Venus Optics Laowa Nanomorph 65mm T2.4 S35 Anamorphic Lens
The Venus Optics 65mm T2.4 S35 is a 65mm f/2.4 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Venus Optics Laowa Nanomorph 65mm T2.4 S35 Anamorphic Lens
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Lens Overview — Venus Optics 65mm T2.4 S35
Key Features — Venus Optics 65mm T2.4 S35
1.5x Anamorphic Squeeze: Delivers the characteristic anamorphic widescreen look with oval bokeh and horizontal lens flares from a Super 35 sensor.
T2.4 Maximum Aperture: Fast enough for low-light cinema work while keeping the lens compact and practical for handheld and gimbal rigs.
Super 35 Image Circle: Covers the most widely used sensor format in professional cinema production without vignetting.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other major manufacturers.
Compact 520g Build: Notably lightweight for an anamorphic prime, reducing operator fatigue on long shooting days and easing gimbal balancing.
65mm Standard Focal Length: Sits in a versatile range well-suited to dialogue scenes, portraiture, and general narrative filmmaking on Super 35.
Lens Specifications — Venus Optics 65mm T2.4 S35
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 65mm |
| Maximum Aperture | f/2.4 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 62mm |
Description — Venus Optics 65mm T2.4 S35
The Venus Optics Laowa Nanomorph 65mm T2.4 is an anamorphic prime lens engineered for Super 35 cinema and video production, offered here with a PL Mount. With a maximum aperture of T2.4, it delivers reliable performance in a range of lighting conditions while keeping physical dimensions practical. The lens weighs just 520g, making it one of the lighter options in the anamorphic cinema prime category — a real advantage when mounting on gimbals or shooting handheld over long production days.
Focus is manual, consistent with professional cinema workflows that rely on dedicated focus pullers. The 62mm filter thread allows straightforward attachment of standard filtration. Covering the Super 35 format, this lens is purpose-built for the most prevalent sensor size in professional cinema cameras.
Its 65mm focal length falls within the standard range, lending itself well to dialogue scenes, portraiture, and general coverage work on narrative productions.
Pros — Venus Optics 65mm T2.4 S35
- ✓Lightweight at just 520g for an anamorphic prime, reducing fatigue on long shoots
- ✓Maximum aperture of T2.4 offers solid low-light performance for a cinema anamorphic lens
- ✓Super 35 image circle coverage matches the most widely used sensor format in cinema production
Cons — Venus Optics 65mm T2.4 S35
- ✗Manual focus only — no autofocus, which may limit run-and-gun or documentary workflows
- ✗No image stabilization, requiring additional support equipment for smooth handheld footage
- ✗Single PL Mount option limits compatibility with mirrorless or DSLR-based production setups without an adapter
Videos — Venus Optics 65mm T2.4 S35
Smallest Lenses for the Anamorphic Look: Laowa Nanomorph 65mm, 80mm + 1.33x Adapter — Brandon Li