Venus Optics Laowa Nanomorph 35mm T2.4 Anamorphic S35 Lens
The Venus Optics 35mm T2.4 Anamorphic S35 is a 35mm f/2.4 lens designed for Other mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Venus Optics Laowa Nanomorph 35mm T2.4 Anamorphic S35 Lens
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Lens Overview — Venus Optics 35mm T2.4 Anamorphic S35
Key Features — Venus Optics 35mm T2.4 Anamorphic S35
1.5x Anamorphic Squeeze: Delivers the characteristic anamorphic widescreen look with oval bokeh and horizontal lens flares when paired with an S35 sensor.
Super 35 Coverage: Designed to fully cover the Super 35 format, making it directly compatible with the most widely used cinema sensor size.
T2.4 Maximum Aperture: Opens to T2.4 for usable light-gathering in controlled and low-light production environments without sacrificing optical quality.
35mm Standard Focal Length: A versatile focal length for S35 that suits a wide range of narrative, documentary, and commercial shooting scenarios.
Manual Focus Design: Smooth manual focus ring built to support traditional cinema follow-focus systems and repeatable focus pulls.
Compact 0.7 kg Build: Lightweight construction makes it practical for handheld rigs, gimbals, and compact cinema setups where weight matters.
Lens Specifications — Venus Optics 35mm T2.4 Anamorphic S35
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/2.4 |
| Camera System | Cinema / Video |
| Lens Mount | Other |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 55mm |
Description — Venus Optics 35mm T2.4 Anamorphic S35
The Venus Optics Laowa Nanomorph 35mm is an anamorphic prime lens purpose-built for Super 35 cinema and video production. With a 35mm focal length in the standard focal length range and a maximum aperture of T2.4, it delivers meaningful low-light performance for a cinema anamorphic prime. The lens is entirely manual focus, placing it firmly in the professional cinema workflow where focus control is handled externally.
Weighing just 0.7 kg, it is a genuinely portable option within the anamorphic cinema lens category, well-suited for handheld rigs, gimbals, and lightweight setups. It features a 55mm filter thread, providing easy compatibility with standard production filters. The Lens Board mount connects this lens to technical camera systems, and its Cinema / Video camera system classification reflects its intended professional video production use. Image stabilization is not included, so external stabilization should be factored into any production plan.
For cinematographers working with S35 sensors who need a standard focal length anamorphic prime with manageable size and weight, this lens presents a clearly defined set of specifications to evaluate.
Pros — Venus Optics 35mm T2.4 Anamorphic S35
- ✓Maximum aperture of T2.4 provides solid light-gathering for a cinema anamorphic prime
- ✓Lightweight at 0.7 kg, making it practical for handheld and gimbal-based cinema rigs
- ✓Dedicated Super 35 format coverage aligns with widely used S35 cinema sensor sizes
Cons — Venus Optics 35mm T2.4 Anamorphic S35
- ✗Manual focus only — no autofocus support, requiring dedicated focus pulling on set
- ✗No image stabilization, necessitating external stabilization solutions
- ✗Lens Board mount limits compatibility to technical camera systems rather than mainstream cinema camera mounts
Reviews — Venus Optics 35mm T2.4 Anamorphic S35
Videos — Venus Optics 35mm T2.4 Anamorphic S35
Laowa Nanomorph anamorphic lens review (35mm T2.4 and 50mm T2.4) — DPReview TV