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Vazen 40mm T2 1.8x Anamorphic

The Vazen 40mm T2 1.8x is a 40mm f/2 lens designed for Micro Four Thirds mount cameras. Used copies start from $1,199.99 on GearFocus, with buyer protection on every purchase.

Vazen 40mm T2 1.8x Anamorphic

Vazen 40mm T2 1.8x Anamorphic

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Vazen 40mm T2 1.8x Anamorphic Lens for M4/3 #V40T2
Vazen 40mm T2 1.8x Anamorphic Lens for M4/3 #V40T2

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Lens OverviewVazen 40mm T2 1.8x

The Vazen 40mm T2 Anamorphic is a manual-focus prime lens built for the Micro Four Thirds mount, designed to bring a cinematic anamorphic look to MFT-compatible cameras such as the Panasonic GH series and the Blackmagic Pocket Cinema Camera 4K. With a maximum aperture of T2, this lens delivers solid low-light performance while maintaining the optical character that anamorphic shooters seek. As a prime lens with a 40mm focal length on the MFT format, it sits in the standard focal length range, making it a versatile choice for narrative work, documentary, and short-form content.

The lens is entirely manual focus, which suits the deliberate, controlled approach typical of cinematic productions. Weighing in at 1800g, it has a substantial build that reflects its cinema-oriented design. The 95mm front filter thread is a large diameter well suited for use with standard matte boxes and follow focus systems, fitting naturally into a professional cinema rig.

Image stabilization is not included, so shooters will need to rely on in-body stabilization or rigging solutions. Overall, this is a purposeful, spec-driven tool for filmmakers working within the MFT ecosystem who want an anamorphic look from a dedicated prime.

Key FeaturesVazen 40mm T2 1.8x

1.8x Anamorphic Squeeze: Produces a widescreen cinematic image with characteristic anamorphic oval bokeh and horizontal lens flares from a compact MFT body.

40mm MFT Prime: Equivalent to roughly an 80mm field of view on a full-frame sensor, placing it in the standard focal length range for versatile narrative and documentary shooting.

T2 Maximum Aperture: Fast T2 aperture allows for solid light-gathering in low-light environments while producing shallow depth of field with anamorphic character.

Micro Four Thirds Mount: Designed for MFT-mount cameras including the Panasonic GH series and Blackmagic Pocket Cinema Camera 4K, offering broad compatibility within the MFT ecosystem.

Manual Focus Design: Smooth, deliberate manual focus ring suited for precise focus pulls in controlled cinematic productions.

95mm Filter Thread: Large-diameter front thread is compatible with professional matte boxes and cinema accessories for straightforward integration into a full rig.

Lens SpecificationsVazen 40mm T2 1.8x

Vazen 40mm T2 1.8x full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatMicro Four Thirds (MFT)
Zoom/PrimePrime
Focal Length40mm
Maximum Aperturef/2
Camera SystemCompatible with MFT cameras (e.g., Panasonic GH series, Blackmagic Pocket Cinema Camera 4K)
Lens MountMicro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread95mm

DescriptionVazen 40mm T2 1.8x

The Vazen 40mm T2 Anamorphic is a manual-focus prime lens designed for the Micro Four Thirds (MFT) mount, targeting cinematographers who want an anamorphic aesthetic from cameras in the MFT ecosystem. The lens carries a maximum aperture of T2, providing meaningful light-gathering capability in a cinema-rated T-stop measurement. At a focal length of 40mm within the standard focal length range, it offers a natural perspective on MFT sensors, making it practical for a wide variety of narrative and documentary applications.

The 95mm front filter thread is large enough to interface directly with professional matte boxes and cinema accessories without adapters. Weighing 1800g, this is a substantial piece of glass that benefits from proper rigging support. The lens offers no image stabilization and is manual focus only, consistent with its cinema-first design philosophy.

It is noted as compatible with MFT cameras including the Panasonic GH series and the Blackmagic Pocket Cinema Camera 4K, making it a targeted tool for filmmakers working within those ecosystems.

ProsVazen 40mm T2 1.8x

  • Fast T2 maximum aperture provides strong light-gathering capability for a cinema prime
  • 40mm focal length on MFT sits in the standard range, offering versatile framing options
  • 95mm filter thread is compatible with professional matte boxes and cinema accessories

ConsVazen 40mm T2 1.8x

  • No image stabilization, requiring external support or in-body IS for steady handheld shots
  • At 1800g, the lens is quite heavy and will require a proper rig or support system for extended shooting
  • Manual focus only — no autofocus option for run-and-gun or fast-moving subject work

Resources & DownloadsVazen 40mm T2 1.8x

Manuals & Guides

Frequently Asked QuestionsVazen 40mm T2 1.8x

What camera mount does this lens use?+
The Vazen 40mm T2 uses a Micro Four Thirds (MFT) mount. According to the specifications, it is compatible with MFT cameras such as the Panasonic GH series and the Blackmagic Pocket Cinema Camera 4K.
Does this lens have autofocus?+
No. The lens is manual focus only, with no autofocus capability. This is typical of cinema-oriented lenses where precise manual control is preferred over automated focusing.
What is the maximum aperture of this lens?+
The maximum aperture is T2. Note that this is a T-stop rating, which measures actual light transmission rather than the geometric f-stop value.
How heavy is the Vazen 40mm T2?+
The lens weighs 1800g. Given this weight, most users will want to mount it on a proper cinema rig or shoulder support system rather than shooting handheld without assistance.
What filter thread size does this lens use?+
The front filter thread diameter is 95mm. This large diameter is well suited for use with professional matte boxes, though it will require 95mm-compatible filters or step-down rings for standard filter systems.
Does this lens include image stabilization?+
No. The specifications list image stabilization as 'None.' Shooters who need stabilization will need to rely on in-body stabilization from their camera or external rigging solutions.

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