Zeiss Standard Speed 10mm T2.1 Lens
The Zeiss 10mm T2.1 is a 10mm f/2.1 cinema lens designed for PL Mount mount cameras. Used copies start from $7,800 on GearFocus, with buyer protection on every purchase.
Zeiss Standard Speed 10mm T2.1 Lens
Used Zeiss 10mm T2.1 Listings on GearFocus
Lens Overview — Zeiss 10mm T2.1
Key Features — Zeiss 10mm T2.1
10mm Focal Length: Ultra-wide angle coverage ideal for expansive establishing shots, immersive environments, and dynamic action sequences.
T2.1 Maximum Aperture: Solid light-gathering capability for a wide-angle cinema prime, giving cinematographers meaningful exposure control across varied lighting conditions.
PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Format Coverage: Designed to cover Super 35 sensors, aligning with the most widely used format in professional digital cinema production.
Manual Focus Design: Built for dedicated focus pullers, with a smooth manual focus ring suited to precise, repeatable focus pulls on set.
Prime Lens Construction: Fixed focal length delivers consistent optical character and focal discipline preferred in controlled single-camera cinema setups.
Lens Specifications — Zeiss 10mm T2.1
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Architecture, Creative Effects |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 10mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 900g |
Description — Zeiss 10mm T2.1
The Zeiss Standard Speed 10mm T2.1 is a prime cinema lens built for Super 35 format cameras using the PL Mount interface. Operating at a fixed 10mm focal length, it covers the wide-angle range, delivering broad, immersive frames suited to establishing shots, architectural work, and dynamic action sequences. The T2.1 maximum aperture provides reliable light transmission performance in varied shooting conditions.
Focus is entirely manual, consistent with professional cinema practice where a focus puller operates the lens with precision. Weighing 900g, the lens is substantial enough to feel well-built on a cinema rig while remaining practical for extended shoots. With no image stabilization onboard, operators should plan their rigging and support accordingly.
The PL Mount makes this lens a straightforward fit within established professional cinema camera ecosystems, and its Super 35 format coverage matches the sensor size found across a wide range of industry-standard digital cinema platforms.
Pros — Zeiss 10mm T2.1
- ✓Wide-angle 10mm focal length well-suited for expansive cinematic compositions
- ✓T2.1 maximum aperture offers meaningful light-gathering for low-light and exposure control
- ✓PL Mount provides compatibility with the professional cinema camera ecosystem
Cons — Zeiss 10mm T2.1
- ✗No autofocus — manual focus only, requiring a skilled focus puller for moving subjects
- ✗No image stabilization, meaning handheld use demands additional rigging or operator skill
- ✗Filter thread size is unspecified, complicating matte box and filter system planning
Reviews — Zeiss 10mm T2.1
Videos — Zeiss 10mm T2.1
The Most Popular Cinema Lenses: Zeiss, Cooke, Panavision, JDC — In Depth Cine
Frequently Asked Questions — Zeiss 10mm T2.1
What mount does this lens use?+
The Zeiss Standard Speed 10mm T2.1 uses a PL Mount, which is the standard mount found on professional cinema cameras. This makes it compatible with a wide range of cinema camera systems built around the PL standard.
Does this lens cover full-frame sensors?+
According to the specifications, this lens is designed for the Super 35 format. If you are shooting on a larger sensor, you may encounter vignetting or coverage issues.
Does this lens have autofocus?+
No. The lens is strictly manual focus only, which is the norm in professional cinema production where a dedicated focus puller controls focus independently. There is no autofocus capability.
What is the maximum aperture of this lens?+
The maximum aperture is T2.1, expressed as a T-stop, which is the standard aperture measurement used in cinema lenses to reflect actual light transmission rather than purely optical geometry.
How heavy is this lens?+
The lens weighs 900g, which is a moderate weight for a cinema prime. It is manageable across most rigging configurations including shoulder rigs and gimbals.
Does this lens have image stabilization?+
No. The specifications confirm that image stabilization is not present on this lens. Stability must be achieved through the camera support system or rigging.