
Sirui 35mm T2.9 1.6x Full-Frame Anamorphic Lens (Leica L)
The Leica L-mount 35mm T2.9 Anamorphic 1.6x Lens from Sirui produces a wider look equivalent to a 22mm spherical full-frame field of view. Suitable for capturing architecture, landscapes, and confined spaces, this lens features rich detail, cinematic, oval bokeh, and artistic lens flairs. This lens produces horizontal blue streaks when pointed at a light source, giving your footage a dreamy or science fiction aesthetic. An image captured in 16:9 is de-squeezed to an anamorphic 2.8:1 aspect ratio, whereas shooting in 3:2 yields a 2.4:1 final image.

A key aspect of anamorphic lenses is oval bokeh, which can gently distort objects and lights in the distance, providing an abstract background for your actors. Its T2.9 aperture produces a shallow depth of field, blurring everything in front or behind the specifically chosen focal plane. This lens incorporates a 1/4"-20 mounting thread and has cine-style geared focus and aperture rings.

Full-Frame Coverage
Robust lens with advanced optics for full-frame cameras
Anamorphic Design
The 35mm anamorphic design provides the equivalent of a 22mm spherical field of view
Horizontal blue streak effects
10 aperture blades produce an oval bokeh
Two Aspect Ratios
Produces a 2.4:1 aspect ratio when shooting in 3:2 format and a 2.8:1 aspect ratio in 16:9
Uniform Design
Matching color tones, identical gear positions, and a common T2.9-T16 aperture range make it easy to switch between lenses in the series
Sirui 100mm T2.9 1.6x Full-Frame Anamorphic Lens (L Mount)
The Leica L-mount 100mm T2.9 1.6x Full-Frame Anamorphic Lens from Sirui creates strong background compression, rich detail, cinematic bokeh, and artistic lens flairs suitable for up to 8K full-frame capture. This longer, 100mm T2.9 lens produces a shallow depth of field with a distinct focus falloff. Its anamorphic design produces an oval bokeh and horizontal blue streaks, giving your footage a dreamy or science fiction aesthetic. An image captured in 16:9 is de-squeezed to an anamorphic 2.8:1 aspect ratio.

The 100mm prime features a female 1/4"-20 thread compatible with many lens supports, and its focus and aperture rings are uniformly geared like the other lens in the series for use with a follow focus and lens control system.

Full-Frame Coverage
This 100mm lens provides coverage for full-frame cameras with a wider 2.8:1 aspect ratio (de-squeezed) in 16:9, and its shallow depth of field separates your subject from the background for an artistic effect.
Anamorphic Effects
The 13 aperture blades create creamy oval bokeh, while coated optical glass elements help create the horizontal blue-streak effects typical of anamorphic lenses.
High-Quality Build
This rugged 100mm Sirui prime features a durable all-metal housing, a front 82mm filter thread, and a 1/4"-20 thread compatible with many lens supports.

JOSEPH ANDRADE

Sirui Venus Anamorphic 2 lens set with 1.25x Adapter and Case

Includes everything seen in pic. Works great with clean glass. I bought it and an identical setup for a video podcast, see my other listing if you want two cameras. Davinci Resolve Studio license not included.

- Blackmagic Design Pocket Cinema 4k
- Canon EF Lens to BMPCC4K T CINE Speed Booster® ULTRA 0.71x
- AC adapter, with plug adapters
- Smallrig cage, cable clamp, and tophandle
- Smallrig SDD cradle
- Third party canon battery
- Canon USB 2 battery charger
- USB-C data cable
- Coiled D-tap power cable
- Portabrace bag
- ICE 82mm IR/UV cut filter (to remove the documented black issues with BMPCC)
- Front caps for BMPCC and metabones

OWEN ROTH

Blackmagic Design Pocket Cinema 4K Camera -Metabones 0.71x speed booster, accessories

P+S TECHNIK TECHNOVISION full frame 1.5x anamorphic primes. - Amazing lenses!

40mm, 50mm, 75mm and 100mm


Cinematographers who seek the classic look of the iconic TECHNOVISION lenses from the 1970s can now achieve that look with the new TECHNOVISION 1.5X series consisting of seven focal lengths 40, 50, 75, 100mm

The squeeze factor 1.5X offers the best flexible solution to use digital and scalable sensors from S35 to Full Format (36 x 24mm) – and from the 50mm on up to the 65/70 scope format.

The anamorphic elements are placed in the front to achieve the unique anamorphic bokeh. High contrast and deliberate flares define the lens character.



-  Front Anamorphic lense with1.5X factor,
universalon Large format from 16:9 to 1:2.40

- Stunning bokeh, fascinating lens flares, and perfect balance of modern and vintage character

- Designed for Full Format PL

- Aperture from T2.2 to T3.2

- Innovative combination of single and multilayer coating.

STEVE SPEERS

P&S Technik Technovision full frame anamorphic primes, Arri, Sony Venice, Red

Blackmagic Pocket Cinema Camera 4k BMPCC 4K comes with accessories.  
Canon EF Lens to BMPCC4K T CINE Speed Booster provides equivalent field of view of 1.3x crop relatively to Full Frame sensor and adds 1.3 stops of light rendering Sigma 18-35mm F1.8 as F1.0 lens. Combined with dual native iso makes this set up very capable in low light.


-Blackmagic Pocket Cinema Camera 4k
-Canon EF Lens to BMPCC4K T CINE Speed Booster XL 0.64x
-Sigma 18-35mm F1.8 DC HSM | Art 
-Tilta cage for BMPCC 4K
-Tilta top handle
-501 type tripod plate

Kit also includes 
-2 pin lemo to AC power adapter
-Canon LPE6 dummy battery 
-Dtap to 2 pin lemo power cable 

ALEXANDER KARPENKO

KIT Blackmagic Pocket Cinema Camera 4k BMPCC 4K KIT

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