Sigma 50-100mm T2 High-Speed Zoom Lens
The Sigma 50-100mm T2 is a 50–100mm f/2 cinema lens designed for Canon EF, Sony E, PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Sigma 50-100mm T2 High-Speed Zoom Lens
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Lens Overview — Sigma 50-100mm T2
Key Features — Sigma 50-100mm T2
Constant T2 Aperture: Maintains a fixed T2 stop across the entire zoom range, eliminating exposure shifts during zoom or focus pulls.
50–100mm Telephoto Zoom: Covers a versatile telephoto range well-suited for interview work, close-up coverage, and compressed-perspective cinematic shots.
Super 35 Coverage: Image circle sized for Super 35 sensors, matching the most widely used format in digital cinema production.
Three Mount Options: Available in Canon EF, Sony E, and PL Mount, providing broad compatibility across cinema and hybrid camera platforms.
Manual Focus Design: Smooth manual focus ring built for use with follow focus systems and dedicated focus pullers on professional sets.
Cinema-Standard T-Stop Rating: Uses T-stops rather than f-stops for exposure values that are directly comparable across different lenses on the same production.
Lens Specifications — Sigma 50-100mm T2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Portrait, Studio |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 50–100mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | Canon EF, Sony E, PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1970g |
Description — Sigma 50-100mm T2
The Sigma 50-100mm T2 High-Speed Zoom Lens is a cinema-grade telephoto zoom designed for Super 35 format cameras and professional video production. The lens covers a 50–100mm focal length range at a constant T2 aperture, meaning exposure holds steady across the entire zoom range — a critical feature for narrative filmmakers and documentary cinematographers who need reliable, predictable performance between setups. Focusing is manual only, placing it firmly in the cinema lens category where follow focus systems and dedicated focus pullers are standard.
The lens weighs 1,970g, reflecting its robust construction and suitability for fully rigged camera systems. It is available in Canon EF, Sony E, and PL Mount versions, offering flexibility across a wide range of cinema and hybrid camera platforms. No image stabilization is included, which is typical for a lens of this class intended for supported shooting environments.
Pros — Sigma 50-100mm T2
- ✓Constant T2 aperture maintained across the full 50–100mm zoom range ensures consistent exposure in every shot
- ✓Super 35 format coverage suits the most widely used sensor size in digital cinema production
- ✓Available in three mount options — Canon EF, Sony E, and PL Mount — for broad camera compatibility
Cons — Sigma 50-100mm T2
- ✗No image stabilization, so handheld or gimbal use requires additional stabilization solutions
- ✗At 1,970g the lens is heavy and is best suited to rigged or supported camera setups rather than run-and-gun shooting
- ✗Manual focus only means the lens is not suited for solo operators who rely on autofocus for fast-moving subjects
Videos — Sigma 50-100mm T2
SIGMA Cine Lenses - High Speed , Zoom Line 18- 35mm T2 & 50-100mm T2 — AVS Nordic