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Sirui Jupiter 100mm T2.8 Macro Cine Lens

The Sirui 100mm T2.8 Macro Cine Lens is a 100mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Sirui Jupiter 100mm T2.8 Macro Cine Lens

Sirui Jupiter 100mm T2.8 Macro Cine Lens

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Lens Overview — Sirui 100mm T2.8 Macro Cine Lens

The Sirui Jupiter 100mm T2.8 Macro Cine Lens is a prime telephoto lens built for professional cinema and video production on full-frame camera systems. Mounted on the industry-standard PL Mount, it integrates naturally into professional cinema camera rigs and follow-focus systems. With a maximum aperture of T2.8, it delivers a solid light-gathering capability well-suited for controlled production environments.

As a manual focus lens, it puts precise, deliberate control in the hands of a dedicated focus puller, which is exactly how most narrative and commercial productions prefer to operate. The lens is classified as a Macro type within the telephoto focal length range, making the 100mm focal length a compelling choice for close-up cinematic work as well as portraits and detail-oriented shots. At 1,050 grams, the lens has a substantial build that should balance well on a properly rigged cinema camera.

It accepts 82mm front filters, giving cinematographers flexibility to use industry-standard ND, polarizing, or diffusion filters. With no image stabilization — standard for a dedicated cinema prime — the lens is designed to be used on stabilized rigs or locked-off setups. This is a full-frame lens, covering the larger sensor formats found in contemporary cinema cameras.

Key Features — Sirui 100mm T2.8 Macro Cine Lens

PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, and other major manufacturers.

T2.8 Maximum Aperture: Consistent T-stop rating ensures accurate, predictable light transmission for exposure matching across a lens set.

100mm Telephoto Prime: Fixed focal length compresses perspective naturally, making it well-suited for portrait-style cinematography and isolated subject work.

Full-Frame Coverage: Covers large-format and full-frame cinema sensors without vignetting on cameras such as the ARRI ALEXA LF or Sony VENICE.

Macro Capability: Allows close-focus shooting for detail-oriented and product cinematography without additional diopters or extension tubes.

Manual Focus Design: Smooth, geared focus ring is built for use with follow-focus systems and dedicated focus pullers on professional productions.

Lens Specifications — Sirui 100mm T2.8 Macro Cine Lens

Sirui 100mm T2.8 Macro Cine Lens full specifications
SpecDetail
Use CasesMacro, Video / Cinematography
Lens TypeMacro
FormatFull Frame
Zoom/PrimePrime
Focal Length100mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — Sirui 100mm T2.8 Macro Cine Lens

The Sirui Jupiter 100mm T2.8 Macro Cine Lens is a prime telephoto lens built for full-frame cinema and video production. Featuring a PL Mount, it slots directly into professional cinema camera setups without adapters. The T2.8 maximum aperture delivers consistent, measurable light transmission suited to controlled production shooting.

Classified as a Macro type lens in the telephoto focal length range, the fixed 100mm focal length makes it a strong option for close-up detail work, product cinematography, and portrait-style shots. Focus is entirely manual, placing control in the hands of a skilled focus puller — the standard approach in professional cinema. The lens weighs 1,050g and accepts 82mm front filters, giving operators access to a wide range of standard cinema filtration.

There is no image stabilization, so use on a stabilized support system is recommended. Overall, this is a purpose-built cinema prime designed for full-frame professional production environments.

Pros — Sirui 100mm T2.8 Macro Cine Lens

  • ✓Industry-standard PL Mount ensures broad compatibility with professional cinema camera systems
  • ✓T2.8 maximum aperture provides reliable light transmission for production use
  • ✓Full-frame coverage accommodates large-sensor cinema cameras

Cons — Sirui 100mm T2.8 Macro Cine Lens

  • ✗Manual focus only — no autofocus option for run-and-gun or solo operator workflows
  • ✗No image stabilization, requiring use on stabilized rigs or tripods
  • ✗At 1,050g, the lens adds meaningful weight to a cinema rig build

Videos — Sirui 100mm T2.8 Macro Cine Lens

Testing the Sirui Jupiter Full Frame Macro Cine Lenses — Chadwin Smith

Resources & Downloads — Sirui 100mm T2.8 Macro Cine Lens

Frequently Asked Questions — Sirui 100mm T2.8 Macro Cine Lens

What camera mount does the Sirui Jupiter 100mm T2.8 use?+
The lens is built on a PL Mount, the standard mount used across a wide range of professional cinema cameras. This makes it a natural fit for productions already operating within a PL ecosystem.
Does this lens cover full-frame sensors?+
Yes, the lens format is specified as Full Frame, meaning it is designed to cover the image circles of full-frame cinema camera sensors without vignetting.
Is autofocus available on this lens?+
No, the Sirui Jupiter 100mm T2.8 is a manual focus lens only. This is a common and intentional design choice for cinema lenses, where focus pulling by a dedicated operator is standard practice on professional sets.
What filter size does this lens accept?+
The lens has an 82mm filter thread, allowing use of standard 82mm screw-in filters such as NDs, polarizers, and diffusion filters commonly used in cinema production.
How heavy is the Sirui Jupiter 100mm T2.8?+
The lens weighs 1,050 grams. This is a substantial weight typical of professional cinema primes, and it should be factored into overall rig balance and support system planning.
Does this lens have image stabilization?+
No, image stabilization is listed as None. Cinema lenses of this type are intended to be used on gimbals, tripods, or other stabilized support systems rather than relying on in-lens stabilization.

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