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Venus Optics Laowa Nanomorph 65mm T2.4 1.5x Anamorphic Lens

The Venus Optics 65mm T2.4 1.5x is a 65mm f/2.4 lens designed for Sony E, Fujifilm X, Micro Four Thirds, Canon RF, Nikon Z mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Venus Optics Laowa Nanomorph 65mm T2.4 1.5x Anamorphic Lens

Venus Optics Laowa Nanomorph 65mm T2.4 1.5x Anamorphic Lens

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Lens Overview — Venus Optics 65mm T2.4 1.5x

The Venus Optics Laowa Nanomorph 65mm T2.4 is a prime anamorphic lens built for Super 35 cinema and video applications. Mounted via a Lens Board (Technical Camera) interface, this lens is oriented squarely toward cinematographers and video shooters working with S35-format cameras. It operates at a maximum aperture of T2.4, which is a true T-stop measurement reflecting actual light transmission rather than a theoretical f-stop value.

At 65mm on a Super 35 sensor, it falls within the standard focal length range, making it a practical choice for dialogue scenes, medium shots, and close-up work. The lens is entirely manual focus, with no autofocus capability, which is standard practice in professional cinema lens sets where precise, repeatable focus pulls are the norm. Weighing just 390g, it is notably compact for an anamorphic cinema prime, which can be an advantage when working with smaller camera rigs or gimbals.

A 62mm front filter thread allows for standard filter use. Image stabilization is not present, consistent with the cinema prime category. The lens type is classified as Anamorphic within the Cinema/Video camera system.

Key Features — Venus Optics 65mm T2.4 1.5x

1.5x Anamorphic Squeeze: Captures a wider horizontal field of view than the sensor natively provides, delivering a cinematic widescreen image when de-squeezed in post.

T2.4 Maximum Aperture: A true T-stop rating reflects actual light transmission, ensuring consistent exposure when used as part of a matched lens set.

Super 35 Coverage: Designed to cover the Super 35 format, compatible with the most widely used sensor size in professional cinema cameras.

65mm Prime Focal Length: A standard focal length on Super 35 well-suited to dialogue scenes, medium shots, and close-up cinematography.

Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls in professional cinema workflows.

Anamorphic Lens Flares: Produces characteristic horizontal lens flares and oval bokeh associated with the anamorphic cinematic look.

Lens Specifications — Venus Optics 65mm T2.4 1.5x

Venus Optics 65mm T2.4 1.5x full specifications
SpecDetail
Use CasesStudio, Video / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length65mm
Maximum Aperturef/2.4
Camera SystemCinema / Video
Lens MountSony E, Fujifilm X, Micro Four Thirds, Canon RF, Nikon Z
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread62mm

Description — Venus Optics 65mm T2.4 1.5x

The Venus Optics Laowa Nanomorph 65mm T2.4 is a prime anamorphic lens designed specifically for Super 35 cinema and video applications. With a maximum aperture of T2.4 — a true T-stop rating reflecting actual light transmission — this lens delivers consistent exposure characteristics suited to professional cinematic work. The 65mm focal length places it in the standard focal length range, making it well-suited for a wide variety of cinematic compositions on S35-format cameras.

Mounted via a Lens Board (Technical Camera) interface, it is built for technical and cinema camera configurations. Weighing only 390g, it is impressively compact for the anamorphic cinema category, offering a practical advantage on weight-sensitive rigs. A 62mm front filter thread provides compatibility with standard cinema and photography filters.

The lens is manual focus only, in keeping with professional cinema lens conventions that prioritize precise, pull-focus control. No image stabilization is included.

Pros — Venus Optics 65mm T2.4 1.5x

  • ✓True T2.4 aperture provides verified light transmission for consistent exposure across a matched lens set
  • ✓Lightweight at just 390g, making it practical for handheld and gimbal-based cinema rigs
  • ✓Super 35 format coverage aligns with the most widely used cinema sensor size

Cons — Venus Optics 65mm T2.4 1.5x

  • ✗Manual focus only — no autofocus support, which may limit use in run-and-gun or documentary scenarios
  • ✗Lens Board (Technical Camera) mount is a specialized interface not compatible with common EF, PL, or E-mount cinema rigs without adaptation
  • ✗No image stabilization, requiring a stable rig or support system for clean footage

Reviews — Venus Optics 65mm T2.4 1.5x

Videos — Venus Optics 65mm T2.4 1.5x

Laowa Nanomorph anamorphic lens review (35mm T2.4 and 50mm T2.4) — DPReview TV

Resources & Downloads — Venus Optics 65mm T2.4 1.5x

Manuals & Guides

Frequently Asked Questions — Venus Optics 65mm T2.4 1.5x

What mount does the Laowa Nanomorph 65mm T2.4 use?+
This lens uses a Lens Board (Technical Camera) mount. Shooters should verify compatibility with their specific camera system, as this is a specialized interface that may require an adapter for use with conventional cinema camera bodies.
Does this lens support autofocus?+
No, the Laowa Nanomorph 65mm T2.4 is a fully manual focus lens. This is consistent with professional cinema lens design, where manual control over focus is preferred for precise focus pulls and repeatable marks.
What sensor format is this lens designed for?+
The lens is designed for Super 35 format sensors. It is classified under the Cinema/Video camera system and is not specified for full-frame or other sensor sizes.
How much does this lens weigh?+
The lens weighs 390g, making it relatively compact and lightweight for an anamorphic cinema prime. This can be beneficial when building lighter camera rigs or working with weight-sensitive gimbal setups.
What filter size does this lens accept?+
The Laowa Nanomorph 65mm T2.4 has a 62mm front filter thread, compatible with standard 62mm screw-in filters commonly used in cinema and photography.
Does this lens include image stabilization?+
No, image stabilization is listed as None in the specifications. Users will need to rely on their camera body's stabilization system or external stabilization equipment such as a gimbal or fluid head.

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