ZEISS Supreme Prime 200mm T2.2 Cinema Lens
The Zeiss 200mm T2.2 is a 200mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ZEISS Supreme Prime 200mm T2.2 Cinema Lens
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Lens Overview — Zeiss 200mm T2.2
Key Features — Zeiss 200mm T2.2
200mm Telephoto Prime: Fixed focal length delivers consistent optical character and is well-suited to portrait, interview, and compressed-perspective cinematography.
T2.2 Maximum Aperture: Strong light transmission at a long focal length gives cinematographers meaningful control over exposure and depth of field in low-light conditions.
Large-Format Image Circle: Covers large-format cinema sensors, making it compatible with cameras like the ARRI ALEXA LF, RED MONSTRO 8K VV, and Sony VENICE.
PL Mount: Industry-standard cinema mount ensures broad compatibility across professional camera systems from ARRI, RED, Sony, and others.
Manual Focus Design: Smooth, precise focus ring built for controlled, repeatable focus pulls in professional cinema workflows.
Consistent Supreme Prime Geometry: Matches the physical housing dimensions and gear positions of other Supreme Prime focal lengths, enabling fast lens swaps without resetting follow focus systems.
Lens Specifications — Zeiss 200mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 200mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 52mm |
Description — Zeiss 200mm T2.2
The ZEISS Supreme Prime 200mm T2.2 is a professional cinema prime lens built around the PL Mount and designed for Full Frame sensor coverage. With a maximum aperture of T2.2, it delivers meaningful light transmission at this telephoto focal length, supporting controlled depth-of-field work in a range of production environments. The lens is a Prime design in the Telephoto focal length range, intended for the Cinema / Video camera system category.
Focus is Manual, with no autofocus functionality, following standard cinema production practice where precise manual focus and follow focus accessories are preferred. The lens weighs 3.41 kg, making it a substantial piece of glass that demands careful consideration of support systems, lens brackets, and overall rig balance. It features a 52mm filter thread for direct filter attachment, though a matte box or step-up adapter may be more practical given the lens's scale.
There is no image stabilization on this lens. As a PL Mount full-frame cinema prime, the Supreme Prime 200mm T2.2 is positioned for high-end narrative, commercial, and documentary productions operating within the PL lens ecosystem.
Pros — Zeiss 200mm T2.2
- ✓T2.2 maximum aperture provides strong light transmission at a demanding 200mm focal length
- ✓Full-frame lens format ensures coverage for large-format cinema sensors
- ✓PL Mount offers broad compatibility across professional cinema camera systems
Cons — Zeiss 200mm T2.2
- ✗At 3.41 kg, the lens is heavy and will require robust support and rigging solutions
- ✗No image stabilization, which can be a consideration for handheld or gimbal work at 200mm
- ✗52mm filter thread is relatively small for a lens of this size, potentially limiting direct filter use
Reviews — Zeiss 200mm T2.2
Videos — Zeiss 200mm T2.2
Zeiss Supreme Primes - What you need to know! — LensProToGo