Sony FS5 Mark II Cinema Camera
The Sony FS5 Mark II is a 8.8MP Super 35 cinema camera — with 4K video. Used copies start from $5,000 on GearFocus, with buyer protection on every purchase.

Sony FS5 Mark II Cinema Camera
Used Sony FS5 Mark II Listings on GearFocus
Camera Overview — Sony FS5 Mark II
Key Features — Sony FS5 Mark II
Super 35 Exmor CMOS Sensor: The Super 35 sensor delivers a cinematic field of view with broad compatibility with cinema lenses and a natural depth of field.
4K Recording with High Frame Rates: Captures 4K at standard cinema and broadcast rates; high frame rate slow-motion is available at lower resolutions, not at 4K.
10-Bit Color Output: Records at 10-bit color depth, preserving greater tonal information for detailed color grading in post-production.
S-Log2, S-Log3 & HLG Profiles: Multiple gamma profiles maximize dynamic range capture and give colorists flexibility across different delivery formats.
RAW and XAVC Recording: Supports RAW, XAVC, AVCHD, and H.264 formats, accommodating a wide range of production and post-production workflows.
ISO 320–102400 Range: Wide native sensitivity range allows the camera to perform across brightly lit exteriors and low-light interior environments.
Camera Specifications — Sony FS5 Mark II
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Documentary, Event, Studio, Creative Effects |
| Type | Other |
| Sensor | Super 35 |
| Resolution | 8.8MP |
| Processor | Exmor CMOS |
| ISO Range | 320 – 102400 |
| AF System | Contrast Detection |
| AF Points | Variable |
| Max Video Resolution | 4K |
| Max Frame Rate | Other |
| Bit Depth | 10-bit |
| Video Color Profiles | S-Log2, S-Log3, HLG |
Description — Sony FS5 Mark II
The Sony FS5 Mark II centers on a Super 35 sensor with 8.8MP resolution and an Exmor CMOS image processor, mounted behind a Sony E lens mount for broad glass compatibility. Video recording tops out at 4K with a comprehensive frame rate menu — 23.976fps, 24fps, 25fps, 30fps, 50fps, 60fps, and 120fps — covering cinematic, broadcast, and slow-motion needs in a single body. Footage is captured at 10-bit color depth across formats including RAW, XAVC, AVCHD, and H.264, with S-Log2, S-Log3, and HLG color profiles available for post-production grading.
The ISO range spans 320 to 102400, providing flexibility in challenging lighting. Monitoring options include a 3.5-inch LCD at 1.56M dots and an OLED viewfinder at 2.36M dots with a 60Hz refresh rate. The magnesium alloy body weighs just 0.83kg and measures 111 x 128 x 172mm.
Connectivity covers HDMI, USB 3.0, and Wi-Fi, with XLR and 3.5mm audio inputs for professional sound capture. Media recording uses SDXC, SDHC, or Memory Stick PRO Duo cards.
Pros — Sony FS5 Mark II
- ✓Wide frame rate selection up to 120fps enables genuine slow-motion capture alongside standard cinema rates
- ✓10-bit recording with S-Log2, S-Log3, and HLG color profiles provides strong post-production grading flexibility
- ✓ISO range of 320–102400 gives broad sensitivity across varied lighting environments
Cons — Sony FS5 Mark II
- ✗No image stabilization of any kind — optical, in-body, or digital — meaning a gimbal or rig is essential for smooth handheld work
- ✗No weather sealing, limiting usability in adverse outdoor conditions
- ✗Autofocus relies solely on contrast detection with no eye or subject tracking, which may be limiting for run-and-gun or solo operators
Videos — Sony FS5 Mark II
Sony FS5 II - Overview — ProAV






