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Sony FE C 16-35mm T3.1 G Lens

The Sony 16-35mm T3.1 G is a 16–35mm f/3.1 lens designed for Sony E mount cameras. Used copies start from $3,464 on GearFocus, with buyer protection on every purchase.

Sony FE C 16-35mm T3.1 G Lens

Sony FE C 16-35mm T3.1 G Lens

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Sony Full-Frame Cinema Lens FE C 16-35mm T3.1 G

Condition: Like New

Product Highlights

  • Wide-angle zoom lens for E-mount cameras
  • Constant T3.1 aperture for consistent exposure
  • Cinema-style geared focus and zoom rings
  • Advanced optical design with aspherical elements

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Used Sony 16-35mm T3.1 G Listings on GearFocus

Sony Full-Frame Cinema Lens FE C 16-35mm T3.1 G

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Sony Full-Frame Cinema Lens FE C 16-35mm T3.1 G

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$3,464.00

Lens Overview — Sony 16-35mm T3.1 G

The Sony FE C 16-35mm T3.1 G is a cinema-oriented wide-angle zoom lens built for the Sony E mount, covering a full-frame image circle. Designed with filmmakers in mind, it sits within Sony's Cinema line and offers a focal length range from 16mm to 35mm — a versatile spread that covers everything from expansive environmental shots to tighter wide compositions. The aperture is rated at T3.1, which is a true T-stop measurement, giving cinematographers accurate, repeatable exposure values across the zoom range rather than the approximated f-stop ratings typical of photo lenses.

This makes it particularly useful when pulling lenses mid-production or matching exposure across a set of cinema glass. Focus is entirely manual, which aligns with professional cinema workflows where a dedicated focus puller operates the lens independently of any autofocus system. The filter thread measures 114mm, indicating a large front element befitting a full-frame wide-angle cinema zoom.

At 1390g, the lens has a substantial build appropriate for gimbal and shoulder-rig use. No image stabilization is present, consistent with cinema use cases where stabilization is typically handled at the rig or post-production level.

Key Features — Sony 16-35mm T3.1 G

16-35mm Wide-Angle Zoom: Covers a versatile focal length range from expansive ultra-wide shots at 16mm to tighter wide compositions at 35mm in a single lens.

T3.1 Constant Aperture: True T-stop rating remains consistent across the entire zoom range, giving cinematographers accurate and repeatable exposure values throughout a shoot.

Sony E Mount: Fits Sony E-mount cinema and mirrorless bodies, including the VENICE, FX9, FX6, and full-frame Alpha series cameras.

Full-Frame Coverage: Image circle covers full-frame sensors with no crop factor, delivering the intended field of view on large-format Sony cinema bodies.

Manual Focus Design: Focus is entirely manual with a cinema-style focus ring built for smooth, precise pulls by a dedicated focus puller on professional sets.

114mm Filter Thread: Large front element with a 114mm filter thread accommodates professional matte boxes and front-of-lens accessories common in cinema rigs.

Lens Specifications — Sony 16-35mm T3.1 G

Sony 16-35mm T3.1 G full specifications
SpecDetail
Use CasesVideo / Cinematography, Landscape, Architecture, Creative Effects
Lens TypeCine
FormatFull Frame
Zoom/PrimeZoom
Focal Length16–35mm
Maximum Aperturef/3.1
Camera SystemCinema / Video
Lens MountSony E
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread114mm

Description — Sony 16-35mm T3.1 G

The Sony FE C 16-35mm T3.1 G is a full-frame wide-angle zoom lens designed for the Sony E mount, built specifically for cinema and video production. It covers a 16–35mm focal length range, offering wide-angle versatility suited to narrative filmmaking, documentary work, and commercial production. The aperture is calibrated as a true T3.1 T-stop, giving cinematographers reliable, measured light transmission values rather than theoretical f-stop approximations — an essential feature when matching exposure across multiple lenses on set.

Focus is manual only, consistent with professional cinema practices. The large 114mm filter thread accommodates professional matte boxes and filter systems, while the 1390g weight reflects the robust construction expected of a cinema-grade zoom. No image stabilization is included, in keeping with the lens's professional cinema positioning where stabilization is managed externally. This lens covers a full-frame image circle, ensuring edge-to-edge coverage on full-frame Sony E-mount bodies.

Pros — Sony 16-35mm T3.1 G

  • ✓T3.1 true T-stop aperture rating provides accurate, repeatable exposure values ideal for professional cinema workflows
  • ✓Full-frame coverage on Sony E mount ensures compatibility with full-frame Sony cinema and mirrorless bodies
  • ✓16–35mm focal length range delivers a wide and flexible zoom spread for a variety of wide-angle cinema shots

Cons — Sony 16-35mm T3.1 G

  • ✗No image stabilization, requiring external stabilization solutions for handheld or moving shots
  • ✗At 1390g, the lens is heavy and may require additional support for lighter camera rigs
  • ✗Manual focus only with no autofocus option limits versatility for hybrid photo/video shooters

Videos — Sony 16-35mm T3.1 G

Sony FX6 & 16-35mm T3.1 | Everything You Need to Know in Under 8 Minutes — Adorama

Frequently Asked Questions — Sony 16-35mm T3.1 G

What camera mount does this lens use?+
The Sony FE C 16-35mm T3.1 G uses the Sony E mount. It is designed for full-frame Sony E-mount cameras and cinema bodies.
Does this lens have autofocus?+
No, this lens is manual focus only. It is designed for cinema and video workflows where manual focus control by a dedicated focus puller is standard practice.
What does the T3.1 rating mean compared to an f-stop?+
T-stops are a measured transmission value rather than a calculated aperture ratio, giving cinematographers precise and repeatable exposure readings. This lens is rated at T3.1, which is the actual light transmission value and should not be treated as equivalent to an f/3.1 rating.
What is the filter thread size on this lens?+
The filter thread size is 114mm. This large diameter is common on cinema lenses and is designed to accommodate professional matte boxes and large front-of-lens filter systems.
Does the lens have image stabilization?+
No, the lens has no built-in image stabilization. Cinema productions typically rely on gimbals, rigs, or post-production stabilization rather than in-lens IS systems.
How heavy is this lens?+
The lens weighs 1390g. This substantial weight is typical for full-frame cinema zoom lenses and should be factored into rig and gimbal load calculations.

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