Samyang 16mm T2.2 Cine
The Samyang 16mm T2.2 is a 16mm f/2.2 lens designed for Canon EF, Sony E, Micro Four Thirds, Nikon F, Fujifilm X mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Samyang 16mm T2.2 Cine
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Lens Overview — Samyang 16mm T2.2
Key Features — Samyang 16mm T2.2
16mm Wide-Angle Prime: Fixed 16mm focal length on APS-C sensors delivers a broad field of view suited to interiors, environmental shots, and expansive scenes.
T2.2 Maximum Aperture: Calibrated T-stop rating ensures consistent, measurable light transmission for reliable exposure matching across a cine lens set.
Cine-Optimized Manual Focus: Dedicated focus gear ring allows seamless integration with follow focus systems and precise control for focus pullers.
De-Clicked Aperture Ring: Smooth, stepless aperture adjustment enables flicker-free exposure changes during a live take.
Multiple Mount Options: Available in Canon EF, Nikon F, Sony E, Fujifilm X, and Micro Four Thirds mounts, covering a wide range of APS-C and MFT camera systems.
APS-C Format Coverage: Image circle is designed for APS-C and MFT sensors, making it a practical match for common cinema and mirrorless camera bodies.
Lens Specifications — Samyang 16mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Studio, Documentary, Video / Cinematography |
| Lens Type | Cine |
| Format | APS-C |
| Zoom/Prime | Prime |
| Focal Length | 16mm |
| Maximum Aperture | f/2.2 |
| Camera System | DSLR |
| Lens Mount | Canon EF, Sony E, Micro Four Thirds, Nikon F, Fujifilm X |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 77mm |
Description — Samyang 16mm T2.2
The Samyang 16mm T2.2 Cine is a prime wide-angle lens built for cinematic production on APS-C format cameras. Its T2.2 maximum aperture is measured in true T-stops, giving filmmakers consistent and reliable exposure values — a key advantage when working within a matched lens set on a production. The lens operates with manual focus only, a deliberate design choice for cine use, with controls suited to follow focus systems and focus pullers working on set.
It is offered across five lens mounts: Canon EF, Sony E, Micro Four Thirds, Nikon F, and Fujifilm X, covering a broad range of popular camera platforms. A 77mm filter thread makes it straightforward to use with polarizers, ND filters, or other common accessories. At 583g, the lens has a professional-grade heft that feels at home on a fully rigged cinema setup while remaining compatible with lighter gimbal configurations.
With no image stabilization, mechanical stabilization support is recommended for handheld or moving-camera work. The fixed 16mm focal length keeps the optical design simple and dedicated, making it a focused tool for wide-angle cinematic storytelling.
Pros — Samyang 16mm T2.2
- ✓T2.2 maximum aperture provides strong light-gathering capability for a cine wide-angle prime
- ✓Available in five mount options — Canon EF, Sony E, Micro Four Thirds, Nikon F, and Fujifilm X — covering a wide range of camera systems
- ✓16mm fixed focal length on APS-C format suits wide-angle cinematic compositions
Cons — Samyang 16mm T2.2
- ✗No autofocus — manual focus only, which limits usability in run-and-gun or fast-paced stills shooting
- ✗No image stabilization, requiring a gimbal, tripod, or stabilizer rig for smooth handheld video
- ✗APS-C format coverage means it cannot be used on full-frame sensors
Videos — Samyang 16mm T2.2
Samyang 16mm f/2 ED AS UMC lens review with samples — Christopher Frost