Sony HDC-3500 Cinema Camera
The Sony HDC-3500 is a 8.8 megapixels (approximate, 3840 x 2160 per sensor, 3 sensors) 2/3 inch cinema camera — with 4K video. Check GearFocus for current availability, with buyer protection on every purchase.
Sony HDC-3500 Cinema Camera
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Camera Overview — Sony HDC-3500
Key Features — Sony HDC-3500
Three-Sensor 2/3" Architecture: Dedicated 2/3-inch sensors for red, green, and blue channels deliver precise color separation and a combined 4K UHD output suited to broadcast production.
4K UHD Output: Records and outputs at 3840 x 2160 resolution, meeting current broadcast and live production delivery standards.
10-Bit Color Depth: Captures video at 10-bit depth, preserving fine gradations for color grading and broadcast finishing workflows.
SR Live & S-Log3 Support: Supports ITU-R BT.2020, BT.709, S-Log3, and SR Live color profiles, enabling flexible HDR and SDR delivery from a single camera.
High Frame Rate Options: Supports high frame rates for slow-motion capture at reduced resolutions, a key requirement for live sports and action broadcast coverage.
B4 Lens Mount: Compatible with the industry-standard B4 broadcast lens ecosystem, giving operators access to a wide range of professional zoom and prime lenses.
Camera Specifications — Sony HDC-3500
| Spec | Detail |
|---|---|
| Use Cases | Studio |
| Type | Other |
| Sensor | 2/3 inch |
| Resolution | 8.8 megapixels (approximate, 3840 x 2160 per sensor, 3 sensors) |
| Processor | LSI Digital Signal Processor |
| ISO Range | 200 – 3200 |
| AF System | Manual Focus Only |
| Max Video Resolution | 4K |
| Max Frame Rate | 120fps |
| Bit Depth | 10-bit |
| Video Color Profiles | ITU-R BT.2020, ITU-R BT.709, S-Log3, SR Live |
| Image Stabilization | None |
Description — Sony HDC-3500
The Sony HDC-3500 is a professional studio camera designed for live broadcast and production environments. At its core are three 2/3-inch sensors, each resolving 3840 x 2160, processed by an LSI Digital Signal Processor for a combined resolution of approximately 8.8 megapixels. Video output tops out at 4K UHD (3840 x 2160) with 10-bit color depth, and the camera captures across a full suite of frame rates including 23.976fps, 24fps, 25fps, 29.97fps, 30fps, 50fps, 59.94fps, 60fps, with a maximum of 120fps for high-frame-rate work.
Color profile options include ITU-R BT.2020, ITU-R BT.709, S-Log3, and SR Live, covering standard broadcast and HDR workflows. The native ISO range spans 200 to 3200. The B4 lens mount connects the camera to professional broadcast glass.
Audio is handled through a 5-pin XLR talkback jack and a 3-pin XLR microphone input. The body is built from magnesium alloy and reinforced plastic with dust-resistant sealing, weighing 4.6 kg with dimensions of 151 x 187 x 340 mm (camera head only). Power is supplied externally via studio infrastructure, V-mount, or CCU.
Pros — Sony HDC-3500
- ✓4K UHD maximum resolution (3840 x 2160) with 10-bit color depth for high-quality broadcast output
- ✓Wide color profile support including ITU-R BT.2020, ITU-R BT.709, S-Log3, and SR Live for flexible grading and delivery
- ✓Maximum frame rate of 120fps enables slow-motion capture for live sports and event production
Cons — Sony HDC-3500
- ✗No built-in image stabilization of any kind (inBody IS and digital IS are both absent per specs)
- ✗ISO range tops out at 3200, which is relatively limited for low-light or run-and-gun scenarios outside controlled studio settings
- ✗No onboard storage media — the camera relies entirely on external infrastructure, limiting standalone flexibility
Videos — Sony HDC-3500
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