ZEISS CP.3 25mm T2.1 Cinema Lens
The Zeiss 25mm T2.1 is a 25mm f/2.1 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ZEISS CP.3 25mm T2.1 Cinema Lens
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Lens Overview — Zeiss 25mm T2.1
Key Features — Zeiss 25mm T2.1
T2.1 Maximum Aperture: Offers strong light-gathering capability for shooting in controlled or low-light environments without heavy reliance on artificial lighting.
Full-Frame Coverage: Designed to cover full-frame sensors, making it compatible with larger-format cinema cameras without vignetting.
PL Mount: Industry-standard cinema lens mount compatible with a broad range of professional cinema cameras from ARRI, RED, and others.
25mm Prime Focal Length: A versatile standard-to-slightly-wide field of view well suited to narrative filmmaking, documentary, and commercial production.
Manual Focus Design: Smooth, precise focus ring engineered for repeatable focus pulls in professional cinema workflows.
114mm Front Diameter: Consistent front diameter across the CP.3 lineup allows a single set of clip-on matte box and filter accessories to be shared across focal lengths.
Lens Specifications — Zeiss 25mm T2.1
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 25mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — Zeiss 25mm T2.1
The ZEISS CP.3 25mm T2.1 Cinema Lens is a prime optic built for professional cinema production, featuring a PL Mount and full-frame coverage. With a fixed 25mm focal length in the standard range, it suits a wide variety of shooting scenarios from intimate interiors to broader environmental shots. The maximum aperture of T2.1 delivers reliable performance in varied lighting conditions.
Weighing 1000g, the lens offers solid construction appropriate for cinema rigging environments. The 95mm front filter thread is a consistent feature across the CP.3 line, simplifying filter and matte box workflows when working with multiple lenses on set. Focus is entirely manual, aligning with professional cinema production standards where deliberate, precise focus control is essential.
Image stabilization is not included, as the lens is designed for use on stabilized platforms and rigs. This lens operates within the Cinema/Video camera system category, making it a focused tool for dedicated cinema camera setups.
Pros — Zeiss 25mm T2.1
- ✓T2.1 maximum aperture provides strong light-gathering capability for a cinema prime
- ✓Full-frame lens format ensures coverage for larger sensor cinema cameras
- ✓95mm filter thread diameter enables consistent filter use across matched CP.3 sets
Cons — Zeiss 25mm T2.1
- ✗Manual focus only — no autofocus for run-and-gun or solo shooter workflows
- ✗No image stabilization, requiring external stabilization solutions
- ✗Single PL Mount configuration limits direct compatibility with mirrorless or DSLR camera systems
Reviews — Zeiss 25mm T2.1
Videos — Zeiss 25mm T2.1
Zeiss CP2 VS Canon Cine Prime — Kalani Hubbard









