Schneider Xenon FF 35mm T2.1
The Schneider-Kreuznach 35mm T2.1 Nikon F Mount is a 35mm f/2.1 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Schneider Xenon FF 35mm T2.1
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Lens Overview — Schneider-Kreuznach 35mm T2.1 Nikon F Mount
Key Features — Schneider-Kreuznach 35mm T2.1 Nikon F Mount
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other major manufacturers.
Full-Frame Image Circle: Designed to cover full-frame sensors without vignetting, making it compatible with larger-sensor cinema cameras increasingly common on professional sets.
T2.1 Maximum Aperture: Calibrated T-stop rating ensures consistent, measurable light transmission across matched lens sets on professional productions.
Fixed 35mm Focal Length: A versatile standard focal length suitable for everything from wide establishing shots to tighter coverage depending on sensor size.
Manual Focus Design: Smooth, precise focus ring built for use with follow-focus systems and repeatable focus pulls in professional cinema workflows.
95mm Filter Thread: Large front thread accommodates professional matte boxes and filter systems commonly used in high-end production setups.
Lens Specifications — Schneider-Kreuznach 35mm T2.1 Nikon F Mount
| Spec | Detail |
|---|---|
| Use Cases | Documentary, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — Schneider-Kreuznach 35mm T2.1 Nikon F Mount
The Schneider-Kreuznach Xenon FF 35mm is a prime cinema lens designed for full-frame sensor coverage, mounted in the industry-standard PL mount. With a maximum aperture of T2.1, it offers meaningful low-light capability for professional cinema applications. The lens falls within the standard focal length range at a fixed 35mm perspective, making it a versatile choice for a wide variety of cinematic scenarios.
Focus is entirely manual, aligning with professional cinema workflows that rely on dedicated focus pullers and follow-focus systems. There is no image stabilization, so operators should plan accordingly when using the lens on moving rigs. Weighing 1,180 grams, this is a substantial piece of glass built to the physical standards expected of professional cinema primes.
The 95mm filter thread is well-suited to the larger matte boxes and filtration systems standard on professional sets. Overall, this is a purpose-built cinema tool for productions working with full-frame PL-mount camera systems.
Pros — Schneider-Kreuznach 35mm T2.1 Nikon F Mount
- ✓Full-frame image circle supports larger-sensor cinema cameras without vignetting
- ✓T2.1 maximum aperture provides solid light-gathering performance for a cinema prime
- ✓PL mount is the industry-standard cinema lens mount for professional camera systems
Cons — Schneider-Kreuznach 35mm T2.1 Nikon F Mount
- ✗No image stabilization, requiring external stabilization solutions for handheld or moving shots
- ✗At 1,180g, the lens adds significant weight to handheld or gimbal-mounted rigs
- ✗Manual focus only — no autofocus option for operators who need it







