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ZEISS CP.3 15mm T2.9 Compact Prime MFT Mount Lens

The Zeiss 15mm T2.9 is a 15mm f/2.9 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ZEISS CP.3 15mm T2.9 Compact Prime MFT Mount Lens

ZEISS CP.3 15mm T2.9 Compact Prime MFT Mount Lens

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Lens Overview — Zeiss 15mm T2.9

The ZEISS CP.3 15mm T2.9 is a wide-angle prime lens built for cinema and video applications, designed to mount on Micro Four Thirds camera systems. With a maximum aperture of T2.9, it offers solid light-gathering capability for a lens in this focal length range, making it a practical choice for low-light cinematic work. The lens is manual focus only, which is standard for professional cine lenses where precise, repeatable focus pulls are a priority on set.

At 900g, the CP.3 15mm sits in a manageable weight range for a cine prime, balancing durability with portability across a variety of rigs and shoulder setups. The 95mm front filter thread is a consistent spec across the CP.3 line, allowing cinematographers to use the same filter system without swapping adapters between lenses. As a prime lens covering a wide-angle field of view, it is well-suited to establishing shots, environmental storytelling, and tight interior spaces where a broader perspective is needed.

The Micro Four Thirds mount makes it compatible with the MFT ecosystem of cinema and mirrorless cameras. There is no image stabilization, which is typical for dedicated cine primes where stabilization is generally handled at the rig or gimbal level rather than within the optic itself.

Key Features — Zeiss 15mm T2.9

15mm Wide-Angle Prime: Covers a broad field of view on MFT cameras, ideal for establishing shots, interiors, and environmental storytelling.

T2.9 Maximum Aperture: Provides reliable light gathering for a wide-angle cine prime, supporting usable exposure in low-light shooting conditions.

Micro Four Thirds Mount: Natively compatible with MFT cinema and mirrorless cameras, including Blackmagic Pocket Cinema Camera models.

Manual Focus Cine Design: Smooth, geared focus ring enables precise, repeatable focus pulls suited to professional on-set workflows.

95mm Filter Thread: Shared across the CP.3 lens family, allowing cinematographers to use the same filter system without adapters when switching between primes.

Interchangeable Mount System: The CP.3 line supports mount swaps, so this lens can be rehoused for other camera systems if shooting needs change.

Lens Specifications — Zeiss 15mm T2.9

Zeiss 15mm T2.9 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypeCine
FormatMicro Four Thirds (MFT)
Zoom/PrimePrime
Focal Length15mm
Maximum Aperturef/2.9
Camera SystemCinema / Video
Lens MountMicro Four Thirds
AutofocusNo
Focus TypeManual Focus
Image StabilizationNone
Filter Thread95mm

Description — Zeiss 15mm T2.9

The ZEISS CP.3 15mm T2.9 Compact Prime is a wide-angle, manual focus cine prime lens built for the Micro Four Thirds camera system. With a maximum aperture of T2.9, it delivers consistent light transmission well-suited to professional cinema and video work in a range of lighting conditions. The lens falls within the Wide Angle focal length range, making it a strong choice for scenes requiring a broad perspective — from interior environments to expansive establishing shots.

Weighing in at 900g, it offers a balance between build quality and portability that works well across rigs, gimbals, and shoulder mounts. The 95mm front filter thread is a shared specification across the CP.3 line, which means cinematographers can maintain a unified filter system without additional step-up rings when working with multiple CP.3 primes. As a prime lens with no image stabilization, it is designed for use in setups where stabilization is managed externally.

The Manual focus system is purpose-built for cine workflows where precise, repeatable focus control is essential.

Pros — Zeiss 15mm T2.9

  • ✓Wide-angle 15mm focal length well-suited for environmental and establishing cinematic shots
  • ✓T2.9 maximum aperture provides reliable light gathering for a cine prime in this range
  • ✓95mm filter thread enables consistent filter use across the CP.3 lens family

Cons — Zeiss 15mm T2.9

  • ✗No image stabilization, requiring external stabilization solutions for handheld shooting
  • ✗Manual focus only — not suitable for run-and-gun or autofocus-dependent workflows
  • ✗95mm filter thread size means filters and accessories are larger and more costly

Videos — Zeiss 15mm T2.9

Carl Zeiss Lenses - Compact Prime CP.2 Mount Change Instructions (English) — ZEISS Camera Lenses

Resources & Downloads — Zeiss 15mm T2.9

Manuals & Guides

Frequently Asked Questions — Zeiss 15mm T2.9

Is this lens compatible with autofocus cameras?+
No. The CP.3 15mm T2.9 is a manual focus lens only, as confirmed in the specifications. It is designed for controlled cine environments where focus is set and pulled by hand or via a follow focus system.
What camera mount does this lens use?+
This lens is fitted with a Micro Four Thirds (MFT) mount, making it compatible with MFT-mount cameras. No other mount configurations are listed in the specifications for this listing.
Does the lens have image stabilization?+
No, image stabilization is listed as None in the specifications. For stabilized footage, shooters will need to rely on a gimbal, rig-based stabilization, or in-body stabilization if available on their camera.
What is the filter thread size for this lens?+
The filter thread size is 95mm. This is a large front element diameter, so ensure your filters and any matte box clamp rings are sized accordingly before purchasing accessories.
How heavy is the ZEISS CP.3 15mm T2.9?+
The lens weighs 900g according to the specifications. This is a moderate weight for a cine prime and should be factored into your rig balance when building out a camera setup.
What type of shooting is this lens designed for?+
The CP.3 15mm T2.9 is classified as a Cine type lens intended for Cinema and Video camera systems. Its manual focus design and wide-angle focal length make it best suited for narrative, documentary, and professional video productions.

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