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TECHNOVISION 50mm T2.2

The P+S TECHNIK 1.5x 50mm T2.2 PL is a 50mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

TECHNOVISION 50mm T2.2

TECHNOVISION 50mm T2.2

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Lens Overview — P+S TECHNIK 1.5x 50mm T2.2 PL

The P+S TECHNIK TECHNOVISION 50mm T2.2 is an anamorphic prime lens built for the cinema and professional video market. Designed around a Super 35 image format, it mounts via the industry-standard PL Mount, making it compatible with a wide range of professional cinema camera bodies. With a maximum aperture of T2.2, it offers solid light-gathering capability for controlled or low-light production environments.

The lens operates entirely in manual focus mode, which is standard practice for high-end cinema productions where focus pullers rely on precise, repeatable control rather than autofocus systems. Weighing in at 3,000 grams, the TECHNOVISION 50mm is a substantial piece of glass that reflects its professional cinema construction. Its 50mm focal length places it squarely in the standard focal length range, making it a versatile choice for dialogue scenes, medium shots, and narrative filmmaking.

The anamorphic optical design delivers the characteristic visual qualities associated with anamorphic cinematography, and the lens is categorized as a prime — meaning a fixed focal length with no zoom capability. This is a lens purpose-built for serious production work on Super 35 cinema cameras.

Key Features — P+S TECHNIK 1.5x 50mm T2.2 PL

1.5x Anamorphic Squeeze: Produces the characteristic widescreen image, oval bokeh, and horizontal lens flares associated with anamorphic cinematography.

T2.2 Maximum Aperture: Solid light transmission for a cinema anamorphic prime, allowing usable exposure levels in controlled or lower-light production environments.

50mm Standard Focal Length: A versatile field of view well-suited to dialogue scenes, medium shots, and general narrative filmmaking on Super 35 cameras.

Super 35 Coverage: Designed to cover the Super 35 image circle, matching the sensor size found in the majority of professional cinema camera bodies.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls by a dedicated focus puller on professional productions.

Lens Specifications — P+S TECHNIK 1.5x 50mm T2.2 PL

P+S TECHNIK 1.5x 50mm T2.2 PL full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length50mm
Maximum Aperturef/2.2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight3000g

Description — P+S TECHNIK 1.5x 50mm T2.2 PL

The P+S TECHNIK TECHNOVISION 50mm T2.2 is a manual focus, anamorphic prime cinema lens built for professional production environments. It features a PL Mount and is designed to cover the Super 35 image format, placing it firmly in the professional cinema ecosystem. The 50mm focal length sits in the standard focal length range, making it a practical choice for a broad variety of shots including dialogue, medium, and environmental scenes.

With a maximum aperture of T2.2, the lens offers meaningful light-gathering capability without compromising the optical integrity expected from an anamorphic design. Weighing 3,000 grams, this is a substantial lens that demands proper rigging and lens support on any production. The lens is categorized under the Cinema / Video camera system and features no image stabilization, consistent with its intended use on professional cinema rigs where stabilization is handled at the camera or gimbal level.

For any production seeking the anamorphic look on a Super 35 cinema camera with a PL Mount, the TECHNOVISION 50mm T2.2 is a dedicated tool built for exactly that purpose.

Pros — P+S TECHNIK 1.5x 50mm T2.2 PL

  • ✓Maximum aperture of T2.2 provides strong light-gathering performance for a cinema anamorphic prime
  • ✓PL Mount compatibility ensures broad integration with professional cinema camera systems
  • ✓Super 35 image format coverage suits the most common sensor size in professional cinema production

Cons — P+S TECHNIK 1.5x 50mm T2.2 PL

  • ✗At 3,000 grams, the lens is very heavy and will require robust support and rigging setups
  • ✗No image stabilization, which is expected for a manual cinema prime but worth noting for handheld or documentary work
  • ✗No filter thread size listed in specifications, which may complicate front-of-lens filtration planning

Videos — P+S TECHNIK 1.5x 50mm T2.2 PL

Anna Piffl, MD of P+S TECHNIK talks about their new full frame anamorphic lens range — Cine Eye

Resources & Downloads — P+S TECHNIK 1.5x 50mm T2.2 PL

Manuals & Guides

Frequently Asked Questions — P+S TECHNIK 1.5x 50mm T2.2 PL

What camera mount does the TECHNOVISION 50mm T2.2 use?+
The lens uses a PL Mount, which is the standard mount for professional cinema cameras. This makes it compatible with a wide range of cinema camera bodies that accept PL-mount lenses.
What sensor size does this lens cover?+
The TECHNOVISION 50mm T2.2 is designed to cover the Super 35 image format. It is listed under the Cinema / Video camera system category.
Does this lens support autofocus?+
No. The TECHNOVISION 50mm T2.2 is a manual focus lens only. This is standard for professional cinema lenses, where focus pullers operate focus remotely with precise, repeatable control.
How heavy is the TECHNOVISION 50mm T2.2?+
The lens weighs 3,000 grams. This is a substantial weight, so productions should plan for appropriate lens support, follow-focus systems, and rigging to accommodate it safely.
Is this lens a zoom or a prime?+
The TECHNOVISION 50mm T2.2 is a prime lens with a fixed focal length of 50mm. It does not offer any zoom capability, which is typical for high-end anamorphic cinema lenses.
What is the maximum aperture of this lens?+
The maximum aperture is T2.2. Note that this is measured in T-stops, which is the standard for cinema lenses as it accounts for actual light transmission rather than theoretical aperture.

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