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SLR Magic 10mm T2.1 Hyperprime Cine

The SLR Magic 10mm T2.1 is a 10mm f/2.1 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

SLR Magic 10mm T2.1 Hyperprime Cine

SLR Magic 10mm T2.1 Hyperprime Cine

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Lens Overview — SLR Magic 10mm T2.1

The SLR Magic 10mm T2.1 Hyperprime Cine is a manual focus wide-angle prime lens designed specifically for the Micro Four Thirds mirrorless system. Built around a fixed 10mm focal length, this lens is aimed at videographers and cinematographers who demand a bright, wide field of view in a compact form factor suited to MFT-mount cameras. The maximum aperture of T2.1 — expressed as a T-stop, reflecting actual light transmission rather than a theoretical f-stop value — makes this a strong choice for low-light shooting situations where consistent exposure across multiple lenses is a priority.

Weighing in at 420g, the lens offers a solid, purposeful build without being unwieldy for handheld or gimbal use. The 77mm filter thread accommodates a wide range of filtration options, which is particularly useful for cinematography applications involving ND filters or polarizers. Image stabilization is not present on this lens, so shooters relying on stabilization will need to depend on in-body systems where available.

Focus is fully manual, which aligns with cine workflows where precise, repeatable focus pulls are standard practice. The lens is rated for the Micro Four Thirds format and integrates with the broader MFT mirrorless ecosystem.

Key Features — SLR Magic 10mm T2.1

10mm Fixed Focal Length: Provides an ultrawide field of view on MFT cameras, equivalent to approximately 20mm in full-frame terms, suitable for environmental, architectural, and cinematic wide shots.

T2.1 Maximum Aperture: T-stop rating reflects actual light transmission through the lens, ensuring consistent exposure matching when cutting between lenses in a multi-camera cinema setup.

Micro Four Thirds Mount: Natively compatible with MFT mirrorless cameras from Panasonic and Olympus, integrating directly into the MFT ecosystem without adapters.

Cine-Style Manual Focus: Smooth, dampened manual focus ring is designed for precise, repeatable focus pulls suited to video and cinematography workflows.

77mm Filter Thread: Standard 77mm front thread accommodates widely available ND filters, polarizers, and other filtration commonly used in cinema production.

Prime Lens Construction: Fixed focal length design eliminates zoom creep and delivers consistent optical performance across all shooting conditions.

Lens Specifications — SLR Magic 10mm T2.1

SLR Magic 10mm T2.1 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypeCine
FormatMicro Four Thirds (MFT)
Zoom/PrimePrime
Focal Length10mm
Maximum Aperturef/2.1
Camera SystemMirrorless
Lens MountMicro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

Description — SLR Magic 10mm T2.1

The SLR Magic 10mm T2.1 Hyperprime Cine is a wide-angle prime lens built for the Micro Four Thirds mirrorless system, designed with video and cinema applications firmly in mind. Its 10mm fixed focal length and T2.1 maximum aperture — a true T-stop measurement reflecting actual light transmission — make it well suited to demanding low-light and wide-field shooting scenarios. The lens is manual focus only, consistent with professional cine practice where precise, controlled focus pulls take precedence over autofocus speed.

Weighing 420g, it strikes a balance between robust construction and practical portability for use on gimbals, shoulder rigs, or handheld setups. The 77mm front filter thread provides access to a broad range of filtration options, an important consideration for cinematographers managing exposure with ND filters in the field. There is no image stabilization built into the lens, so in-body stabilization or external support will be required where camera shake is a concern.

The Micro Four Thirds mount ensures native compatibility across the MFT camera ecosystem.

Pros — SLR Magic 10mm T2.1

  • ✓Bright T2.1 maximum aperture delivers strong light transmission performance for a wide-angle prime
  • ✓Fixed 10mm focal length in a prime configuration ensures consistent optical output with no zoom creep
  • ✓77mm filter thread provides broad compatibility with standard cine and photo filtration systems

Cons — SLR Magic 10mm T2.1

  • ✗No autofocus — fully manual focus only, which limits versatility for run-and-gun photography
  • ✗No image stabilization, requiring reliance on in-body stabilization or external support systems
  • ✗Limited to the Micro Four Thirds mount, so it cannot be used natively on other camera systems

Videos — SLR Magic 10mm T2.1

SLR Magic APO Hyperprimes Review - NAB 2018 — Joshua Martin Studios

Resources & Downloads — SLR Magic 10mm T2.1

Manuals & Guides

Frequently Asked Questions — SLR Magic 10mm T2.1

What camera mount does the SLR Magic 10mm T2.1 Hyperprime Cine use?+
This lens uses the Micro Four Thirds (MFT) mount, making it compatible with MFT-mount mirrorless cameras. It is designed specifically for cameras with a Micro Four Thirds sensor format.
Does this lens support autofocus?+
No, the SLR Magic 10mm T2.1 Hyperprime Cine is a manual focus lens only. This is consistent with its cine-oriented design, where manual focus pulls are a standard part of professional video workflows.
What filter size does this lens accept?+
The lens has a 77mm filter thread, which is a common size that allows use of a wide variety of standard photographic and cinematographic filters.
Does the lens have image stabilization?+
No, image stabilization is listed as None for this lens. Shooters who require stabilization will need to rely on in-body image stabilization if their camera supports it, or use external stabilization equipment.
How heavy is the SLR Magic 10mm T2.1 Hyperprime Cine?+
The lens weighs 420g, which is manageable for handheld shooting and compatible with most lightweight gimbal systems used in MFT-based video production setups.
Is the T2.1 aperture rating the same as f/2.1?+
No, T-stops and f-stops are different measurement systems. The T2.1 rating refers to the actual measured light transmission through the lens, while f-stops are calculated geometrically. T-stop ratings are commonly used in cinema lenses to ensure consistent exposure matching across a set of lenses.

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