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Sirui VP-1 Vision Prime 24mm T1.4 Full-Frame Cine Lens

The Sirui VP-1 is a 24mm f/1.4 lens designed for PL Mount, Canon EF, Sony E, Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Sirui VP-1 Vision Prime 24mm T1.4 Full-Frame Cine Lens

Sirui VP-1 Vision Prime 24mm T1.4 Full-Frame Cine Lens

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Lens Overview — Sirui VP-1

The Sirui VP-1 Vision Prime 24mm T1.4 is a full-frame cinema prime lens built for professional cinematography applications. With a focal length of 24mm and a fast T1.4 maximum aperture, this lens is well-suited for wide-angle shooting in challenging lighting conditions and for achieving shallow depth of field in narrative and documentary work. It is a manual focus lens, as expected in a dedicated cine context, offering precise, repeatable focus pulls that follow lens assistants' workflow requirements.

The lens covers a full-frame image circle, making it compatible with today's larger-format cinema and mirrorless camera systems. One of its key strengths is broad mount compatibility — the VP-1 is available in PL Mount, Canon EF, Sony E, and Micro Four Thirds, giving cinematographers flexibility across a wide range of camera platforms without sacrificing optical consistency across a matched lens set. The lens features an 82mm front filter thread, accommodating standard matte boxes and filter systems commonly used on professional sets.

At 1200g, it has a solid, cinema-grade build. No image stabilization is included, which is standard for manual cine primes intended for use on stabilized rigs or gimbals.

Key Features — Sirui VP-1

24mm Wide-Angle Prime: A fixed 24mm focal length provides a natural wide-angle perspective well suited to establishing shots, interiors, and documentary-style coverage.

T1.4 Maximum Aperture: A fast T1.4 stop allows for shooting in low-light conditions and achieving shallow depth of field for cinematic subject separation.

Full-Frame Coverage: The image circle covers full-frame sensors, making it compatible with large-format cinema and mirrorless camera systems.

Multi-Mount Compatibility: Available in PL, Canon EF, Sony E, and Micro Four Thirds mounts, allowing the lens to be used across a wide range of professional camera platforms.

PL Mount Option: The PL mount version is compatible with professional cinema cameras from ARRI and other industry-standard systems.

Manual Focus Design: A dedicated manual focus ring delivers smooth, repeatable focus pulls suited to focus puller workflows on professional sets.

Lens Specifications — Sirui VP-1

Sirui VP-1 full specifications
SpecDetail
Use CasesVideo / Cinematography, Portrait, Landscape, Creative Effects
Lens TypePrime
FormatFull Frame
Zoom/PrimePrime
Focal Length24mm
Maximum Aperturef/1.4
Camera SystemCinema / Video
Lens MountPL Mount, Canon EF, Sony E, Micro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — Sirui VP-1

The Sirui VP-1 Vision Prime 24mm T1.4 Full-Frame Cine Lens is a dedicated manual cinema prime designed for professional video and film production. Its T1.4 maximum aperture delivers strong performance in low-light situations and gives cinematographers meaningful control over depth of field. At 24mm, it sits firmly in wide-angle territory, making it a practical choice for environmental shots, interiors, and immersive perspectives.

The lens provides full-frame coverage, ensuring compatibility with larger-sensor cinema cameras and modern full-frame mirrorless bodies. Mount options span PL Mount, Canon EF, Sony E, and Micro Four Thirds, allowing the VP-1 to integrate into diverse camera ecosystems — an important consideration when building a matched prime set across productions. The 82mm front filter thread is compatible with widely used matte box and filter systems.

As a manual focus lens with no image stabilization, it is built to be part of a fully rigged, professionally operated camera setup. It weighs 1200g, reflecting a robust, cinema-grade construction.

Pros — Sirui VP-1

  • ✓Fast T1.4 maximum aperture enables shooting in low-light environments and precise exposure control in a cine context
  • ✓Full-frame coverage supports large-sensor cinema and mirrorless camera bodies
  • ✓Wide mount compatibility across PL Mount, Canon EF, Sony E, and Micro Four Thirds allows use across multiple camera platforms

Cons — Sirui VP-1

  • ✗No autofocus — not suitable for run-and-gun or solo shooters who rely on AF
  • ✗No image stabilization, requiring external stabilization solutions for handheld shooting
  • ✗At 1200g, the lens is relatively heavy and may require a supported rig for extended use

Videos — Sirui VP-1

Don't sleep on this full frame lens... (Sirui Vision Prime VP-1 T1.4 Cine) — Victor Laforteza

Resources & Downloads — Sirui VP-1

Manuals & Guides

Frequently Asked Questions — Sirui VP-1

What camera mounts is the Sirui VP-1 24mm T1.4 available in?+
The VP-1 24mm T1.4 is available in four mounts: PL Mount, Canon EF, Sony E, and Micro Four Thirds. This broad compatibility makes it usable across a wide range of cinema and mirrorless camera systems.
Does this lens support autofocus?+
No, the Sirui VP-1 24mm T1.4 is a manual focus lens only. It is designed for professional cinema workflows where manual focus control and repeatable focus marks are standard practice.
What sensor size does the VP-1 24mm cover?+
The lens is rated for full-frame coverage, making it compatible with full-frame cinema and mirrorless cameras. It can also be used on smaller-sensor cameras via the available mount options.
Does the lens have image stabilization?+
No, the Sirui VP-1 24mm T1.4 does not include image stabilization. For handheld or moving-camera work, an external stabilization solution such as a gimbal or shoulder rig is recommended.
What is the filter thread size on this lens?+
The VP-1 24mm T1.4 has an 82mm filter thread, which is a common size that works with many professional matte boxes and filter systems used in cinema production.
How heavy is the Sirui VP-1 24mm T1.4?+
The lens weighs 1200g. Given its weight, it is best used with a properly balanced camera rig or support system, especially during extended shooting sessions.

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