thread, which is a large diameter suited to professional matte boxes and cinema-grade filter systems commonly used on set.
Does the Rokinon Xeen 24mm T1.5 have autofocus or image stabilization?+
No — this lens is manual focus only and has no image stabilization. This is typical of cinema lenses, where focus is managed manually by a focus puller and stabilization is handled at the rig or camera level.
How heavy is the Rokinon Xeen 24mm T1.5?+
The lens weighs 1.2kg, which is a substantial cinema-grade weight. This should be factored into rig and balance planning, particularly for gimbal or handheld configurations.

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