Sigma 24-35mm T2.2 Cine Lens for Sony E Mount
The Sigma 24-35mm T2.2 is a 24–35mm f/2.2 lens designed for Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Sigma 24-35mm T2.2 Cine Lens for Sony E Mount
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Lens Overview — Sigma 24-35mm T2.2
Key Features — Sigma 24-35mm T2.2
24-35mm Wide-Angle Zoom: Covers a useful wide-angle range in a single lens, reducing the need for swaps during wide establishing shots or documentary-style production.
Constant T2.2 Aperture: Maintains the same maximum aperture throughout the zoom range, ensuring consistent exposure when adjusting focal length mid-shot.
Full-Frame Image Circle: Covers full-frame sensors, making it compatible with high-resolution Sony E-mount cinema bodies such as the FX9 and FX6.
Sony E Mount: Native mount compatibility with Sony's E-mount cinema and mirrorless camera ecosystem, with no adapter required.
Manual Focus Design: Dedicated manual focus ring built for smooth, repeatable focus pulls in professional cine workflows.
Cinema-Grade Build: Designed specifically for film production use, with housing and mechanics suited to professional rig and follow-focus setups.
Lens Specifications — Sigma 24-35mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Zoom |
| Focal Length | 24–35mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | Sony E |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 82mm |
Description — Sigma 24-35mm T2.2
The Sigma 24-35mm T2.2 Cine Lens is a wide-angle zoom built for professional cinema and video production on the Sony E mount. Covering a focal length range of 24mm to 35mm, it offers flexible framing options across a compact zoom range that is particularly useful in run-and-gun documentary, narrative, or commercial production environments. The constant T2.2 maximum aperture is a defining feature, ensuring that exposure remains predictable and consistent as you zoom — a quality that matters greatly during multi-camera shoots or when working with a focus puller.
Designed for full-frame image circles, the lens is appropriate for high-resolution Sony E-mount cinema bodies. Focus is manual only, consistent with professional cine lens standards. The lens weighs 1,330g and features an 82mm filter thread, making it compatible with a broad selection of cinema-grade filtration systems.
With no image stabilization, it is intended for use on stabilized rigs, gimbals, or tripod-mounted setups. This is a dedicated cine-type lens intended for the demands of serious film production work.
Pros — Sigma 24-35mm T2.2
- ✓Constant T2.2 maximum aperture maintains consistent exposure across the full 24–35mm zoom range
- ✓Full-frame coverage supports high-resolution Sony E-mount cinema bodies
- ✓Wide-angle zoom range (24–35mm) provides versatile framing options with a single lens
Cons — Sigma 24-35mm T2.2
- ✗No image stabilization, requiring external stabilization solutions for handheld use
- ✗Manual focus only — no autofocus capability, which limits versatility for hybrid photo/video shooters
- ✗At 1,330g, the lens is relatively heavy and may require additional rig support
Reviews — Sigma 24-35mm T2.2
Videos — Sigma 24-35mm T2.2
Sigma Full Frame 24-35mm T2.2 — ProAV