SLR Magic 32mm T2.1 APO HyperPrime Cine Lens
The SLR Magic 32mm T2.1 is a 32mm f/2.1 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
SLR Magic 32mm T2.1 APO HyperPrime Cine Lens
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Lens Overview — SLR Magic 32mm T2.1
Key Features — SLR Magic 32mm T2.1
APO Apochromatic Design: Apochromatic correction minimizes chromatic aberration and color fringing, producing sharp, high-contrast images across the full frame.
T2.1 Maximum Aperture: A fast T2.1 stop allows shooting in low-light conditions while providing meaningful depth-of-field control for subject separation.
PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, and other PL-equipped bodies.
Super 35 Coverage: Covers a Super 35 image circle, consistent with the SLR Magic HyperPrime Cine series designed for professional cinema cameras.
32mm Standard Focal Length: A versatile perspective that sits between wide and telephoto, well-suited to narrative, documentary, and commercial production work.
Cinema-Optimized Manual Focus: Smooth, dampened manual focus ring is designed for precise, repeatable focus pulls by a dedicated focus puller on set.
Lens Specifications — SLR Magic 32mm T2.1
| Spec | Detail |
|---|---|
| Use Cases | Studio, Documentary, Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 32mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 82mm |
Description — SLR Magic 32mm T2.1
The SLR Magic 32mm T2.1 APO HyperPrime Cine is a prime cinema lens built for Full Frame sensor cinema cameras via a PL Mount — the gold standard in professional film and digital cinema production. With a maximum aperture of T2.1, this lens offers meaningful light-gathering capability and the creative depth-of-field control that cinematographers depend on. Its 32mm focal length sits in the standard range, offering a perspective that works across a broad variety of production contexts, from intimate documentary to structured narrative shoots.
The lens is manually focused with no autofocus or image stabilization, in keeping with professional cinema conventions where focus pulling is a dedicated craft. Weighing 1100g, it carries the solid build expected of a professional cine optic, while the 82mm front filter thread provides compatibility with a full range of on-set filtration. Designed specifically for the Cinema and Video camera system, the HyperPrime Cine 32mm T2.1 is a purposeful tool for productions demanding precise, manual control over every aspect of the image.
Pros — SLR Magic 32mm T2.1
- ✓T2.1 maximum aperture provides strong low-light performance and depth-of-field control
- ✓Full Frame lens format ensures compatibility with large-sensor cinema cameras
- ✓PL Mount is the industry-standard cinema lens mount, offering broad camera body compatibility
Cons — SLR Magic 32mm T2.1
- ✗Manual focus only — no autofocus support, requiring a dedicated focus puller in professional settings
- ✗No image stabilization, which is typical for cine primes but worth noting for handheld operators
- ✗Single focal length at 32mm means no flexibility without swapping lenses
Reviews — SLR Magic 32mm T2.1
Videos — SLR Magic 32mm T2.1
THE BEST EF CINE LENSE FOR $1500 // SLR MAGIC APO MICROPRIMES — Joshua Martin Studios