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Sigma Cine 50mm T1.5 FF High Speed Prime Lens

The Sigma 50mm T1.5 FF is a 50mm f/1.5 lens designed for Canon EF, Sony E, PL Mount, L Mount Alliance mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Sigma Cine 50mm T1.5 FF High Speed Prime Lens

Sigma Cine 50mm T1.5 FF High Speed Prime Lens

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Lens Overview — Sigma 50mm T1.5 FF

The Sigma Cine 50mm T1.5 FF High Speed Prime is a full-frame cinema prime lens built for professional cinematography and video production. Sitting in the standard focal length range at 50mm, it delivers a maximum aperture of T1.5, making it a strong option for productions that demand reliable light transmission in challenging or low-light environments. As a manual focus lens, it is designed to work with dedicated focus pullers and traditional cinema workflows rather than run-and-gun autofocus operation.

The lens is available in four mount configurations — Canon EF, Sony E, PL Mount, and L-Mount — giving cinematographers and camera operators real flexibility when it comes to camera platform selection across a wide range of professional cinema and mirrorless bodies. At 1125g, it carries the weight typical of a high-speed cinema prime, reflecting the optical construction required to deliver a T1.5 aperture across a full-frame image circle. With no image stabilization, the lens is intended for use on stabilized rigs, gimbals, or locked-off setups where optical IS would be unnecessary.

This is a purpose-built cine tool suited to narrative film, commercial production, and high-end video work.

Key Features — Sigma 50mm T1.5 FF

50mm T1.5 Aperture: A maximum aperture of T1.5 provides strong, calibrated light transmission for reliable exposure in low-light and controlled production environments.

Full-Frame Coverage: Covers a full-frame image circle, making it compatible with large-format cinema cameras and full-frame mirrorless bodies.

Multiple Mount Options: Available in Canon EF, Sony E, PL Mount, and L-Mount configurations, allowing the lens to be used across a wide range of professional cinema and mirrorless platforms.

Cinema Manual Focus: Designed for dedicated focus pullers, with a smooth, dampened manual focus ring suited to precise, repeatable focus pulls in narrative and commercial productions.

Standard 50mm Focal Length: The 50mm field of view closely approximates natural human perspective, making it a versatile choice for dialogue, portraiture, and general cinematic coverage.

T-Stop Calibration: Aperture is rated in T-stops rather than f-stops, giving cinematographers accurate, consistent exposure values when matching across multiple lenses in a set.

Lens Specifications — Sigma 50mm T1.5 FF

Sigma 50mm T1.5 FF full specifications
SpecDetail
Use CasesVideo / Cinematography, Studio, Creative Effects
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length50mm
Maximum Aperturef/1.5
Camera SystemCinema / Video
Lens MountCanon EF, Sony E, PL Mount, L Mount Alliance
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1125g

Description — Sigma 50mm T1.5 FF

The Sigma Cine 50mm T1.5 FF High Speed Prime is a dedicated cinema lens built around a 50mm focal length and a maximum aperture of T1.5, offering strong light transmission for professional film and video production. It covers a full-frame image circle and is available in Canon EF, Sony E, PL Mount, and L-Mount configurations, giving productions the flexibility to deploy it across a variety of cinema and mirrorless camera platforms. Designed exclusively for manual focus, it integrates naturally into traditional cinema workflows that rely on a dedicated focus puller.

With no image stabilization, it is best suited for use on stabilized rigs, gimbals, or controlled shooting environments. The lens weighs 1125g, reflecting the robust optical construction required for a high-speed full-frame cinema prime. Whether used on a narrative feature, commercial shoot, or high-end branded content production, the 50mm T1.5 provides a standard focal length perspective with the aperture performance that demanding productions require.

Pros — Sigma 50mm T1.5 FF

  • ✓Fast T1.5 maximum aperture supports strong light transmission for cinema production
  • ✓Full-frame format coverage handles larger sensor cinema and mirrorless cameras
  • ✓Available in four mounts — Canon EF, Sony E, PL Mount, and L-Mount — for broad camera compatibility

Cons — Sigma 50mm T1.5 FF

  • ✗No autofocus — requires dedicated focus puller or manual operation in all shooting scenarios
  • ✗No image stabilization, so stabilized rigs or gimbals are necessary for handheld work
  • ✗At 1125g, the lens adds significant weight to a camera build

Videos — Sigma 50mm T1.5 FF

ONE YEAR With The SIGMA High Speed Cine Primes... Still Worth It? — Anson & Co.

Resources & Downloads — Sigma 50mm T1.5 FF

Manuals & Guides

Frequently Asked Questions — Sigma 50mm T1.5 FF

What camera mounts is this lens available in?+
The Sigma Cine 50mm T1.5 is available in four mount options: Canon EF, Sony E, PL Mount, and L-Mount. This makes it compatible with a broad range of professional cinema and mirrorless camera systems.
Does this lens support autofocus?+
No. This lens is manual focus only, which is standard for cinema prime lenses intended for use with a dedicated focus puller in professional production environments.
What sensors does this lens cover?+
The lens is designed for full-frame format sensors, as indicated by the lensFormat specification. It is suitable for cameras with full-frame cinema or stills sensors depending on the mount chosen.
Does this lens have image stabilization?+
No, image stabilization is listed as None in the specifications. For handheld or moving shots, an external stabilizer, gimbal, or stabilized rig would be needed.
How heavy is the Sigma Cine 50mm T1.5?+
The lens weighs 1125g. This is worth factoring into your rig balance, particularly when building out a cinema camera with a matte box, follow focus, and other accessories.
What is the difference between a T-stop and an f-stop rating?+
A T-stop measures actual light transmission through the lens, while an f-stop is a calculated geometric ratio. Cinema lenses like this one are rated in T-stops — in this case T1.5 — so you can accurately match exposure across different lenses in a production set.

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