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Viltrox 35mm T2.0 1.33x Anamorphic Lens for Sony E-Mount

The Viltrox 35mm T2.0 1.33x is a 35mm f/2 lens designed for Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Viltrox 35mm T2.0 1.33x Anamorphic Lens for Sony E-Mount

Viltrox 35mm T2.0 1.33x Anamorphic Lens for Sony E-Mount

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Lens Overview — Viltrox 35mm T2.0 1.33x

The Viltrox 35mm Anamorphic lens is a prime lens built for Sony E-mount cameras, designed with cinema and video production in mind. Operating at a maximum aperture of T2.0, it brings a relatively fast light-gathering capability to anamorphic shooting. The lens is classified as a standard focal length prime at 35mm, with a fixed focal length making it a dedicated single-focal-length tool rather than a zoom.

It is designed for APS-C format sensors and mounts natively to Sony E-mount bodies. Focus is entirely manual — there is no autofocus capability — which aligns with the cinema and video workflow this lens is built around. At 1200g, this is a substantial piece of glass that will feel at home on a rigged-out camera setup rather than a lightweight handheld configuration.

The filter thread measures 95mm, a large diameter that accommodates professional-grade filtration and matte box setups. Image stabilization is not present, so shooters will need to rely on in-body stabilization or external support systems. The lens type is listed as Anamorphic, placing it firmly in the creative cinematic tools category.

Overall, it is a purpose-built manual cinema prime for Sony E-mount APS-C shooters pursuing an anamorphic look.

Key Features — Viltrox 35mm T2.0 1.33x

1.33x Anamorphic Squeeze: Captures a wider field of view that desqueezes to a cinematic widescreen aspect ratio, producing characteristic anamorphic oval bokeh and lens flares.

T2.0 Maximum Aperture: Fast light transmission rating allows shooting in lower light conditions while maintaining exposure control typical of cinema lens standards.

35mm Prime Focal Length: Fixed standard focal length on APS-C sensors delivers a versatile angle of view well suited to narrative, documentary, and run-and-gun video work.

APS-C Image Circle: Optimized for APS-C format sensors, making it compatible with Sony APS-C bodies such as the ZV-E10, A6700, and FX30.

Native Sony E-Mount: Direct mount compatibility with Sony E-mount cameras requires no adapter, ensuring a secure mechanical connection.

Manual Focus Design: Dedicated manual focus ring supports smooth, repeatable focus pulls consistent with professional cinema production workflows.

Lens Specifications — Viltrox 35mm T2.0 1.33x

Viltrox 35mm T2.0 1.33x full specifications
SpecDetail
Use CasesDocumentary, Studio, Fashion, Video / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatAPS-C
Zoom/PrimePrime
Focal Length35mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountSony E
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread95mm

Description — Viltrox 35mm T2.0 1.33x

The Viltrox 35mm Anamorphic lens for Sony E-mount is a dedicated cinema prime designed for APS-C format sensors. With a maximum aperture of T2.0, it delivers solid light transmission for low-light and cinematic shooting scenarios. As a prime lens with a fixed 35mm focal length, it falls into the standard focal length range and offers a consistent, predictable field of view suited to narrative and video production work.

The lens is fully manual focus with no autofocus, fitting naturally into professional video production workflows where precise focus control is essential. Weighing in at 1200g, it is a substantial build that pairs well with rigged camera setups. The 95mm filter thread opens the door to professional filtration and matte box compatibility, making it a practical choice for higher-end production environments. Image stabilization is not included, so external support or in-body stabilization should be factored into the shooting setup.

The lens mounts natively to Sony E-mount bodies, providing straightforward integration with compatible cameras.

Pros — Viltrox 35mm T2.0 1.33x

  • ✓Fast T2.0 maximum aperture provides strong light transmission for a cinema anamorphic prime
  • ✓Native Sony E-mount integration ensures direct compatibility with Sony E-mount camera bodies
  • ✓Large 95mm filter thread supports professional matte box and filtration accessories

Cons — Viltrox 35mm T2.0 1.33x

  • ✗No autofocus — manual focus only, which may limit versatility for run-and-gun or documentary shooters
  • ✗At 1200g, the lens is heavy and may require additional rigging or support for comfortable handheld use
  • ✗APS-C format coverage limits compatibility to APS-C sensor bodies within the Sony E-mount ecosystem

Videos — Viltrox 35mm T2.0 1.33x

Viltrox EPIC Anamorphics - FULL FRAME 1.33x Anamorphic Lens Set — Anamorphic Cookbook

Resources & Downloads — Viltrox 35mm T2.0 1.33x

Frequently Asked Questions — Viltrox 35mm T2.0 1.33x

What camera mount does this Viltrox anamorphic lens use?+
This lens is built for the Sony E-mount, making it compatible with Sony E-mount camera bodies. It is designed for APS-C format sensors within that ecosystem.
Does this lens have autofocus?+
No, this lens is manual focus only with no autofocus capability. This is consistent with its classification as a cinema and video lens, where manual focus pulls are standard practice.
What is the maximum aperture of this lens?+
The maximum aperture is T2.0. This T-stop rating reflects actual light transmission through the lens, which is the measurement standard used in cinema and video production.
What filter size does this lens require?+
The lens has a 95mm filter thread. This large diameter is typical of professional cinema lenses and is compatible with most professional matte box systems and 95mm screw-on filters.
How heavy is this lens?+
The lens weighs 1200g. Given this weight, shooters should plan for appropriate camera support, such as a cage, shoulder rig, or tripod, particularly during longer shoots.
Does this lens include image stabilization?+
No, image stabilization is not included. Shooters who require stabilized footage will need to rely on in-body image stabilization from their camera body or use external support equipment.

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