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Venus Optics Laowa Nanomorph 80mm T2.4 Silver Flare Anamorphic Lens for Micro Four Thirds

The Venus Optics 80mm T2.4 Silver Flare is a 80mm f/2.4 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Venus Optics Laowa Nanomorph 80mm T2.4 Silver Flare Anamorphic Lens for Micro Four Thirds

Venus Optics Laowa Nanomorph 80mm T2.4 Silver Flare Anamorphic Lens for Micro Four Thirds

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Lens Overview — Venus Optics 80mm T2.4 Silver Flare

The Venus Optics Laowa Nanomorph 80mm T2.4 is a prime anamorphic lens built for the Micro Four Thirds mount, aimed squarely at the cinema and video market. With a maximum aperture of T2.4, it delivers a reasonably fast light-gathering capability for a dedicated anamorphic optic, making it a practical choice for controlled and low-light shooting environments. The lens is a true prime, fixed at 80mm, and falls into the telephoto focal length range — a useful perspective for medium close-ups, interviews, and tighter narrative compositions.

Weighing in at 830g, it has a solid, substantial build that pairs naturally with cinema-oriented Micro Four Thirds camera bodies and rigs. A 77mm front filter thread allows for the use of standard ND and other filters, which is a practical feature for video production. Focus is entirely manual, consistent with the expectations of a cinema lens designed for precise, deliberate focus control on set.

The lens is classified as type Anamorphic with no image stabilization, making it a fully manual, optically straightforward tool for filmmakers who prioritize control and the distinctive visual character that anamorphic glass is known for.

Key Features — Venus Optics 80mm T2.4 Silver Flare

1.5x Anamorphic Squeeze: Produces a widescreen aspect ratio from a Micro Four Thirds sensor, along with the characteristic oval bokeh and horizontal lens flares associated with anamorphic cinematography.

Silver Anamorphic Flares: Distinctive silver-tinted horizontal flares are produced by the anamorphic element, giving footage a specific cinematic look directly in-camera.

T2.4 Maximum Aperture: A fast maximum aperture for a dedicated anamorphic lens, allowing for usable exposure levels in lower-light shooting environments without heavy reliance on gain.

80mm Fixed Focal Length: Equivalent to a telephoto perspective on MFT, making it well-suited to interviews, medium close-ups, and tighter narrative compositions.

Micro Four Thirds Mount: Native MFT mount ensures direct compatibility with cinema and hybrid MFT bodies such as those from Panasonic and Blackmagic Design.

Manual Focus Design: A smooth, dampened manual focus ring supports deliberate, repeatable focus pulls consistent with professional cinema production workflows.

Lens Specifications — Venus Optics 80mm T2.4 Silver Flare

Venus Optics 80mm T2.4 Silver Flare full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatMicro Four Thirds (MFT)
Zoom/PrimePrime
Focal Length80mm
Maximum Aperturef/2.4
Camera SystemCinema / Video
Lens MountMicro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

Description — Venus Optics 80mm T2.4 Silver Flare

The Venus Optics Laowa Nanomorph 80mm T2.4 is a dedicated anamorphic prime lens designed for the Micro Four Thirds mount and targeted at the Cinema / Video market. Operating at a maximum aperture of T2.4, it offers a capable light intake for a specialized anamorphic optic. The focal length is fixed at 80mm, placing it firmly in the telephoto range — ideal for tighter compositions, character close-ups, and controlled narrative shots.

Focus is fully manual, which suits the precise, deliberate workflow of film and video production. The lens weighs 830g and accepts 77mm front filters, making it straightforward to pair with standard matte boxes or step-up rings for filter use. With no image stabilization onboard, users should plan for in-camera IBIS or external rigging solutions.

This is a lens built for filmmakers who want the Micro Four Thirds format lens with an anamorphic character in a telephoto prime configuration.

Pros — Venus Optics 80mm T2.4 Silver Flare

  • ✓Fast T2.4 maximum aperture for an anamorphic prime lens
  • ✓Fixed 80mm telephoto focal length well-suited to portraiture and medium close-up framing
  • ✓77mm filter thread enables use of standard production ND and effect filters

Cons — Venus Optics 80mm T2.4 Silver Flare

  • ✗Manual focus only — no autofocus support, which limits run-and-gun or solo shooting scenarios
  • ✗At 830g, the lens adds significant weight to a Micro Four Thirds body without rig support
  • ✗No image stabilization, requiring external stabilization solutions for handheld work

Videos — Venus Optics 80mm T2.4 Silver Flare

Laowa Nanomorphs Anamorphic Review + Cinematic Short Film — cammackey

Resources & Downloads — Venus Optics 80mm T2.4 Silver Flare

Frequently Asked Questions — Venus Optics 80mm T2.4 Silver Flare

What camera mount does this lens fit?+
This lens is built for the Micro Four Thirds mount. It is compatible with Micro Four Thirds camera systems as specified in the mount data.
Does the Laowa Nanomorph 80mm T2.4 have autofocus?+
No. The lens is manual focus only, with no autofocus capability. This is typical for cinema-oriented lenses where precise manual focus control is preferred.
What filter size does this lens accept?+
The lens has a 77mm front filter thread, allowing use of standard 77mm filters such as NDs, polarizers, and effects filters.
How heavy is this lens?+
The lens weighs 830g. For handheld or gimbal shooting with a Micro Four Thirds body, a support rig may be advisable to balance this weight comfortably.
Is this lens suitable for photography as well as video?+
The lens is classified under the Cinema / Video camera system and is a manual focus anamorphic prime. While it mounts on Micro Four Thirds bodies, its design and feature set are oriented toward video and cinematic use.
Does this lens include image stabilization?+
No, the specifications confirm that image stabilization is set to None. Users will need to rely on in-body stabilization if available on their camera, or use external stabilization equipment.

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