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SLR Magic 35mm T2.4 Anamorphic Cine Lens

The SLR Magic 35mm T2.4 is a 35mm f/2.4 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

SLR Magic 35mm T2.4 Anamorphic Cine Lens

SLR Magic 35mm T2.4 Anamorphic Cine Lens

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Lens Overview — SLR Magic 35mm T2.4

The SLR Magic 35mm T2.4 Anamorphic Cine Lens is a prime lens designed for the Micro Four Thirds mount, purpose-built for cinema and video applications. With a fixed 35mm focal length and a maximum aperture of T2.4, this lens targets filmmakers who want an anamorphic look on MFT-sensor cameras without the bulk of a full cinema package. It falls into the standard focal length range, making it a versatile choice for a wide variety of shooting scenarios.

The lens is entirely manual focus, with no autofocus capability and no image stabilization, which aligns with its cine-oriented design philosophy where precise, repeatable manual control is typically preferred on set. Weighing in at 1000g, it carries a substantial build that reflects its professional cinema lineage. The 82mm front filter thread provides compatibility with a range of filters and diopters.

The lens is classified under the Anamorphic type, giving filmmakers access to the distinctive visual character associated with that format. Its Micro Four Thirds lens format ensures compatibility across MFT-mount camera systems popular in indie and documentary filmmaking. For those seeking a dedicated anamorphic prime in the MFT ecosystem, this lens occupies a specific and well-defined niche.

Key Features — SLR Magic 35mm T2.4

1.33x Anamorphic Squeeze: Delivers the widescreen cinematic look with characteristic horizontal lens flares and oval bokeh associated with anamorphic filmmaking.

T2.4 Maximum Aperture: Allows usable light gathering in lower-light environments, practical for a dedicated anamorphic prime lens.

35mm Fixed Focal Length: Standard field of view on MFT cameras covers a wide range of shooting scenarios from dialogue to environmental shots.

Micro Four Thirds Mount: Directly compatible with MFT camera systems from Panasonic and Blackmagic Design commonly used in indie and documentary filmmaking.

Cine-Style Manual Focus: Smooth, geared focus ring is designed for repeatable focus pulls and compatibility with follow focus systems on set.

82mm Front Filter Thread: Accepts a wide range of filters and anamorphic diopters for additional creative and optical control.

Lens Specifications — SLR Magic 35mm T2.4

SLR Magic 35mm T2.4 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatMicro Four Thirds (MFT)
Zoom/PrimePrime
Focal Length35mm
Maximum Aperturef/2.4
Camera SystemCinema / Video
Lens MountMicro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — SLR Magic 35mm T2.4

The SLR Magic 35mm T2.4 Anamorphic Cine Lens is a prime lens built specifically for the Micro Four Thirds mount, sitting in the standard focal length range with a fixed 35mm focal length. Designed for the Cinema/Video camera system category, it features a T2.4 maximum aperture, offering filmmakers a relatively bright option for anamorphic work on MFT cameras. The lens is fully manual focus with no autofocus support and no image stabilization, which is consistent with professional cine lens expectations where manual, precise control is standard practice.

At 1000g, the lens has a solid, substantial build appropriate for rigged cinema setups. The 82mm front filter thread opens the door to a wide selection of compatible filters and front accessories. Classified as an Anamorphic type lens, it delivers the distinctive visual qualities associated with that format.

Whether you're working on narrative films, documentaries, or creative video projects in the MFT ecosystem, this lens offers a defined set of specs tailored to deliberate, controlled cinematography.

Pros — SLR Magic 35mm T2.4

  • ✓T2.4 maximum aperture enables shooting in lower light conditions for a prime anamorphic lens
  • ✓Dedicated Micro Four Thirds mount ensures direct compatibility with MFT camera systems
  • ✓82mm filter thread (specifications: filterThreadSize: 82) accommodates a wide range of front filters

Cons — SLR Magic 35mm T2.4

  • ✗No autofocus (specifications: autoFocus: false) — fully manual operation only, requiring skilled focus pullers
  • ✗No image stabilization (specifications: imageStabilization: None) means handheld use may require additional stabilization equipment
  • ✗At 1000g, the lens is relatively heavy for a Micro Four Thirds system and may require additional rig support

Resources & Downloads — SLR Magic 35mm T2.4

Manuals & Guides

Frequently Asked Questions — SLR Magic 35mm T2.4

What camera mount does this SLR Magic anamorphic lens use?+
This lens is designed for the Micro Four Thirds (MFT) mount, as specified under the lens mount field. It is compatible with cameras in the Micro Four Thirds system. No other mount options are listed in the specifications.
Does this lens have autofocus?+
No. The specifications explicitly state that autoFocus is false and focusType is Manual. This is a fully manual focus lens, consistent with its Cinema/Video cine classification.
What is the maximum aperture of this lens?+
The maximum aperture is T2.4, as listed in the specifications under maximumAperture. This T-stop rating is the standard measurement used for cinema lenses, reflecting actual light transmission.
What filter size does this lens accept?+
The lens has an 82mm front filter thread, as specified by the filterThreadSize field. This allows for use with 82mm filters, diopters, and other compatible front accessories.
How heavy is this lens?+
The lens weighs 1000g according to the specifications weight field. This is a substantial weight for an MFT lens and may influence rig and support decisions on set.
Is this lens suitable for photography or is it video-only?+
The specifications list the camera system as Cinema/Video, indicating this lens is designed primarily for filmmaking and video production applications. It is a manual-focus, anamorphic-type prime with no autofocus or image stabilization.

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