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Vazen 28mm T2.2 1.8x Anamorphic Lens

The Vazen 28mm T2.2 1.8x is a 28mm f/2.2 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Vazen 28mm T2.2 1.8x Anamorphic Lens

Vazen 28mm T2.2 1.8x Anamorphic Lens

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Lens OverviewVazen 28mm T2.2 1.8x

The Vazen 28mm T2.2 Anamorphic Lens is a wide-angle prime designed for the Micro Four Thirds system, built with cinema and video production workflows firmly in mind. With a maximum aperture of T2.2, it offers a reasonably fast light-gathering capability for a lens of this type, making it a practical choice for lower-light shooting situations. The lens is a true prime, fixed at 28mm, and falls squarely in the wide-angle focal length range — well suited for environmental storytelling, documentary work, or cinematic sequences that demand a broader field of view.

Focusing is entirely manual, which is standard practice for anamorphic cinema glass and gives the operator precise, repeatable control over focus pulls. The lens weighs 720g and accepts 80mm front filters, which is worth factoring into any matte box or filter system planning. Image stabilization is not present, so stabilization responsibilities fall to either the camera body or a dedicated support rig.

The Micro Four Thirds lens mount means it is directly compatible with MFT-mount camera systems. Classified as a cinema and video lens, the Vazen 28mm T2.2 is a purposeful tool for videographers and cinematographers working within the MFT ecosystem who want an anamorphic look without moving to a larger sensor format.

Key FeaturesVazen 28mm T2.2 1.8x

1.8x Anamorphic Squeeze: Produces a widescreen cinematic image with characteristic horizontal lens flares and oval bokeh from a Micro Four Thirds sensor.

28mm Wide-Angle Prime: Fixed focal length delivers a broad field of view well suited for environmental storytelling, documentary, and expansive cinematic framing.

T2.2 Maximum Aperture: Fast light-gathering capability for an anamorphic cinema prime, making it practical in lower-light shooting conditions.

Micro Four Thirds Mount: Directly compatible with MFT-system cameras such as Blackmagic Pocket Cinema Camera 4K and Panasonic Lumix bodies.

Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls in line with standard cinema production workflows.

80mm Front Filter Thread: Large filter thread accommodates professional matte box systems and 80mm filters for on-set optical control.

Lens SpecificationsVazen 28mm T2.2 1.8x

Vazen 28mm T2.2 1.8x full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatMicro Four Thirds (MFT)
Zoom/PrimePrime
Focal Length28mm
Maximum Aperturef/2.2
Camera SystemCinema / Video
Lens MountMicro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread80mm

DescriptionVazen 28mm T2.2 1.8x

The Vazen 28mm T2.2 Anamorphic Lens is purpose-built for Micro Four Thirds camera systems and targeted squarely at cinema and video applications. As a prime lens fixed at 28mm in the wide-angle focal length range, it is well suited for establishing shots, environmental scenes, and any cinematic work that benefits from a broader perspective. The T2.2 maximum aperture delivers capable light transmission for a cinema anamorphic lens, giving operators flexibility in a range of lighting conditions.

Focusing is manual only, consistent with professional cinema lens standards and allowing for smooth, controlled focus pulls. The lens features an 80mm filter thread for professional filter and matte box integration, and weighs 720g — manageable within a properly balanced rig. Image stabilization is not included, so external or in-body stabilization will be necessary depending on the shooting scenario. The Micro Four Thirds mount ensures direct compatibility with MFT-system cameras, and the lens is classified under the cinema and video camera system category, reflecting its intended professional production use.

ProsVazen 28mm T2.2 1.8x

  • Fast T2.2 maximum aperture provides solid light-gathering for a cinema anamorphic prime
  • Micro Four Thirds mount offers direct compatibility with MFT-system cameras
  • Fixed 28mm wide-angle focal length is well suited for expansive cinematic framing

ConsVazen 28mm T2.2 1.8x

  • No image stabilization, requiring external stabilization solutions for handheld work
  • Manual focus only — not suitable for run-and-gun or autofocus-dependent shooting styles
  • 80mm filter thread is a large diameter that may require step-up rings or dedicated filter holders

ReviewsVazen 28mm T2.2 1.8x

VideosVazen 28mm T2.2 1.8x

Vazen 28mm T2.2 anamorphic lens review – A Goldilocks lens for Micro Four Thirds video?DPReview TV

Resources & DownloadsVazen 28mm T2.2 1.8x

Manuals & Guides

Frequently Asked QuestionsVazen 28mm T2.2 1.8x

What camera mount does this lens use?+
The Vazen 28mm T2.2 uses a Micro Four Thirds (MFT) lens mount. It is designed specifically for MFT-system cameras and is not listed as compatible with other mounts in the specifications.
Does this lens support autofocus?+
No — this lens is manual focus only. This is consistent with its cinema and video classification, where manual focus control is standard for repeatable, precise focus work.
What filter size does this lens require?+
The Vazen 28mm T2.2 has an 80mm filter thread. This is a relatively large front diameter, so you will want to confirm compatibility with your existing matte box or filter system before purchasing.
Does this lens have image stabilization?+
No, image stabilization is listed as None in the specifications. Users who need stabilization will need to rely on in-body stabilization if their camera supports it, or use an external gimbal or support rig.
What is the maximum aperture of this lens?+
The maximum aperture is T2.2. This is a T-stop rating, which is the measurement standard used for cinema lenses and reflects actual light transmission through the optical system.
How heavy is the Vazen 28mm T2.2?+
The lens weighs 720g. This is a moderate weight for a cinema anamorphic prime and should be factored into your rig balance and support system planning.

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