ZEISS CP.3 15mm T2.9 Cinema Lens
The Zeiss 15mm T2.9 is a 15mm f/2.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ZEISS CP.3 15mm T2.9 Cinema Lens
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Lens Overview — Zeiss 15mm T2.9
Key Features — Zeiss 15mm T2.9
15mm Wide-Angle Prime: A fixed 15mm focal length built for expansive establishing shots, environmental storytelling, and immersive wide-angle perspectives.
T2.9 Maximum Aperture: Solid light transmission for a wide cinema prime, making it practical for controlled low-light shooting environments.
Full-Frame Image Circle: Covers full-frame sensors, making it compatible with a broad range of modern cinema cameras without vignetting.
PL Mount Standard: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other major manufacturers.
Manual Focus Design: Smooth, precise manual focus ring built for dedicated focus pullers operating independently in professional cinema workflows.
Compact 815g Body: Relatively lightweight for a cinema prime, making it practical for handheld rigs and weight-sensitive rigged configurations.
Lens Specifications — Zeiss 15mm T2.9
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 15mm |
| Maximum Aperture | f/2.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 815g |
Description — Zeiss 15mm T2.9
The ZEISS CP.3 15mm T2.9 Cinema Lens is a prime wide-angle lens built for the Cinema/Video camera system, covering a full-frame image circle. With a maximum aperture of T2.9 and a fixed focal length of 15mm, it delivers consistent optical performance suited to professional cinematography. The lens uses PL Mount, aligning it with a broad range of professional cinema cameras.
Focus is entirely manual, with no autofocus or image stabilization — characteristics that reflect its purpose-built cinema design, where focus control is handled deliberately on set. At 815g, the CP.3 15mm is manageable across a variety of camera configurations, from shoulder rigs to gimbal setups. No filter thread size is specified, so shooters planning front-mounted filtration should plan for a matte box or adapter solution.
As a dedicated cinema prime, it is optimized for productions where repeatable, precise focus and reliable light transmission are priorities.
Pros — Zeiss 15mm T2.9
- ✓Wide-angle 15mm focal length is well-suited for expansive cinematic compositions
- ✓Maximum aperture of T2.9 offers solid light transmission for a wide prime
- ✓Full-frame lens format provides broad image circle coverage
Cons — Zeiss 15mm T2.9
- ✗Manual focus only — no autofocus support, requiring a dedicated focus puller in most productions
- ✗No image stabilization, which is standard for cinema primes but worth noting for handheld use
- ✗Filter thread size is unspecified, potentially complicating front-mounted filtration workflows
Videos — Zeiss 15mm T2.9
ZEISS CP.3 - Lens Review & Test Footage — Oxenfree








