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TECHNOVISION 1.5x 135mm T2.5 Prime Lens

The P+S TECHNIK 135mm T2.5 is a 135mm f/2.5 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

TECHNOVISION 1.5x 135mm T2.5 Prime Lens

TECHNOVISION 1.5x 135mm T2.5 Prime Lens

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Lens Overview — P+S TECHNIK 135mm T2.5

The P+S TECHNIK TECHNOVISION 135mm T2.5 is a manual-focus prime lens built for the Cinema/Video camera system and designed around the Super 35 format. Mounted on a PL Mount, it slots naturally into professional cinema workflows wherever that standard is the norm. With a maximum aperture of T2.5, it offers a solid balance between light-gathering capability and image control at the telephoto end of a prime kit.

At 135mm, it falls firmly into telephoto territory, making it well suited for close-up work, portrait-style framing, and shots that benefit from a compressed perspective. The lens is entirely manual focus, which is standard practice in narrative and commercial cinema production, where focus pullers work with dedicated follow-focus systems. There is no image stabilization, which again is consistent with professional cinema use on gimbals, tripods, and camera rigs.

Weighing in at 1.8kg, it carries meaningful mass that reflects its cinema-grade construction, and operators should factor that into rig balancing decisions. Overall, this is a PL-mount telephoto prime aimed squarely at Super 35 cinema production requiring a T2.5 aperture at 135mm.

Key Features — P+S TECHNIK 135mm T2.5

1.5x Anamorphic Squeeze: Built-in 1.5x anamorphic optics deliver the characteristic widescreen look and oval bokeh associated with anamorphic cinema production.

135mm Telephoto Focal Length: Offers a compressed perspective well suited to close-up framing, portrait-style shots, and isolating subjects from their backgrounds.

T2.5 Maximum Aperture: Provides strong light transmission for a telephoto anamorphic prime, giving cinematographers flexibility in lower-light shooting conditions.

PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Super 35 Coverage: Designed to cover the Super 35 format, matching the sensor size used by the majority of professional cinema cameras.

Manual Focus Design: Smooth manual focus ring built for precise, repeatable focus pulls in narrative and commercial cinema workflows.

Lens Specifications — P+S TECHNIK 135mm T2.5

P+S TECHNIK 135mm T2.5 full specifications
SpecDetail
Use CasesFashion, Documentary, Video / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length135mm
Maximum Aperturef/2.5
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1.8kg

Description — P+S TECHNIK 135mm T2.5

The P+S TECHNIK TECHNOVISION 135mm T2.5 is a prime cinema lens built for professional Cinema/Video production. It features a fixed 135mm telephoto focal length and a T2.5 maximum aperture, offering solid light transmission for a lens in this focal range. The lens is designed to cover the Super 35 format and mounts via a PL Mount, placing it squarely in the professional cinema ecosystem.

Focus is entirely manual, consistent with the expectations of narrative film and commercial production environments where follow-focus rigs are standard. There is no image stabilization, so use on a stable support platform is recommended. The lens weighs 1.8kg, a figure operators should account for when building and balancing their camera rigs.

No filter thread size is specified in the technical data. For productions shooting on Super 35 cinema cameras with PL mounts, this 135mm T2.5 prime offers a defined telephoto perspective with cinema-standard manual control.

Pros — P+S TECHNIK 135mm T2.5

  • ✓T2.5 maximum aperture provides strong light-gathering capability for a 135mm telephoto prime
  • ✓PL Mount compatibility integrates directly with professional cinema camera ecosystems
  • ✓Super 35 format coverage matches the sensor size of the majority of professional cinema cameras

Cons — P+S TECHNIK 135mm T2.5

  • ✗At 1.8kg, the lens adds substantial weight to a rig and requires careful balancing considerations
  • ✗No image stabilization, so stable support systems are essential
  • ✗No autofocus capability, which limits use cases outside of traditional cinema production

Reviews — P+S TECHNIK 135mm T2.5

Videos — P+S TECHNIK 135mm T2.5

P+S Technik Adds a 135mm Focal Length to Its Anamorphic Evolution Line — No Film School

Resources & Downloads — P+S TECHNIK 135mm T2.5

Manuals & Guides

Frequently Asked Questions — P+S TECHNIK 135mm T2.5

What camera mount does this lens use?+
The P+S TECHNIK TECHNOVISION 135mm T2.5 uses a PL Mount, which is the standard mount for professional cinema cameras. This makes it compatible with cameras in the Cinema/Video camera system category that accept PL-mount lenses.
What sensor format does this lens cover?+
The lens is rated for the Super 35 format, making it a match for the large majority of professional digital cinema cameras that use Super 35-sized sensors. Confirm your camera's sensor size before use to ensure coverage.
Does this lens support autofocus?+
No — this lens is manual focus only, with no autofocus capability. This is standard for cinema lenses used in professional film and video production, where dedicated focus pullers operate follow-focus systems.
How heavy is this lens, and does that affect rigging?+
The lens weighs 1.8kg, which is a meaningful amount of mass for a prime. Camera operators and assistants should account for this weight when balancing gimbals, tripod heads, or other support systems.
Does the lens have image stabilization?+
No, the lens has no image stabilization. Professional cinema productions typically manage camera movement through tripods, fluid heads, gimbals, and other mechanical stabilization solutions rather than optical IS.
What type of lens is this — zoom or prime?+
This is a prime lens with a fixed 135mm focal length in the telephoto range. It does not zoom, so it delivers a single angle of view and requires a lens change to shift to a different focal length.

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