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Whitepoint Optics 28mm T2.8 Cinema Lens

The Whitepoint Optics 28mm T2.8 is a 28mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Whitepoint Optics 28mm T2.8 Cinema Lens

Whitepoint Optics 28mm T2.8 Cinema Lens

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Lens Overview — Whitepoint Optics 28mm T2.8

The Whitepoint Optics 28mm T2.8 Cinema Lens is a full-frame prime lens built for professional cinema and video production. Mounted on the industry-standard PL Mount, this lens integrates directly into established cinema camera workflows without the need for adapters or workarounds. At a 28mm focal length, it sits in wide-angle territory, making it a practical choice for establishing shots, environmental coverage, and immersive handheld work.

The T2.8 maximum aperture provides a reliable, calibrated light transmission rating — as expected from a cinema-grade optic — giving cinematographers a consistent exposure reference when working across a matched set of lenses. The lens is designed for full-frame coverage, meaning it can be deployed on large-format cinema cameras without vignetting or image circle concerns. Focus is entirely manual, which aligns with professional cinema shooting practices where a dedicated focus puller operates the lens via a follow focus system.

Weighing in at 2730.7g, this is a substantial piece of glass intended for rigged camera setups rather than run-and-gun handheld use. No image stabilization is present, consistent with the cinema lens category where stabilization is typically handled at the rig or camera body level.

Key Features — Whitepoint Optics 28mm T2.8

28mm Wide-Angle Prime: A fixed 28mm focal length sits in practical wide-angle territory, well suited for establishing shots, environmental storytelling, and immersive handheld coverage.

T2.8 Maximum Aperture: Cinema-calibrated T-stop rating ensures consistent, measurable light transmission for reliable exposure matching across a set of lenses.

PL Mount: Industry-standard PL mount integrates directly with professional cinema cameras from ARRI, RED, and other major manufacturers without adapters.

Full-Frame Coverage: Image circle covers full-frame and large-format cinema sensors without vignetting, future-proofing the lens across a range of camera platforms.

Manual Focus Design: Designed for use with a dedicated focus puller and follow focus system, consistent with professional cinema production workflows.

Substantial Build Weight: At 2730.7g, this lens is built for rigged camera setups where weight is supported by a mattebox, rails, and other support equipment.

Lens Specifications — Whitepoint Optics 28mm T2.8

Whitepoint Optics 28mm T2.8 full specifications
SpecDetail
Use CasesDocumentary, Video / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length28mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight2730.7g

Description — Whitepoint Optics 28mm T2.8

The Whitepoint Optics 28mm T2.8 Cinema Lens is a prime, manual focus optic built for professional cinematography. It mounts via the PL Mount, the widely adopted standard in professional cinema camera ecosystems. Covering a full-frame image circle, this lens is compatible with large-format cinema cameras and delivers edge-to-edge coverage without compromise.

The T2.8 maximum aperture offers a calibrated light transmission value — a key advantage for cinematographers assembling a matched lens set where exposure consistency across focal lengths matters. The 28mm focal length places it firmly in the wide-angle range, a perspective commonly used for environmental storytelling, architectural interiors, and dynamic handheld sequences. With a weight of 2730.7g, this lens is engineered for use on fully rigged cinema setups.

There is no image stabilization, in keeping with the expectations of a cinema lens intended for use within a larger rigged and supported camera system. No filter thread size is specified in the available data.

Pros — Whitepoint Optics 28mm T2.8

  • ✓PL Mount ensures direct compatibility with professional cinema camera systems without adapters
  • ✓Full-frame coverage (lensFormat: Full Frame) supports large-format cinema sensors without vignetting
  • ✓T2.8 maximum aperture provides a calibrated, consistent light transmission rating for matched-set shooting

Cons — Whitepoint Optics 28mm T2.8

  • ✗At 2730.7g, the lens is heavy and requires a properly rigged camera setup — not suited for lightweight or solo-operator rigs
  • ✗No image stabilization (imageStabilization: None), so motion control must be handled externally
  • ✗Single PL Mount limits use to PL-compatible cinema cameras only

Videos — Whitepoint Optics 28mm T2.8

THE VINTAGE LENS CLUB Guide to Canon FD, Leica R and Contax Zeiss — Ben&Jack Studio

Resources & Downloads — Whitepoint Optics 28mm T2.8

Manuals & Guides

Frequently Asked Questions — Whitepoint Optics 28mm T2.8

What camera mount does this lens use?+
The Whitepoint Optics 28mm T2.8 uses a PL Mount, the standard mount found on professional cinema cameras. It is not compatible with DSLR or mirrorless mounts without a dedicated adapter.
Does this lens cover full-frame sensors?+
Yes, the lens is rated for full-frame coverage (lensFormat: Full Frame), making it suitable for use on large-format cinema cameras without image circle limitations.
Does this lens have autofocus?+
No, this lens is manual focus only. This is consistent with professional cinema use, where focus is typically controlled via a follow focus system by a dedicated focus puller.
How heavy is this lens?+
The lens weighs 2730.7g, which is substantial. It is best suited for use on rigged cinema camera setups rather than lightweight handheld configurations.
What is the maximum aperture, and is it a T-stop rating?+
The maximum aperture is T2.8, a T-stop rating that measures actual light transmission rather than the theoretical f-stop value. This makes it reliable for maintaining consistent exposure across a set of matched cinema lenses.
Is this lens suitable for wide-angle cinematography?+
Yes, the 28mm focal length is classified as wide-angle (focalLengthRange: Wide Angle) and is well-suited for establishing shots, interior environments, and perspectives that require a broader field of view.

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