Whitepoint Optics 42mm T2.5 High-Speed Prime Lens (PL Mount)
The Whitepoint Optics 42mm T2.5 is a 42mm f/2.5 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Whitepoint Optics 42mm T2.5 High-Speed Prime Lens (PL Mount)
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Lens Overview — Whitepoint Optics 42mm T2.5
Key Features — Whitepoint Optics 42mm T2.5
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
T2.5 Maximum Aperture: Strong light-gathering capability for shooting in low-light environments and achieving shallow depth of field.
42mm Standard Focal Length: Sits near the middle of the focal length spectrum, offering a versatile perspective suited to narrative, documentary, and commercial work.
Full-Frame Coverage: Image circle covers full-frame and large-format cinema sensors without vignetting.
Manual Focus Design: Dedicated manual focus ring built for precise, repeatable focus pulls in professional cinema workflows.
Robust Metal Construction: At 2700g, the lens reflects the solid, durable build quality expected from professional cinema primes.
Lens Specifications — Whitepoint Optics 42mm T2.5
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 42mm |
| Maximum Aperture | f/2.5 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 2700g |
Description — Whitepoint Optics 42mm T2.5
The Whitepoint Optics 42mm T2.5 High-Speed Prime is a professional cinema lens built around the PL Mount and designed for full-frame sensor coverage. Operating at a maximum aperture of T2.5, it offers solid light-gathering performance suited for narrative film, commercial, and high-end video production. The 42mm focal length places this lens in the standard range, delivering a natural perspective that translates well across a variety of shooting situations.
Designed exclusively for the Cinema / Video camera system, this is a manual focus, prime lens with no image stabilization — characteristics that are entirely at home in structured cinema production environments. Weighing in at 2700g, the lens has a substantial, professional-grade build. Its PL Mount ensures seamless integration with industry-standard cinema camera platforms, and its full-frame image circle coverage means it is ready for today's large-format and full-frame cinema sensors.
Pros — Whitepoint Optics 42mm T2.5
- ✓T2.5 maximum aperture provides strong light-gathering capability for low-light and shallow depth-of-field work
- ✓PL Mount interface offers direct compatibility with professional cinema camera bodies
- ✓Full-frame lens format ensures complete sensor coverage on full-frame and large-format cinema cameras
Cons — Whitepoint Optics 42mm T2.5
- ✗At 2700g, the lens is quite heavy and may require additional rigging or support depending on the camera setup
- ✗No image stabilization, so handheld or gimbal use will depend entirely on camera or rig-based stabilization
- ✗No autofocus capability, which limits its usability in run-and-gun or documentary contexts where fast AF is needed