Tokina Cinema ATX 11-20mm T2.9
The Tokina 11-20mm T2.9 is a 11–20mm f/2.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Tokina Cinema ATX 11-20mm T2.9
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Lens Overview — Tokina 11-20mm T2.9
Key Features — Tokina 11-20mm T2.9
11-20mm Zoom Range: Covers a versatile wide-angle focal length range suited for tight interior spaces, documentary run-and-gun, and expansive environmental shots.
Constant T2.9 Aperture: Maintains a fixed T2.9 throughout the entire zoom range, so exposure remains consistent without adjustment when reframing.
Super 35 Coverage: Designed to cover the Super 35 sensor format, making it directly compatible with professional cinema cameras from ARRI, RED, and Sony.
PL Mount: Industry-standard cinema lens mount connects to a broad range of professional cinema camera bodies without adapters.
Manual Focus Design: Smooth manual focus ring is built for use with follow-focus and FIZ systems standard in professional cinema productions.
86mm Filter Thread: Front filter thread provides a consistent diameter for matte box rigging and filter kit planning across productions.
Lens Specifications — Tokina 11-20mm T2.9
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Zoom |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 11–20mm |
| Maximum Aperture | f/2.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 86mm |
Description — Tokina 11-20mm T2.9
The Tokina Cinema ATX 11-20mm T2.9 is a dedicated wide-angle zoom built for the Cinema/Video camera system category, covering a focal range of 11mm to 20mm with a constant T2.9 maximum aperture. Designed to cover the Super 35 format, it pairs with professional cinema cameras using that sensor standard. The lens ships with a PL Mount, one of the most trusted and widely used mounts in the professional cinema industry.
Focus is entirely manual — there is no autofocus — which is standard practice for cinema production environments where focus pullers use follow-focus systems and remote FIZ controllers. Weighing 1,100 grams and featuring an 86mm filter thread, the lens provides concrete physical parameters for rigging crews and rental houses building packages around it. No image stabilization is present, so stable imagery depends on proper rigging and support systems. The wide-angle zoom range makes this lens a versatile choice for productions that need to move between focal lengths quickly without swapping glass.
Pros — Tokina 11-20mm T2.9
- ✓Constant T2.9 aperture throughout the 11–20mm zoom range enables consistent exposure without adjustments while zooming
- ✓Super 35 format coverage aligns with a large number of professional cinema camera sensor sizes
- ✓PL Mount compatibility connects directly to a broad range of professional cinema camera bodies
Cons — Tokina 11-20mm T2.9
- ✗No autofocus capability, which limits flexibility for run-and-gun or solo operator shooting styles
- ✗No image stabilization, meaning handheld or gimbal work without electronic compensation relies entirely on the T2.9 aperture for low-light performance
- ✗Single mount option (PL Mount) listed in specifications — camera system flexibility depends on availability of additional mount adapters
Reviews — Tokina 11-20mm T2.9
Videos — Tokina 11-20mm T2.9
Tokina 11-20mm T2.9 | Review & Test Footage with RED KOMODO — CVP
Frequently Asked Questions — Tokina 11-20mm T2.9
What sensor format does the Tokina Cinema ATX 11-20mm T2.9 cover?+
The lens is designed for the Super 35 format, as listed in its specifications under lensFormat. This makes it compatible with the majority of professional cinema cameras that use Super 35-sized sensors.
What mount does this lens use?+
According to the specifications, this lens uses a PL Mount. PL is a standard mount found on a wide range of professional cinema cameras, making it a common choice for high-end productions.
Does the Tokina Cinema ATX 11-20mm T2.9 have autofocus?+
No. The specifications confirm that autofocus is not present and focus type is listed as Manual only. This is standard for cinema lenses intended for use with dedicated focus pullers and FIZ control systems.
What is the maximum aperture of this lens?+
The lens has a maximum aperture of T2.9, as stated in the specifications. T-stop ratings measure actual light transmission, making them the preferred measurement standard in cinema production.
What filter size does the lens accept?+
The lens has a filter thread size of 86mm, as listed in the specifications. This is useful for selecting the correct matte box or screw-in filter accessories.
How heavy is the Tokina Cinema ATX 11-20mm T2.9?+
The lens weighs 1,100 grams according to the specifications. This is an important figure for planning lens support, shoulder rigs, or gimbal payload capacity.