SLR Magic 50mm T2.8 2x Anamorphic Lens
The SLR Magic 50mm T2.8 2x is a 50mm f/2.8 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

SLR Magic 50mm T2.8 2x Anamorphic Lens
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Lens Overview — SLR Magic 50mm T2.8 2x
Key Features — SLR Magic 50mm T2.8 2x
2x Anamorphic Squeeze: Produces a widescreen cinematic image with characteristic anamorphic lens flares and oval bokeh when paired with MFT cameras.
50mm Fixed Focal Length: Standard prime perspective offers a natural field of view well-suited to narrative filmmaking and documentary work.
T2.8 Maximum Aperture: Transmissive aperture rating of T2.8 provides reliable light gathering in controlled and low-light shooting environments.
Micro Four Thirds Mount: Directly compatible with MFT camera systems from Panasonic, Blackmagic, and Olympus without adapters.
Manual Focus Only: Dedicated manual focus ring allows cinematographers to execute precise, repeatable focus pulls for cinema workflows.
82mm Filter Thread: Large front filter thread accommodates diopters, ND filters, and polarizers commonly used in cinema production.
Lens Specifications — SLR Magic 50mm T2.8 2x
| Spec | Detail |
|---|---|
| Use Cases | Studio, Documentary, Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Micro Four Thirds (MFT) |
| Zoom/Prime | Prime |
| Focal Length | 50mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | Micro Four Thirds |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 82mm |
Description — SLR Magic 50mm T2.8 2x
The SLR Magic 50mm T2.8 Anamorphic is a prime lens built for the Micro Four Thirds camera system, purpose-designed for cinema and video applications. Operating at a 50mm focal length in the standard focal length range, it delivers a fixed, deliberate perspective well-suited to narrative and creative video projects. The maximum aperture of T2.8 provides consistent and measurable light transmission, using the T-stop rating standard favored in professional cinema contexts.
Focusing is entirely manual, with no autofocus capability — a design choice that aligns with the precise, controlled focus pulls common in scripted video production. There is no image stabilization built into the lens, so camera-side or rig-based stabilization should be planned accordingly. The front element features an 82mm filter thread, offering broad compatibility with large-format filters and add-on diopters.
Weighing in at 2000g, this is a substantial piece of glass that reflects its professional cinema build quality and will benefit from proper rig support during use.
Pros — SLR Magic 50mm T2.8 2x
- ✓Maximum aperture of T2.8 offers solid light gathering for a lens in the anamorphic cinema category
- ✓Fixed 50mm focal length (standard range) provides a versatile and committed perspective for video work
- ✓Micro Four Thirds mount ensures direct compatibility with MFT camera systems
Cons — SLR Magic 50mm T2.8 2x
- ✗No autofocus support — manual focus only, which may limit run-and-gun or fast-paced shooting scenarios
- ✗At 2000g, the lens is very heavy and will require a sturdy rig or support system
- ✗No image stabilization, placing the full burden of stability on the camera body or external support
Videos — SLR Magic 50mm T2.8 2x
SLR Magic Anamorphic Lens: Anamorphot-CINE 2x Review (GH5) — Nice Lady Productions
