ZEISS CP.3 50mm T2.1 Cinema Lens
The Zeiss 50mm T2.1 is a 50mm f/2.1 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ZEISS CP.3 50mm T2.1 Cinema Lens
Get notified when one lists.
We'll text or email you the moment a ZEISS CP.3 50mm T2.1 Cinema Lens is listed on GearFocus.
Have a Zeiss 50mm T2.1 sitting in your bag?
You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.
Available Now on GearFocus
Zeiss 35mm f1.4 ZF.2 Distagon T* Lens *Leitax converted to Canon EF Mount
Lens Overview — Zeiss 50mm T2.1
Key Features — Zeiss 50mm T2.1
PL Mount: Industry-standard cinema mount ensures broad compatibility with professional camera systems from ARRI, RED, and other PL-compatible bodies.
Full-Frame Image Circle: Covers full-frame sensors, making it compatible with large-format cinema cameras without vignetting.
T2.1 Maximum Aperture: Calibrated T-stop rating ensures accurate and consistent light transmission, essential for exposure matching across a lens set.
50mm Standard Focal Length: A natural perspective close to human vision, well-suited for dialogue scenes, interviews, and general narrative coverage.
Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls by a dedicated focus puller in professional cinema workflows.
95mm Filter Thread: Shared front diameter across the CP.3 lineup simplifies mattebox use and allows filter accessories to move between lenses without adapters.
Lens Specifications — Zeiss 50mm T2.1
| Spec | Detail |
|---|---|
| Use Cases | Studio, Documentary, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 50mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — Zeiss 50mm T2.1
The ZEISS CP.3 50mm T2.1 is a prime cinema lens designed for full-frame coverage, built around the PL mount for seamless integration with professional cinema camera systems. Operating at a maximum aperture of T2.1, it provides reliable light transmission across a range of production environments. The manual focus design is fully in line with professional cinema practice, where precise focus control is managed by a dedicated focus puller rather than an autofocus system.
Weighing 880 grams, the lens is well-balanced for use on a variety of support systems including gimbals, shoulder rigs, and tripod-based setups. A 95mm front filter thread allows direct attachment of industry-standard front-mounted accessories without step-up rings, which is particularly useful when working with a unified set of CP.3 focal lengths. Classified as a standard focal length prime within the cinema/video camera system category, the 50mm focal length is a foundational choice for dialogue, portraiture, and general coverage work in professional production contexts.
Pros — Zeiss 50mm T2.1
- ✓Full-frame coverage supports large-sensor cinema cameras
- ✓PL mount provides industry-standard compatibility with professional cinema camera systems
- ✓Maximum aperture of T2.1 offers solid light transmission for a standard prime
Cons — Zeiss 50mm T2.1
- ✗No image stabilization, requiring reliance on stabilized rigs or platforms
- ✗Manual focus only — no autofocus option for run-and-gun or solo operator scenarios
- ✗Single PL mount listing; no other mount options confirmed in specifications
Reviews — Zeiss 50mm T2.1
Videos — Zeiss 50mm T2.1
Zeiss CP.3 Primes 18, 25, 35, 50, 85, 135 - Lens Tests — LensProToGo