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Zeiss Standard Speed 10mm T2.1 Lens

The Zeiss 10mm T2.1 is a 10mm f/2.1 cinema lens designed for PL Mount mount cameras. Used copies start from $7,800 on GearFocus, with buyer protection on every purchase.

Zeiss Standard Speed 10mm T2.1 Lens

Zeiss Standard Speed 10mm T2.1 Lens

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Zeiss 10mm T2.1 — image 1
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Zeiss Standard Speed 10mm

Condition: Good

Product Highlights

  • 10mm Focal Length
  • T2.1 Maximum Aperture
  • Geared Focus and Aperture Rings
  • Compact and Lightweight Design

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Used Zeiss 10mm T2.1 Listings on GearFocus

Zeiss Standard Speed 10mm
Zeiss Standard Speed 10mm

Good

$7,800.00

Lens Overview — Zeiss 10mm T2.1

The Zeiss Standard Speed 10mm T2.1 is a manual-focus prime cinema lens designed for Super 35 camera systems. Built around a PL Mount interface, it integrates directly into professional cinema camera workflows that rely on this industry-standard mount. At 10mm, it sits firmly in wide-angle territory, making it a natural choice for expansive establishing shots, immersive environment photography, and dynamic action sequences where a broad field of view is essential.

The T2.1 maximum aperture provides a solid light-gathering capability for a lens of this focal length and format, giving cinematographers meaningful control over exposure in a variety of lighting conditions. Weighing in at 900g, the lens strikes a practical balance between build substance and on-set manageability, whether mounted on a shoulder rig, gimbal, or studio head. As a prime lens, it offers the optical consistency and focal discipline that many cinematographers prefer over zooms when shooting in controlled or single-camera setups.

Focus is entirely manual, which is standard practice in professional cinema environments where a dedicated focus puller operates the lens independently from the camera operator. The Super 35 format coverage aligns well with the sensor sizes found in a wide range of professional digital cinema cameras.

Key Features — Zeiss 10mm T2.1

10mm Focal Length: Ultra-wide angle coverage ideal for expansive establishing shots, immersive environments, and dynamic action sequences.

T2.1 Maximum Aperture: Solid light-gathering capability for a wide-angle cinema prime, giving cinematographers meaningful exposure control across varied lighting conditions.

PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Super 35 Format Coverage: Designed to cover Super 35 sensors, aligning with the most widely used format in professional digital cinema production.

Manual Focus Design: Built for dedicated focus pullers, with a smooth manual focus ring suited to precise, repeatable focus pulls on set.

Prime Lens Construction: Fixed focal length delivers consistent optical character and focal discipline preferred in controlled single-camera cinema setups.

Lens Specifications — Zeiss 10mm T2.1

Zeiss 10mm T2.1 full specifications
SpecDetail
Use CasesVideo / Cinematography, Architecture, Creative Effects
Lens TypeCine
FormatSuper 35
Zoom/PrimePrime
Focal Length10mm
Maximum Aperturef/2.1
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight900g

Description — Zeiss 10mm T2.1

The Zeiss Standard Speed 10mm T2.1 is a prime cinema lens built for Super 35 format cameras using the PL Mount interface. Operating at a fixed 10mm focal length, it covers the wide-angle range, delivering broad, immersive frames suited to establishing shots, architectural work, and dynamic action sequences. The T2.1 maximum aperture provides reliable light transmission performance in varied shooting conditions.

Focus is entirely manual, consistent with professional cinema practice where a focus puller operates the lens with precision. Weighing 900g, the lens is substantial enough to feel well-built on a cinema rig while remaining practical for extended shoots. With no image stabilization onboard, operators should plan their rigging and support accordingly.

The PL Mount makes this lens a straightforward fit within established professional cinema camera ecosystems, and its Super 35 format coverage matches the sensor size found across a wide range of industry-standard digital cinema platforms.

Pros — Zeiss 10mm T2.1

  • ✓Wide-angle 10mm focal length well-suited for expansive cinematic compositions
  • ✓T2.1 maximum aperture offers meaningful light-gathering for low-light and exposure control
  • ✓PL Mount provides compatibility with the professional cinema camera ecosystem

Cons — Zeiss 10mm T2.1

  • ✗No autofocus — manual focus only, requiring a skilled focus puller for moving subjects
  • ✗No image stabilization, meaning handheld use demands additional rigging or operator skill
  • ✗Filter thread size is unspecified, complicating matte box and filter system planning

Reviews — Zeiss 10mm T2.1

Videos — Zeiss 10mm T2.1

The Most Popular Cinema Lenses: Zeiss, Cooke, Panavision, JDC — In Depth Cine

Resources & Downloads — Zeiss 10mm T2.1

Manuals & Guides

Frequently Asked Questions — Zeiss 10mm T2.1

What mount does this lens use?+
The Zeiss Standard Speed 10mm T2.1 uses a PL Mount, which is the standard mount found on professional cinema cameras. This makes it compatible with a wide range of cinema camera systems built around the PL standard.
Does this lens cover full-frame sensors?+
According to the specifications, this lens is designed for the Super 35 format. If you are shooting on a larger sensor, you may encounter vignetting or coverage issues.
Does this lens have autofocus?+
No. The lens is strictly manual focus only, which is the norm in professional cinema production where a dedicated focus puller controls focus independently. There is no autofocus capability.
What is the maximum aperture of this lens?+
The maximum aperture is T2.1, expressed as a T-stop, which is the standard aperture measurement used in cinema lenses to reflect actual light transmission rather than purely optical geometry.
How heavy is this lens?+
The lens weighs 900g, which is a moderate weight for a cinema prime. It is manageable across most rigging configurations including shoulder rigs and gimbals.
Does this lens have image stabilization?+
No. The specifications confirm that image stabilization is not present on this lens. Stability must be achieved through the camera support system or rigging.

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