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Sigma 105mm T2.5 FF Cine Lens

The Sigma 105mm T2.5 FF is a 105mm f/2.5 lens designed for PL Mount, Canon EF, Sony E, L Mount Alliance mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Sigma 105mm T2.5 FF Cine Lens

Sigma 105mm T2.5 FF Cine Lens

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Lens Overview — Sigma 105mm T2.5 FF

The Sigma 105mm T2.5 FF Cine Lens is a full-frame prime designed specifically for cinema and video production. Built around a fixed 105mm focal length, it offers a maximum aperture of T2.5, delivering solid low-light capability and a pleasing depth-of-field separation suited to portrait, close-up, and telephoto narrative work. As a manual-focus-only lens, it caters to the deliberate, controlled focus pulls typical in professional cinematography rather than run-and-gun shooting styles.

The lens is available in four mount options — PL Mount, Canon EF, Sony E, and L-Mount — giving cinematographers meaningful flexibility across a wide range of cinema and mirrorless camera platforms without the need for adapters. Weighing in at 1200g, it carries some heft appropriate to its cinema-grade construction, sitting comfortably on a shoulder rig or camera support system. No image stabilization is included, which is standard for a lens of this type where stabilization is typically handled at the camera or rig level.

The full-frame coverage ensures compatibility with large-sensor cinema cameras and still-camera bodies used in video production. For filmmakers seeking a telephoto prime with broad mount compatibility and a respectable T2.5 maximum aperture, this Sigma cine lens presents a well-rounded option in its class.

Key Features — Sigma 105mm T2.5 FF

105mm Full-Frame Prime: Fixed focal length with full-frame coverage suits portrait, close-up, and telephoto narrative work on large-sensor cinema cameras.

T2.5 Maximum Aperture: Solid light-gathering capability for a telephoto prime, enabling usable exposure in lower-light shooting conditions.

Four Mount Options: Available in PL, Canon EF, Sony E, and L-Mount, covering a wide range of professional cinema and mirrorless camera platforms without adapters.

PL Mount Compatibility: Supports industry-standard PL mount systems used across ARRI, RED, and other professional cinema cameras.

Manual Focus Design: Smooth, cinema-style manual focus ring built for deliberate, repeatable focus pulls in professional cinematography workflows.

Cinema-Grade Construction: Built to cinema production standards with a 1200g body that sits stably on shoulder rigs and camera support systems.

Lens Specifications — Sigma 105mm T2.5 FF

Sigma 105mm T2.5 FF full specifications
SpecDetail
Use CasesVideo / Cinematography, Portrait, Studio, Product
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length105mm
Maximum Aperturef/2.5
Camera SystemCinema / Video
Lens MountPL Mount, Canon EF, Sony E, L Mount Alliance
AutofocusNo
Focus TypeManual Focus
Image StabilizationNone
Weight1200g

Description — Sigma 105mm T2.5 FF

The Sigma 105mm T2.5 FF Cine Lens is a full-frame, manual-focus prime built for the demands of professional cinema and video production. With a fixed 105mm focal length and a maximum aperture of T2.5, it delivers reliable performance in controlled lighting environments and is well suited to telephoto framing in narrative filmmaking. The lens is available across four mount options — PL Mount, Canon EF, Sony E, and L-Mount — offering cinematographers the freedom to work across multiple camera platforms.

Weighing 1200g, it is built to the kind of robust standard expected on a cinema set, pairing naturally with matte boxes, follow focus systems, and shoulder rigs. With no autofocus and no image stabilization, the lens is purpose-designed for the structured workflow of scripted production rather than documentary or event shooting. Its full-frame image circle ensures coverage for today's large-sensor cinema cameras and mirrorless bodies used in high-end video work.

Pros — Sigma 105mm T2.5 FF

  • ✓Maximum aperture of T2.5 provides strong light-gathering capability for a telephoto prime
  • ✓Full-frame coverage (lensFormat: Full Frame) supports large-sensor cinema cameras
  • ✓Exceptional mount versatility with PL Mount, Canon EF, Sony E, and L-Mount options

Cons — Sigma 105mm T2.5 FF

  • ✗Manual focus only — no autofocus support, limiting use in fast-paced or solo shooting scenarios
  • ✗At 1200g, the lens adds significant weight to a camera setup and requires adequate support
  • ✗No image stabilization, so handheld shooting requires external stabilization solutions

Videos — Sigma 105mm T2.5 FF

Review: Sigma 105mm F1.4 ART Lens — Anthony Morganti

Resources & Downloads — Sigma 105mm T2.5 FF

Manuals & Guides

Frequently Asked Questions — Sigma 105mm T2.5 FF

What camera mounts is the Sigma 105mm T2.5 FF Cine Lens available in?+
The lens is offered in four mount configurations: PL Mount, Canon EF, Sony E, and L-Mount. This makes it compatible with a wide range of cinema cameras and mirrorless systems without requiring adapters.
Does this lens support autofocus?+
No. The Sigma 105mm T2.5 FF Cine Lens is a manual-focus-only lens. This is consistent with cinema lens design, where focus is typically controlled via a dedicated focus puller using the manual focus ring.
What is the maximum aperture of this lens?+
The lens has a maximum aperture of T2.5. Note that this is a T-stop rating, which measures actual light transmission, as is standard for cinema lenses rather than the f-stop notation used on photo lenses.
Is this lens suitable for full-frame cameras?+
Yes. The lens is specified with a Full Frame lens format, meaning it is designed to cover full-frame sensors and is compatible with full-frame cinema and mirrorless camera bodies in the appropriate mount.
How much does this lens weigh?+
The Sigma 105mm T2.5 FF Cine Lens weighs 1200g. This is a substantial weight typical of cinema-grade prime lenses and should be accounted for when planning your camera support setup.
Does the lens include image stabilization?+
No, image stabilization is listed as None in the specifications. Stabilization for handheld or moving shots would need to be provided by the camera body or an external rig such as a gimbal.

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