Skip to product overview

Venus Optics Laowa Ranger S35 17-50mm T2.9 Cine Lens

The Venus Optics 17-50mm T2.9 is a 17–50mm f/2.9 lens designed for PL Mount, Canon EF, Sony E, Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Venus Optics Laowa Ranger S35 17-50mm T2.9 Cine Lens

Venus Optics Laowa Ranger S35 17-50mm T2.9 Cine Lens

Get notified when one lists.

We'll text or email you the moment a Venus Optics Laowa Ranger S35 17-50mm T2.9 Cine Lens is listed on GearFocus.

Have a Venus Optics 17-50mm T2.9 sitting in your bag?

You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.

Sell your Venus Optics 17-50mm T2.9 on GearFocus

Lens Overview — Venus Optics 17-50mm T2.9

The Venus Optics Laowa Ranger S35 17-50mm T2.9 is a cinema zoom lens built for Super 35 camera systems. Covering a focal range from 17mm to 50mm, it delivers a consistent maximum aperture of T2.9 throughout the entire zoom range — a meaningful advantage for cinematographers who need predictable exposure when zooming mid-shot. The lens is designed around the Super 35 format, making it a natural fit for cinema and video workflows where that sensor size is common.

Available in four mount options — PL, Canon EF, Sony E, and Micro Four Thirds — it offers solid flexibility across a range of cinema and mirrorless camera platforms without requiring additional adapters in most setups. Focus is entirely manual, which aligns with professional cine production practices where a dedicated focus puller operates the lens independently of the camera operator. There is no image stabilization, which is standard for a lens in this category where stabilization is typically handled at the rig or gimbal level.

The Ranger S35 positions itself as a practical zoom solution for Super 35 productions that demand a consistent aperture across a versatile focal range.

Key Features — Venus Optics 17-50mm T2.9

17-50mm Focal Range: Covers wide-angle through short telephoto in a single lens, reducing the need to swap glass on set.

Constant T2.9 Aperture: Maintains a consistent T2.9 throughout the entire zoom range, ensuring stable exposure when zooming mid-shot.

Super 35 Format Coverage: Designed specifically for Super 35 sensors, the most common format in professional cinema production.

Four Mount Options: Available in PL, Canon EF, Sony E, and Micro Four Thirds mounts for broad compatibility across cinema and mirrorless platforms.

Manual Focus Design: Built for cine workflows where a dedicated focus puller operates the lens independently of the camera operator.

Cine-Style Lens Housing: Features cinema-standard gear rings and markings for use with follow focus systems and lens control accessories.

Lens Specifications — Venus Optics 17-50mm T2.9

Venus Optics 17-50mm T2.9 full specifications
SpecDetail
Use CasesVideo / Cinematography, Studio, Documentary
Lens TypeCine
FormatSuper 35
Zoom/PrimeZoom
Focal Length17–50mm
Maximum Aperturef/2.9
Camera SystemCinema / Video
Lens MountPL Mount, Canon EF, Sony E, Micro Four Thirds
AutofocusNo
Focus TypeManual
Image StabilizationNone

Description — Venus Optics 17-50mm T2.9

The Venus Optics Laowa Ranger S35 17-50mm T2.9 Cine Lens is a Super 35 format zoom designed for professional cinema and video production. Spanning a focal range of 17mm to 50mm, it maintains a consistent T2.9 maximum aperture throughout — ensuring exposure stability when zooming during a live take. The lens is offered in PL Mount, Canon EF, Sony E, and Micro Four Thirds, giving it broad compatibility across professional cinema cameras and mirrorless systems alike.

Focus operation is manual, in keeping with standard cine production workflows where a focus puller manages focus independently. With no image stabilization, the lens is best suited to stabilized rigs, gimbals, or studio setups. The Ranger S35 is categorized under Cinema / Video use and represents a versatile zoom option for Super 35 productions that require a wide-to-short-telephoto range without sacrificing aperture consistency.

Pros — Venus Optics 17-50mm T2.9

  • ✓Constant T2.9 aperture maintained across the full 17–50mm focal range ensures consistent exposure throughout zooming
  • ✓Wide focal range from 17mm to 50mm (minFocalLength: 17, maxFocalLength: 50) covers wide-angle through short telephoto in a single lens
  • ✓Super 35 format coverage suits the most widely used sensor size in professional cinema production

Cons — Venus Optics 17-50mm T2.9

  • ✗No image stabilization, requiring external rig or gimbal support for handheld steady shots
  • ✗Manual focus only — no autofocus capability, which limits use cases in run-and-gun or solo shooting scenarios
  • ✗Weight value is not specified in the data, making it difficult to assess rig balance requirements before purchase

Reviews — Venus Optics 17-50mm T2.9

Videos — Venus Optics 17-50mm T2.9

The BEST Budget Cine Zooms EVER!! - Laowa Ranger S35 Review — Gary Scaife

Resources & Downloads — Venus Optics 17-50mm T2.9

Manuals & Guides

Frequently Asked Questions — Venus Optics 17-50mm T2.9

What camera mounts does the Laowa Ranger S35 17-50mm T2.9 support?+
The lens is available in four mounts: PL Mount, Canon EF, Sony E, and Micro Four Thirds. This covers a wide range of professional cinema and mirrorless camera systems without the need for an additional adapter in most cases.
Is the T2.9 aperture constant throughout the zoom range?+
Yes. The maximum aperture is T2.9 and it is consistent across the full 17–50mm focal range, meaning exposure remains stable when zooming during a shot — an important feature for professional video production.
What sensor format does this lens cover?+
The Laowa Ranger S35 17-50mm T2.9 is designed for the Super 35 format, as indicated by the lensFormat specification. It is optimized for cinema cameras and mirrorless bodies using a Super 35-sized sensor.
Does this lens have autofocus?+
No. The lens is manual focus only, with no autofocus capability. This is consistent with professional cinema lens design, where manual focus control by a dedicated focus puller is standard practice on set.
Does the lens include image stabilization?+
No, image stabilization is listed as None in the specifications. Stabilization for handheld or moving shots would need to be handled externally through a gimbal, steadicam, or other rig-based solution.

Similar to Venus Optics 17-50mm T2.9

Loading similar products...