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SLR Magic MicroPrime Cine 25mm T1.5 (MFT Mount)

The SLR Magic 25mm T1.5 is a 25mm f/1.5 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

SLR Magic MicroPrime Cine 25mm T1.5 (MFT Mount)

SLR Magic MicroPrime Cine 25mm T1.5 (MFT Mount)

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Lens Overview — SLR Magic 25mm T1.5

The SLR Magic MicroPrime Cine 25mm T1.5 is a manual focus prime lens designed specifically for the Micro Four Thirds mirrorless camera system. Built with cine production workflows in mind, this lens sits in the standard focal length range and offers a fast maximum aperture of T1.5, making it a capable choice for shooting in lower light conditions or when a shallower depth of field is desired. At 580g, the lens has a solid, substantial build that suits professional cine rigs and gimbal setups.

The 82mm filter thread is consistent with other lenses in the MicroPrime series, allowing for straightforward use of filter systems without swapping adapters. Being a fully manual lens with no autofocus or image stabilization, it is clearly positioned for deliberate, controlled cinematographic work where a focus puller or careful manual operation is the norm. The Micro Four Thirds lens mount ensures broad compatibility across MFT mirrorless camera bodies.

With a prime design and cine-oriented construction, this 25mm T1.5 offers a dedicated, no-compromise approach for videographers and cinematographers working on the MFT platform who prioritize optical control and consistency across a matched lens set.

Key Features — SLR Magic 25mm T1.5

T1.5 Maximum Aperture: A fast T1.5 aperture allows for shooting in low-light environments and achieving a shallower depth of field for cinematic subject separation.

25mm Standard Focal Length: On MFT, this provides an equivalent field of view around 50mm, making it a versatile focal length for interviews, documentary, and narrative work.

Micro Four Thirds Mount: Native MFT mount ensures full compatibility with a wide range of Blackmagic, Panasonic, and OM System mirrorless camera bodies.

Cine-Style Manual Focus: Smooth, geared focus ring is designed for use with follow focus systems and precise focus pulls in professional cinematography workflows.

82mm Filter Thread: Consistent filter thread size across the MicroPrime series allows a single filter system or matte box to be used without step-up rings when building a matched set.

Prime Lens Design: Fixed focal length construction prioritizes optical consistency and image quality over the convenience of zoom.

Lens Specifications — SLR Magic 25mm T1.5

SLR Magic 25mm T1.5 full specifications
SpecDetail
Use CasesStudio, Documentary, Fashion, Video / Cinematography
Lens TypeCine
FormatMicro Four Thirds (MFT)
Zoom/PrimePrime
Focal Length25mm
Maximum Aperturef/1.5
Camera SystemMirrorless
Lens MountMicro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — SLR Magic 25mm T1.5

The SLR Magic MicroPrime Cine 25mm T1.5 is a dedicated cine prime lens built for the Micro Four Thirds mirrorless camera system. With a fast T1.5 maximum aperture, it is well-suited for controlled cinematic shooting where precise exposure and depth of field management matter. The lens is a manual focus only design with no autofocus, positioning it firmly in professional video and cinema workflows.

Weighing in at 580g, it has the heft expected of a serious production lens, offering a stable feel on cine rigs and gimbal setups. The 82mm filter thread is a practical standardized size that simplifies filter management, especially when working across matched lens sets. With a prime optical design in the standard focal length range, the 25mm focal length provides a natural perspective on MFT cameras.

There is no image stabilization, so shooters will rely on their rig or camera body for any stabilization needs. Overall, this is a purpose-built cine lens for MFT shooters who value manual precision and consistent lens characteristics.

Pros — SLR Magic 25mm T1.5

  • ✓Fast T1.5 maximum aperture suits low-light cine work
  • ✓Prime 25mm focal length in the standard range offers versatile framing
  • ✓82mm filter thread size enables straightforward filter system use

Cons — SLR Magic 25mm T1.5

  • ✗No autofocus — requires manual focus operation at all times
  • ✗No image stabilization, which may challenge handheld shooting
  • ✗At 580g, the lens is relatively heavy for a Micro Four Thirds prime

Videos — SLR Magic 25mm T1.5

The Best BUDGET Cine Lenses in 2023?? SLR Magic MicroPrime CINE — Alex Perri

Frequently Asked Questions — SLR Magic 25mm T1.5

Does this lens work with autofocus on Micro Four Thirds cameras?+
No. The SLR Magic MicroPrime Cine 25mm T1.5 is a fully manual focus lens with no autofocus capability. It is designed for manual operation, making it best suited for video work where a focus puller or precise manual adjustments are used.
What filter size does this lens use?+
The lens features an 82mm filter thread size. This standardized diameter is consistent across the MicroPrime series, making it easy to share filter systems between lenses without needing step-up or step-down rings.
Is this lens compatible with all Micro Four Thirds cameras?+
This lens uses a Micro Four Thirds mount and is designed for MFT mirrorless cameras. It is specified for the Micro Four Thirds lens format, so it is compatible with MFT-mount camera bodies.
Does this lens include image stabilization?+
No, the specifications confirm that image stabilization is listed as None. Any stabilization during shooting would need to come from the camera body itself if supported.
How much does the lens weigh?+
The lens weighs 580g. This makes it a substantial lens for the Micro Four Thirds format, which may be a consideration for lightweight handheld or travel setups, but suits professional cine rigs and gimbals well.
Is this lens a zoom or a prime?+
This is a prime lens with a fixed 25mm focal length. It falls within the standard focal length range and offers no zoom capability, which is typical for cine-oriented prime lenses that prioritize consistency and optical quality.

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