SLR Magic 12mm f/2.8 Wide-Angle Cine Lens
The SLR Magic 12mm f/2.8 is a 12mm f/2.8 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
SLR Magic 12mm f/2.8 Wide-Angle Cine Lens
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Lens Overview — SLR Magic 12mm f/2.8
Key Features — SLR Magic 12mm f/2.8
12mm Ultra Wide-Angle Prime: Provides a broad field of view on Micro Four Thirds bodies, equivalent to roughly 24mm in full-frame terms, well-suited for environmental, architectural, and documentary filmmaking.
f/2.8 Maximum Aperture: Allows for meaningful light gathering in low-light shooting conditions without relying on extreme ISO settings.
Cine-Type Manual Focus: Smooth, dampened focus ring is designed for precise, repeatable focus pulls in video production workflows.
Micro Four Thirds Mount: Compatible with the full range of MFT mirrorless bodies from Panasonic, Olympus, and OM System.
62mm Filter Thread: Standard front thread size makes it straightforward to attach ND filters and other common video accessories.
430g Solid Build: Substantial enough to feel well-constructed, yet light enough to remain practical for handheld and gimbal-mounted shooting setups.
Lens Specifications — SLR Magic 12mm f/2.8
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Micro Four Thirds (MFT) |
| Zoom/Prime | Prime |
| Focal Length | 12mm |
| Maximum Aperture | f/2.8 |
| Camera System | Mirrorless |
| Lens Mount | Micro Four Thirds |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 62mm |
Description — SLR Magic 12mm f/2.8
The SLR Magic 12mm f/2.8 Wide-Angle Cine Lens is a manual-focus prime designed for the Micro Four Thirds mirrorless camera system. With a 12mm focal length sitting in the ultra wide-angle range, it delivers a broad perspective well-suited to cinematic and documentary applications. The f/2.8 maximum aperture offers meaningful light intake for shooting in varied conditions.
As a cine-type lens, it is built around the needs of video production, with manual focus operation at the center of its design philosophy — there is no autofocus on this lens. A 62mm filter thread makes it straightforward to mount ND filters and other accessories critical to video work. At 430g, the lens strikes a balance between solid construction and practical usability on gimbals or handheld rigs.
There is no image stabilization, so shooters will need to account for this through their camera body or external stabilization equipment. Overall, this is a purposeful wide-angle cine prime for MFT shooters who want manual control at an ultra-wide focal length.
Pros — SLR Magic 12mm f/2.8
- ✓Ultra wide-angle 12mm focal length ideal for expansive cinematic compositions
- ✓Fast f/2.8 maximum aperture provides solid light-gathering for a lens of this type
- ✓Cine-type design prioritizes smooth manual focus control suited to video production
Cons — SLR Magic 12mm f/2.8
- ✗Manual focus only — no autofocus support, which limits appeal for stills photographers
- ✗No image stabilization, so steady footage depends entirely on the camera body or rig
- ✗Prime lens with no zoom range, requiring physical repositioning to change framing
Videos — SLR Magic 12mm f/2.8
SLR Magic MicroPrime CINE Micro Four Thirds Review by Joey Fameli — slrmagic
Frequently Asked Questions — SLR Magic 12mm f/2.8
Does this lens support autofocus?+
No. The SLR Magic 12mm f/2.8 is a manual-focus-only lens. The specifications confirm autoFocus is false and focusType is listed as Manual, making it best suited for video shooters comfortable with pulling focus by hand.
What camera mount does this lens use?+
This lens is built for the Micro Four Thirds mount and is designed for use with MFT mirrorless camera systems. It will not natively fit cameras using other mount systems without an adapter.
What filter size does this lens accept?+
The lens has a 62mm filter thread, allowing you to attach standard 62mm filters such as ND filters, polarizers, or other accessories commonly used in video and photo work.
Does this lens have image stabilization?+
No. The specifications list image stabilization as None. Shooters who need stabilization will need to rely on in-body stabilization from their camera or use an external stabilizer or gimbal.
How heavy is this lens?+
The lens weighs 430g, which gives it a solid, well-built feel while remaining practical for extended handheld use or mounting on a gimbal.
Is this lens designed primarily for photo or video use?+
Its cine-type classification points to video production as its primary use case. The manual focus design and wide-angle focal length make it particularly well-suited for filmmaking, documentary work, and event videography.