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Venus Optics Laowa Nanomorph 50mm T2.4 Anamorphic S35 Lens - DJI DL Mount, Blue Flare Highlight

The Venus Optics 50mm T2.4 Anamorphic S35 is a 50mm f/2.4 lens designed for DJI DL mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Venus Optics Laowa Nanomorph 50mm T2.4 Anamorphic S35 Lens - DJI DL Mount, Blue Flare Highlight

Venus Optics Laowa Nanomorph 50mm T2.4 Anamorphic S35 Lens - DJI DL Mount, Blue Flare Highlight

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Lens Overview — Venus Optics 50mm T2.4 Anamorphic S35

The Venus Optics Laowa Nanomorph 50mm T2.4 is an anamorphic prime lens built for Super 35 cinema and video cameras, designed specifically for the DJI DL mount. With a maximum aperture of T2.4, it offers a solid light-gathering capability for cinematic work in a variety of shooting conditions. The lens covers the Super 35 format, making it a natural fit for professional cinema camera systems that use this popular sensor size.

At 50mm, it sits in standard focal length territory, giving cinematographers a perspective close to natural human vision — a versatile choice for dialogue scenes, documentary work, and narrative filmmaking alike. Weighing in at 550g, it strikes a reasonable balance between build substance and portability for a cinema anamorphic lens. The 55mm filter thread allows for standard front-of-lens filtration.

Focus is entirely manual, which is typical for cinema-oriented anamorphic lenses where precise, repeatable focus pulls are a priority. There is no image stabilization, so stable support rigs or gimbals are recommended. The blue flare characteristic noted in the product title is a visual signature of this lens, lending a classic anamorphic look to highlights and specular light sources.

Key Features — Venus Optics 50mm T2.4 Anamorphic S35

1.5x Anamorphic Squeeze: Delivers a widescreen cinematic image with oval bokeh and natural anamorphic character from Super 35 sensors.

Blue Streak Flares: Produces the signature horizontal blue flares across highlights and specular light sources associated with classic anamorphic cinematography.

T2.4 Maximum Aperture: Allows solid light gathering for a cinema anamorphic prime, supporting usable exposure in lower-light shooting environments.

Super 35 Format Coverage: Designed to cover the Super 35 image circle, matching the sensor size of professional cinema cameras from ARRI, RED, and DJI.

DJI DL Mount: Natively fits DJI cinema camera systems such as the Ronin 4D and Zenmuse X9 without the need for an adapter.

50mm Standard Focal Length: Provides a perspective close to natural human vision, making it well suited for dialogue, documentary, and narrative scenes.

Lens Specifications — Venus Optics 50mm T2.4 Anamorphic S35

Venus Optics 50mm T2.4 Anamorphic S35 full specifications
SpecDetail
Use CasesDocumentary, Fashion, Video / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length50mm
Maximum Aperturef/2.4
Camera SystemCinema / Video
Lens MountDJI DL
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread55mm

Description — Venus Optics 50mm T2.4 Anamorphic S35

The Venus Optics Laowa Nanomorph 50mm T2.4 Anamorphic is a cinema prime lens built for Super 35 format cameras on the DJI DL mount. Designed for the Cinema / Video camera system category, it delivers an anamorphic image type with a maximum aperture of T2.4, providing solid light transmission for cinematic shooting scenarios. The 50mm focal length places it firmly in standard territory, making it a go-to option for a wide range of narrative and documentary applications.

Weighing 550g, this lens offers a sturdy yet manageable form factor for use on cinema rigs and gimbals. A 55mm front filter thread provides flexibility for optical filtration. Focus is manual, which suits the precision demands of professional video production.

With no image stabilization, users should pair this lens with appropriate mechanical or electronic stabilization systems. The blue flare highlight characteristic referenced in the product name is a visual signature that contributes to the lens's anamorphic cinematic aesthetic.

Pros — Venus Optics 50mm T2.4 Anamorphic S35

  • ✓Fast T2.4 maximum aperture delivers strong light transmission for a cinema anamorphic lens
  • ✓Super 35 format coverage aligns with widely used professional cinema sensor sizes
  • ✓50mm standard focal length offers a versatile, natural perspective for narrative and documentary work

Cons — Venus Optics 50mm T2.4 Anamorphic S35

  • ✗Manual focus only — no autofocus capability, requiring skilled focus pullers or follow-focus rigs
  • ✗No image stabilization, making stable support equipment essential
  • ✗Single prime focal length at 50mm limits shooting flexibility without additional lenses

Videos — Venus Optics 50mm T2.4 Anamorphic S35

Introducing Laowa's Nanomorph 1.5x Anamorphic - World's Tiniest Anamorphic Lens — Laowa - Venus Optics

Resources & Downloads — Venus Optics 50mm T2.4 Anamorphic S35

Frequently Asked Questions — Venus Optics 50mm T2.4 Anamorphic S35

What camera mount does this lens use?+
This lens is designed for the DJI DL mount. It is built specifically for cameras in the DJI cinema ecosystem that use the DL mount standard.
Does this lens have autofocus?+
No, this lens is manual focus only. For cinema video work, manual focus combined with a follow-focus system is the standard approach for precise focus control.
What sensor format does this lens cover?+
The Laowa Nanomorph 50mm T2.4 is designed to cover the Super 35 format. Using it on cameras with larger sensor formats may result in vignetting.
What is the maximum aperture of this lens?+
The maximum aperture is T2.4. Note that this is a T-stop rating, which measures actual light transmission through the lens, as is standard for cinema lenses.
What filter size does this lens accept?+
The lens has a 55mm filter thread, allowing the use of standard 55mm screw-in filters for creative or protective filtration.
Does this lens include image stabilization?+
No, image stabilization is not present on this lens. Shooters should plan to use a gimbal, tripod, or other stabilization support when using this lens for smooth footage.

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