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SLR Magic 75mm T1.5 MicroPrime Cine Lens

The SLR Magic 75mm T1.5 is a 75mm f/1.5 lens designed for Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

SLR Magic 75mm T1.5 MicroPrime Cine Lens

SLR Magic 75mm T1.5 MicroPrime Cine Lens

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Lens Overview — SLR Magic 75mm T1.5

The SLR Magic 75mm T1.5 MicroPrime Cine Lens is a manual-focus prime designed for full-frame mirrorless cameras, mounting via Sony E-mount. Built specifically for cine applications, this lens sits in the telephoto focal length range and opens up to a maximum aperture of T1.5, making it well-suited for low-light shooting and achieving a shallow depth of field. As a cine-type lens, it is engineered with the workflow demands of video production in mind, where consistent build dimensions and gear positioning across a lens set matter for quick swaps on rigs, gimbals, and stabilizers.

The lens accepts 82mm front filters, giving shooters access to a wide range of filtration options. Weighing in at 700g, it strikes a balance between build quality and portability — substantial enough to feel well-constructed without becoming burdensome on a gimbal setup. Image stabilization is not included, which is worth noting for handheld operators, though this is common in dedicated cine primes where stabilization is typically handled externally.

Manual focus is the sole focusing mode, consistent with cine production standards where precise, repeatable focus pulling is prioritized over autofocus. The Sony E-mount compatibility makes it a natural fit for a wide range of popular mirrorless cinema and hybrid camera bodies.

Key Features — SLR Magic 75mm T1.5

75mm Full-Frame Prime: Covers full-frame sensors, making it suitable for Sony mirrorless bodies like the FX3, FX6, and A7 series without crop or vignetting.

T1.5 Maximum Aperture: A fast T1.5 stop allows for shallow depth of field and strong low-light performance in cinema and run-and-gun shooting scenarios.

Sony E-Mount: Natively mounts to Sony E-mount mirrorless cameras, covering a wide range of popular cinema and hybrid bodies.

Cine-Style Manual Focus: Features a geared, de-clicked focus ring designed for smooth, repeatable focus pulls compatible with standard follow focus systems.

MicroPrime Form Factor: Compact and consistent outer dimensions within the MicroPrime line allow for faster lens swaps on rigs without repositioning accessories.

82mm Filter Thread: A standardized 82mm front thread provides access to a wide range of ND, polarizing, and diffusion filters.

Lens Specifications — SLR Magic 75mm T1.5

SLR Magic 75mm T1.5 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length75mm
Maximum Aperturef/1.5
Camera SystemMirrorless
Lens MountSony E
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — SLR Magic 75mm T1.5

The SLR Magic 75mm T1.5 MicroPrime Cine Lens is a prime lens built for full-frame mirrorless cameras with a Sony E-mount. Falling in the telephoto focal length range at 75mm, it opens to a maximum aperture of T1.5, a T-stop rating that reflects actual light transmission — a key advantage in cine production for consistent exposure matching across a lens set. Classified as a cine-type lens, it is engineered around the practical demands of video workflows, including the need for smooth, controllable manual focus operation. Manual focus is the only focus mode available, with no autofocus and no image stabilization, placing this lens firmly in the domain of deliberate, production-oriented shooting.

The 82mm filter thread opens up a wide range of filtration options, while the 700g body weight keeps the lens practical for rigged and gimbal-based setups. For Sony E-mount mirrorless shooters working in cine or high-end video production, this lens delivers a telephoto prime option with a bright T1.5 aperture in a dedicated cine form factor.

Pros — SLR Magic 75mm T1.5

  • ✓Fast T1.5 maximum aperture enables strong low-light performance and shallow depth-of-field work
  • ✓Full-frame lens format ensures coverage across larger sensor mirrorless bodies with Sony E-mount
  • ✓Cine-type build with manual focus supports precise, repeatable focus control for video production

Cons — SLR Magic 75mm T1.5

  • ✗No autofocus — manual focus only, which limits versatility for photo or run-and-gun hybrid shooters
  • ✗No image stabilization, requiring external stabilization solutions for smooth handheld footage
  • ✗Single mount option (Sony E) limits use to Sony E-mount mirrorless bodies only

Videos — SLR Magic 75mm T1.5

SLR Magic MicroPrime CINE Micro Four Thirds Review by Joey Fameli — slrmagic

Resources & Downloads — SLR Magic 75mm T1.5

Manuals & Guides

Frequently Asked Questions — SLR Magic 75mm T1.5

Does this lens support autofocus?+
No, the SLR Magic 75mm T1.5 MicroPrime Cine Lens is manual focus only. This is consistent with its cine-type design, which prioritizes controlled, repeatable focus pulling over autofocus automation.
What camera systems is this lens compatible with?+
This lens is built for Sony E-mount mirrorless cameras. It is designed for the mirrorless camera system and covers a full-frame image sensor format.
What filter size does this lens use?+
The lens features an 82mm filter thread, allowing use with a wide range of screw-on filters and compatible matte box accessories.
Does this lens have image stabilization?+
No, image stabilization is not included. Operators shooting handheld will need to rely on in-body stabilization from their camera body or an external gimbal and stabilizer solution.
How heavy is this lens and is it suitable for gimbal use?+
The lens weighs 700g. Its cine-type construction is designed with consistent dimensions and gear positioning to facilitate lens swaps and rebalancing on stabilizers and gimbals.
What is the aperture rating and what does T1.5 mean?+
The lens has a maximum aperture of T1.5, expressed as a T-stop rather than an f-stop. T-stops are a transmission-based measurement used in cinema lenses to account for light lost through the optics, providing more accurate exposure consistency across a lens set.

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