Venus Optics Laowa Proteus 60mm T2 Anamorphic Lens
The Venus Optics 60mm T2 is a 60mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Venus Optics Laowa Proteus 60mm T2 Anamorphic Lens
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Lens Overview — Venus Optics 60mm T2
Key Features — Venus Optics 60mm T2
2x Anamorphic Squeeze: Delivers the characteristic anamorphic widescreen look with oval bokeh, horizontal lens flares, and a cinematic aspect ratio when de-squeezed in post.
T2 Maximum Aperture: Fast T2 stop allows shooting in low-light conditions while maintaining the shallow depth of field anamorphic cinematographers expect.
60mm Prime Focal Length: Standard focal length on Super 35 provides a versatile field of view suited to narrative, documentary, and commercial production work.
PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, and other PL-compatible bodies.
Super 35 Coverage: Image circle designed for Super 35 sensors, the dominant format in professional cinema camera platforms.
Manual Focus Design: Smooth, cinema-standard manual focus ring integrates directly into professional follow focus and remote focus systems on set.
Lens Specifications — Venus Optics 60mm T2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 60mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 105mm |
Description — Venus Optics 60mm T2
The Venus Optics Laowa Proteus 60mm T2 is a prime anamorphic cinema lens with a T2 maximum aperture, designed specifically for the Super 35 sensor format and Cinema/Video camera systems. It mounts via PL Mount, positioning it firmly within professional cinema workflows. The focal length of 60mm falls in the standard range, making it a practical choice for a variety of production scenarios from close character work to broader environmental shots.
Focus is entirely manual, with no autofocus capability, which is the expected operational mode for a lens of this class used alongside dedicated cinema follow focus systems. The lens carries no image stabilization, standard for a production lens intended to be used on rigged or stabilized camera platforms. With a 105mm filter thread, front filtration requires appropriately sized accessories or a matte box.
The lens weighs 2800g, a figure that reflects the substantial optical and mechanical construction required of a professional anamorphic cinema prime and one that demands careful consideration when specifying rigs, support systems, or gimbal setups.
Pros — Venus Optics 60mm T2
- ✓Fast T2 maximum aperture provides strong light-gathering for anamorphic cinema work
- ✓PL Mount compatibility suits a wide range of professional cinema camera bodies
- ✓Super 35 format coverage aligns with industry-standard sensor sizes in cinema cameras
Cons — Venus Optics 60mm T2
- ✗At 2800g, the lens is quite heavy and will require substantial rig support
- ✗Manual focus only — no autofocus option for run-and-gun or solo operator scenarios
- ✗Single PL Mount option listed in specs limits compatibility with non-PL camera systems
Videos — Venus Optics 60mm T2
I HATE THAT I LOVE THIS LENS - Laowa Proteus 20mm 2X Anamorphic Overview — The Film Guy