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ZEISS Supreme Prime 21mm T1.5 Lens

The Zeiss 21mm T1.5 is a 21mm f/1.5 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ZEISS Supreme Prime 21mm T1.5 Lens

ZEISS Supreme Prime 21mm T1.5 Lens

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Lens Overview — Zeiss 21mm T1.5

The ZEISS Supreme Prime 21mm T1.5 is a wide-angle prime cinema lens built for the demanding needs of professional film and video production. Designed around a PL Mount, it integrates seamlessly into established cinema camera systems and is rated for full-frame sensor coverage, making it a versatile choice for productions working across sensor formats. With a maximum aperture of T1.5, this lens offers exceptional light-gathering capability, allowing cinematographers to work confidently in challenging or low-light environments without sacrificing image quality.

The manual focus-only design is a deliberate choice for cinema work, where precise, repeatable focus pulls and consistent control are paramount. At 1.61kg, the lens carries a solid but workable weight for a cinema prime of this caliber, balancing the mechanical robustness expected on professional sets with practical usability on gimbals, handheld rigs, or studio configurations. A 95mm front filter thread accommodates a wide range of filtration options.

Classified as a wide-angle prime, the 21mm focal length is a well-regarded choice for establishing shots, environmental storytelling, and any situation demanding a broader field of view. No image stabilization is present, which is standard for dedicated cinema primes of this type. This lens is purpose-built for the Cinema/Video camera system category.

Key Features — Zeiss 21mm T1.5

T1.5 Maximum Aperture: Exceptional light transmission allows cinematographers to shoot in low-light environments while maintaining image clarity.

21mm Wide-Angle Prime: A well-established focal length for establishing shots, environmental storytelling, and expansive compositional framing.

Full-Frame Coverage: Covers full-frame sensors, ensuring compatibility across a broad range of modern cinema camera formats.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Manual Focus Design: Smooth, precise focus ring engineered for repeatable focus pulls and consistent control in professional cinema workflows.

95mm Filter Thread: Large front filter diameter accommodates a wide range of professional filtration options, including NDs and polarizers.

Lens Specifications — Zeiss 21mm T1.5

Zeiss 21mm T1.5 full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length21mm
Maximum Aperturef/1.5
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread95mm

Description — Zeiss 21mm T1.5

The ZEISS Supreme Prime 21mm T1.5 is a dedicated cinema prime lens built around a PL Mount for professional film production. With a fixed 21mm focal length sitting in the wide-angle range, it serves as a strong choice for cinematographers who need a broader perspective in their work. The lens achieves a maximum aperture of T1.5, offering strong light transmission suited to low-light and controlled-lighting environments alike.

Sensor coverage extends to full-frame format, giving this lens wide compatibility with modern large-format cinema cameras. Focus is manual only, consistent with the precision-first demands of professional cinema production where focus pullers rely on smooth, repeatable movement. The front filter thread measures 95mm, accommodating professional-grade filtration.

Weighing 1.61kg, the lens is built to professional cinema standards and should be accounted for in any rig or support system configuration. Image stabilization is not present, which is standard for a lens of this type. Designed for the Cinema/Video camera system, the Supreme Prime 21mm T1.5 is a purposeful tool for productions requiring a reliable wide-angle prime in their lens package.

Pros — Zeiss 21mm T1.5

  • ✓Wide T1.5 maximum aperture enables shooting in low-light conditions
  • ✓Full-frame lens format provides broad sensor coverage compatibility
  • ✓PL Mount ensures compatibility with professional cinema camera systems

Cons — Zeiss 21mm T1.5

  • ✗No autofocus — manual focus only, which may limit versatility outside traditional cinema workflows
  • ✗No image stabilization, requiring external stabilization solutions for handheld or moving shots
  • ✗1.61kg weight may add up when building a matched prime set on certain rigs

Videos — Zeiss 21mm T1.5

Zeiss Supreme Primes - What you need to know! — LensProToGo

Resources & Downloads — Zeiss 21mm T1.5

Manuals & Guides

Frequently Asked Questions — Zeiss 21mm T1.5

What camera mount does this lens use?+
The ZEISS Supreme Prime 21mm T1.5 uses a PL Mount, which is the industry-standard mount for professional cinema cameras. It is designed for the Cinema/Video camera system category.
Does this lens cover full-frame sensors?+
Yes, the lens format is specified as Full Frame, meaning it is designed to cover full-frame cinema sensors. This makes it a flexible choice for productions working with larger-format cinema cameras.
Does the ZEISS Supreme Prime 21mm T1.5 have autofocus or image stabilization?+
No. The lens is manual focus only, with autofocus listed as not available. Image stabilization is also listed as None, which is typical for cinema prime lenses where manual control and lens consistency are prioritized.
What filter size does this lens accept?+
The lens has a 95mm front filter thread. This is a larger filter size, so photographers and cinematographers should ensure they have compatible 95mm filters or appropriate step-up rings.
How heavy is the ZEISS Supreme Prime 21mm T1.5?+
The lens weighs 1.61kg. This should be factored into rig and gimbal payload calculations when planning your camera build.
Is this a zoom or a prime lens?+
This is a prime lens with a fixed 21mm focal length, classified in the wide-angle range. Prime lenses are favored in cinema for their optical consistency and maximum aperture performance.

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